Archive for New York
Hermon MacNeil’s “Chief of the Multnomah” was cast in full size and half size versions. This one was Discovered by a reader of this website several years ago in Vernon, New Jersey. Here was a brief note that was sent to the website:
I’ve been noticing a magnificent piece of the scultpture for the past few years, located in Vernon N.J. at the Minerals Spa and Resort. After closer examination I discovered it is Chief Multnomah with his arms crossed, standing on tip toes looking outward. “The coming of the white man” is the title usually ascribed to this work, but in this case the chief stands alone without his scout or assistant as pictured on your web-site. It is signed simply, H.A. Macneil S.C. 04. Just thought it was a variation of the piece that you might find interesting.I’m not really sure how long its been there, because I’m relatively new to the area. Being a sculptor myself and one that is particularly fond on the late 19th cent/early 20th cent period, with the likes of Rodin, Bayre, Dega, etc. Macneil certainly is a strong and salutory member of that period. Regards, D. Moldoff.
My response was as follows:
Dear D. L. Moldoff,
Thanks for noticing sculpture around you and sharing the information. The ‘Chief Multnomah’ is the larger Half of H. A. MacNeil’s “The Coming of the White Man.” (COTWM). While the COTWM piece is only at the Washington Park in Portland, OR, where it was commissioned for that city. The original plaster sculpture model is in the Poppenhusen Institute in Queens, NYC, just blocks from MacNeil’s studio.
(Click HERE ) for link to my archives of seven post on Chief of the Mulnomah.)
There are multiple castings of this single piece, the “Chief Multnomah”, possibly over 20 in total. I believe there are at lease two groupings of 12 casts and 9 casts of this statue. I have found information and location on three other ‘Multnomah’s. Plus there are many smaller (half-scale) casts of this sculpture.
These are the related entries for this story. For MORE see these previous posts:
“Clan MacNeil Connections and Hermon Atkins MacNeil”
The current issue of the Clan MacNeil Association of America magazine has a feature story on Hermon Atkins MacNeil by webmaster, Dan Leininger
The Galley edited by Vicki Sanders Corporon titles Dan’s story as “Clan MacNeil Connections and Hermon Atkins MacNeil.” The feature and photos fill 8 pages in the “Galley” issue for Spring/Summer 2014.
The featured photos include the East Pediment of the Supreme Court Building in Washington, D.C. (with a detail close-up of Moses, Confucius, and Salon); The George Rogers Clark monument in Vincennes, IN at the site of his victory over the British in 1779; Confederate Defenders of Charleston, SC; the Young Lawyer Abraham Lincoln in Champaign, IL; General George Washington on the Washington Arch, NYC, NY. Also in this article are photos of the grouping Coming of the White Man in Portland, OR; The WWI Angel of Peace Monument in Flushing NY; and a bust of Dwight L. Moody (who MacNeil sketched during the 1893 Chicago Worlds Fair.
WHO IS DAVE BLUE ?
Another mystery oil painting entitled “Dave Blue,” has surfaced through an inquiry on this website. The work is signed, “H. A. MacNeil SC” in two places.
Patrick Orr wrote from Connecticut,
“IS IT POSSIBLE THAT I HAVE A PAINTING BY H.A. MACNEIL?”
Patrick included several photos from which the detail at your right enlargement below were taken.
In our ongoing correspondence, I explained to Patrick the following:
A. MacNeil often placed the letters “SC” after his signature on works meaning “Sculptor.” This was his standard manner of signing his works. Interesting that he did so to an oil painting as well. See numerous examples on the masthead photos on my website.
B. MacNeil is known to have painted oils. Mostly for fun or gifts. My mother had an oil painting as a wedding gift that he gave her in 1929.
C. You have a unique and interesting piece. Just on the basis of looking at the pictures, I would say there is little reason to doubt that this piece is what it claims to be.
D. I doubt that a forger would bother to make a fake “MacNeil” oil painting.
E. Hermon would sketch when he went places or saw interesting people. He had an artists eye.
I asked Patrick where he got the work:
“The painting belonged to my grandparents, and when they died I asked my uncle if I could have it. I always liked it. I have no idea how they acquired it.”
