WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ Welcome to the virtual Gallery that celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. Over 120 stories and 600 photos create this digital museum / classroom. MacNeil led a generation of American sculptors in capturing many fading Native American images in the realism of this classic style. He also designed and sculpted for World's Fairs, public monuments, coins, and buildings across to country. [ Over 50 hot-links on the lower right columns lead to photos and information about various works by MacNeil. ]
~ At HermonAtkinsMacNeil.com, we celebrate his work 24/7.
~ Each February is "MacNeil Month" to honor his birth on February 27, 1866.

Visit MacNeil’s Monuments & Sculptures All Around Us!

Enjoy works of H.A. MacNeil here, at home, on vacation, wherever...
-- Use CATEGORY list below (Location, Expos, World Fairs ...)
-- Google Maps show location of sculptures!
-- Click on "Public Sculptures of H.A.MacNeil" to see photos.
-- Study & Leave COMMENTS at the bottom of any Posting.

Archive for Sculptures

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Dan Leininger holds the “Galley” for Summer 2014 with MacNeil’s “Pony Express” statue on the cover and an 8 page feature story inside.

“Clan MacNeil Connections and Hermon Atkins MacNeil”

The current issue of the Clan MacNeil Association of America magazine has a feature story on Hermon Atkins MacNeil by webmaster, Dan Leininger

The Galley edited by Vicki Sanders Corporon titles Dan’s story as “Clan MacNeil Connections and Hermon Atkins MacNeil.” The feature and photos fill 8 pages in the “Galley” issue for Spring/Summer 2014.

Ezra Cornell statue at Cornell University, Ithaca, NY was dedicated in 1918 after WWI.

Ezra Cornell statue at Cornell University, Ithaca, NY was dedicated in 1918 after WWI.  Page 19 of the “Galley” (This Photo from Cornell University is Courtesy of Chris Carlsen). 

 

 

Page 20 of  “Galley” for Summer 2014

Page 20 of the “Galley” for Summer 2014

The featured photos include the East Pediment of the Supreme Court Building in Washington, D.C. (with a detail close-up of Moses, Confucius, and Salon); The George Rogers Clark monument in Vincennes, IN at the site of his victory over the British in 1779; Confederate Defenders of Charleston, SC; the Young Lawyer Abraham Lincoln in Champaign, IL; General George Washington on the Washington Arch, NYC, NY. Also in this article are photos of the grouping Coming of the White Man in Portland, OR; The WWI Angel of Peace Monument in Flushing NY; and a bust of Dwight L. Moody (who MacNeil sketched during the 1893 Chicago Worlds Fair.

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Page 18 of the “Galley” for Summer 2014

Another art work of Hermon A. MacNeil has emerged through the kindnesses of the Orr family and the attraction of this website  –  namely, a beautiful portrait bust of Hermon MacNeil’s physician, Dr. Francis G. Reilly.

Pat Orr send the information about his MacNeil painting of “Dave Blue” as presented in my previous posting.  He was also kind enough to ask his brother, Tim Orr, to send some photos of another Hermon MacNeil creation that has been in their family (for almost) five generations.  

Pat sent the following request to Tim:

Profile view of plaster bust of Dr. F. G. Reilly created by Hermon Atkins MacNeil.

Profile view of plaster bust of Dr. F. G. Reilly created by Hermon Atkins MacNeil. (photo courtesy and permission of Tim Orr)

Dan has a website dedicated to the life and works of his uncle H.A. MacNeil.  I have the oil painting of Dave Blue Who Lived Under the Ground and you have the bronze bust of Daddy Boy (Grandma’s father, Dr. Francis Reilly). Could you email him some pics.  See his directions below.  He wants to add the discoveries of his uncle’s work to his website and possibly a book as well.

Tim sent several photos of the bust of “Daddy Boy,” as the family has called their heirloom piece. Enhanced profile and frontal views are posted here.

Pat also included some tidbits of family history he gathered in his “MacNeil detective work:’

Bust of F.G. Reilly, MD, FACS was the physician for Hermon A. MacNeil. This bust was a gift to Dr. Reilly by the artist.