“My grandparents and their grandparents are from the lower west side of Manhattan. In the 1970s my grandparents moved to CT. I don’t remember any stories unfortunately, but I will ask my mother. They definitely treasured it. Everybody always commented on it.”
“Who was Dave Blue? Did he live in a cave? Was he blind? Was he a freed slave or son of slaves? A mystery and so very intriguing.”
SO, Pat Orr agreed that I could post his “MacNeil Mystery” on my website. The next day another email arrived from Patrick:
“I have some interesting information for you. I spoke with my mother and she said H A MacNeil was a neighbor of my great grandparents in the Catskills. They had a summer house there, and he had one down the road. Apparently, my great grandfather was his doctor. In fact, H A did a bronze bust of my great grandfather which my brother has now at his house. The painting I have was a gift he gave to them.
… Unfortunately, my mom doesn’t know about the history or background of the painting itself. She doesn’t know when or where it was done.”
That fits in with the sticker on the back of the canvas being from a New York art supplier. I can imagine him picking up the canvas in New York, and then taking it with him on his travels and using it to do the study of the old black man.”
SO, the intriging “MacNeil Mystery” remains:
“Dave Blue who lived under the ground.”
Who was Dave Blue?
Did he live in the ground?
Was he blind?
Was he a freed slave or son of slaves?
Maybe we will get responses from other painting owners.
Maybe “Mr. Blue” has some relatives out there.
THANKS PAT, for making us curious.
Hermon MacNeil was the first president of the Clan MacNeil Association of America. This summer, the Galley will contain a feature article about him, written by Dan Leininger, webmaster of this website — HermonAtkinsMacNeil.com.
The previous posting of February 8, 2013, entitled, “MacNeil Kinsman ~ Hermon Atkins MacNeil and Robert Lister MacNeil,” tells part of the story of these two men.
Vicki Sanders Corporon, editor of the Galley, has accepted the article and accompanying photos that tell more of the story. She said in recent correspondence:
“Thanks for sending such excellent photos of Hermon’s sculptures. I know their inclusion, along with your article, will be the highlight of the upcoming issue! He really was one of America’s finest sculptors … how important is your mission to make sure he is fully appreciated!”
Sculpture photos of the Supreme Court (East Pediment); George Washington from the Washington Arch in NYC; Abraham Lincoln from University of Illinois; Ezra Cornell at Ithaca; Confederate Defenders Monument (1932) Charleston harbor, SC; and George Rogers Clark at Vincennes will illustrate the story.
On May 26, 1921, the Clan MacNeil Association of America was organized in New York City. Central to that moment were Robert Lister MacNeil, (The MacNeil of Barra – 45th Chief of the Clan), and Hermon Atkins MacNeil, the clan’s first president.
Stay tuned for more as the publication is released.
Several sculptures of Hermon Atkins MacNeil are featured in a current exhibition at the Metropolitan Museum of Art in New York City continuing through April 13, 2014. The show entitled “The American West in Bronze, 1850-1925” contains three parts: Indians, wild animals, and cowboys.
Three MacNeil works of early Native American images are visible online in an 8 photo slide show of the exhibit. They are apparently part of the “Indians” segment of the show. CLICK HERE for the link to this slide show. The MacNeil works include The Chief of the Multnomah (slide #3 in left background); The Moqui Runner (slide #6 foreground); The Sun Vow (slide #6 right rear).
The exhibit has received some criticism in a NY Times art review entitled “Manifest Destiny at the Point of a Gun” by Ken Johnson. The MacNeil pieces are specifically not mentioned in Johnson’s critique.
(More on Ken Johnson’s comments in the another article.)
“The American West in Bronze, 1850-1925” continues through April 13 at the Metropolitan Museum of Art; 212-535-7710, metmuseum.org.
Christmas Greetings from the home of Hermon and Carol MacNeil.
Pictured below is a tinted postcard of their studio which ajoined their home on College Point. Beneath that you can see their actual 1922 Christmas card drawn by Hermon MacNeil for their friends. Married on Christmas Day in 1895, this is also Hermon and Carol’s 27th Wedding Anniversary. (CLICK for MORE)
Note how Hermon’s Christmas card sketch resembles his “Sun Vow” pair of Native Americans from a quarter century earlier.
from the MacNeil’s of College Point just 91 years ago.