Bust of F.G. Reilly, MD, FACS was the physician for Hermon A. MacNeil. This bust was a gift to Dr. Reilly by the artist.

 I have a few more details of interesting information for you.  I spoke with my mother and she said H A MacNeil was a neighbor of my great grandparents in the Catskills. They had a summer house there, and he had one down the road. Apparently, my great grandfather was his doctor. In fact, H A did a bronze bust of my great grandfather which my brother has now at his house.  …

In terms of the home in upstate New York called “Bittersweet” I don’t know what happened to that.  I imagine it was sold at some point along the way.  That was way before my time.  I was born in Washington, D.C. in 1970.

Did you ever meet your uncle, or you just know him by way of photographs?

Tim provided additional interesting family details not mentioned before:

As I understand the story, the bust was compensation to my GG (sic: great-grandfather) for medical services rendered…but that could just be a story. The medallion was either a gift or he may have purchased it, or could have been compensation also.  As an aside, the vacation home in Liberty NY is now under water, a part of a reservoir network in that area I believe.

Tim Orr sent this photo of a SOM#3 medallion at the base o the bust.

Tim Orr sent this photo of a SOM#3 medallion at the base o the bust.

The idea of “compensation” (barter) makes sense in that era and in Hermon MacNeil’s history of doing that with Inn-keepers in his early years of travel in Italy and Paris . 

Thanks to Pat and Tim Orr for sharing heir family history and treasures.  They give us insight into Hermon A. MacNeil and their own family

 

Dave Blue. An oil painting on canvas board signed "H.A. MacNeil SC" in two places.

Dave Blue. An oil painting on canvas board signed
“H.A. MacNeil SC” in two places.

WHO IS DAVE BLUE ?

Another mystery oil painting entitled “Dave Blue,” has surfaced through an inquiry on this website.  The work is signed, “H. A. MacNeil SC” in two places.

Patrick Orr wrote from Connecticut,

“IS IT POSSIBLE THAT I HAVE A PAINTING BY H.A. MACNEIL?”

Patrick included several photos from which the detail at your right enlargement below were taken.

Dave Blue. An oil painting on canvas board signed  "H.A. MacNeil SC" in two places.

Dave Blue. An oil painting on canvas.

In our ongoing correspondence,  I explained  to Patrick the following:

A. MacNeil often placed the letters “SC” after his signature on works meaning “Sculptor.”  This was his standard manner of signing his works. Interesting that he did so to an oil painting as well.  See numerous examples on the masthead photos on my website.

B. MacNeil is known to have painted oils. Mostly for fun or gifts.  My mother had an oil painting as a wedding gift that he gave her in 1929.

C. You have a unique and interesting piece. Just on the basis of looking at the pictures, I would say there is little reason to doubt that this piece is what it claims to be.

D. I doubt that a forger would bother to make a fake “MacNeil” oil painting.

E. Hermon would sketch when he went places or saw interesting people. He had an artists eye.

I asked Patrick where he got the work:

“The painting belonged to my grandparents, and when they died I asked my uncle if I could have it. I always liked it. I have no idea how they acquired it.”

“My grandparents and their grandparents are from the lower west side of Manhattan.  In the 1970s my grandparents moved to CT.  I don’t remember any stories unfortunately, but I will ask my mother.  They definitely treasured it.  Everybody always commented on it.”

“Who was Dave Blue?  Did he live in a cave?  Was he blind?  Was he a freed slave or son of slaves?  A mystery and so very intriguing.”

SO, Pat Orr agreed that I could post his “MacNeil Mystery” on my website. The next day another email arrived from Patrick:

“I have some interesting information for you. I spoke with my mother and she said H A MacNeil was a neighbor of my great grandparents in the Catskills. They had a summer house there, and he had one down the road. Apparently, my great grandfather was his doctor. In fact, H A did a bronze bust of my great grandfather which my brother has now at his house. The painting I have was a gift he gave to them.

… Unfortunately, my mom doesn’t know about the history or background of the painting itself. She doesn’t know when or where it was done.”

That fits in with the sticker on the back of the canvas being from a New York art supplier. I can imagine him picking up the canvas in New York, and then taking it with him on his travels and using it to do the study of the old black man.”

SO, the intriging “MacNeil Mystery” remains:

“Dave Blue who lived under the ground.”

  1. Who was Dave Blue?  

  2. Did he live in the ground?  

  3. Was he blind?  

  4. Was he a freed slave or son of slaves? 

Maybe we will get responses from other painting owners.

Maybe “Mr. Blue” has some relatives out there.

THANKS PAT, for making us curious.

Hermon MacNeil was the first president of the Clan MacNeil Association of America.  This summer, the Galley will contain a feature article about him, written by Dan Leininger, webmaster of this website — HermonAtkinsMacNeil.com.

"The Galley" Spring/Summer 2013; Clan MacNeil Association of America

“The Galley” Spring/Summer 2013; Official Publication of the Clan MacNeil Association of America

The previous posting of February 8, 2013, entitled, “MacNeil Kinsman ~ Hermon Atkins MacNeil and Robert Lister MacNeil,” tells part of the story of these two men.

Vicki Sanders Corporon, editor of the Galley, has accepted the article and accompanying photos that tell more of the story. She said in recent correspondence:

“Thanks for sending such excellent photos of Hermon’s sculptures. I know their inclusion, along with your article, will be the highlight of the upcoming issue! He really was one of America’s finest sculptors … how important is your mission to make sure he is fully appreciated!”

Sculpture photos of the Supreme Court (East Pediment); George Washington from the Washington Arch in NYC; Abraham Lincoln from University of Illinois; Ezra Cornell at Ithaca; Confederate Defenders Monument (1932) Charleston harbor, SC; and George Rogers Clark at Vincennes will illustrate the story.

On May 26, 1921, the Clan MacNeil Association of America was organized in New York City.  Central to that moment were Robert Lister MacNeil, (The MacNeil of Barra – 45th Chief of the Clan), and Hermon Atkins MacNeil, the clan’s first president.

Stay tuned for more as the publication is released. 

Several sculptures of Hermon Atkins MacNeil are featured in a current exhibition at the Metropolitan Museum of Art in New York City continuing through April 13, 2014.  The show entitled “The American West in Bronze, 1850-1925”  contains three parts: Indians, wild animals, and cowboys.

A MacNeil "Sun Vow" sculpture housed in the Founder's gallery of the Reading Public Museum in Reading, PA

A MacNeil “Sun Vow” sculpture housed in the Founder’s gallery of the Reading Public Museum in Reading, PA

Another Chief of the Mulnomah

Another “Chief of the Mulnomah” was identified at Mount Vernon, Ohio in an August 2013 inquiry from Linnette Porter-Metler of the Mt. Vernon and Knox County Library Staff. The date ’03′ follows MacNeil’s signature.

Three MacNeil works of early Native American images are visible online in an 8 photo slide show of the exhibit. They are apparently part of the “Indians” segment of the show.  CLICK HERE for the link to this slide show.  The MacNeil works include The Chief of the Multnomah (slide #3 in left background); The Moqui Runner (slide #6 foreground); The Sun Vow (slide #6 right rear).  

The exhibit has received some criticism in a NY Times art review entitled  “Manifest Destiny at the Point of a Gun” by Ken Johnson.  The MacNeil pieces are specifically not mentioned in Johnson’s critique. 

(More on Ken Johnson’s comments in the another article.)

MacNeil's "Moqui Runner" at the Newberry Library (photo by webmaster - bkgd removed)

MacNeil’s “Moqui Runner” at the Reading Room of the Newberry Library  in Chicago. This piece is a gift of Edward Everett Ayer who encouraged and marketed 12 castings of this piece for MacNeil during his early years in Rome 1896-99.  (photo by Dan Leininger, webmaster – bkgd removed)

“The American West in Bronze, 1850-1925” continues through April 13 at the Metropolitan Museum of Art; 212-535-7710, metmuseum.org.

Multnomah13b

Base inscription on “Chief of the Multnomah” at Mount Vernon and Knox County Library of Mt. Vernon, Ohio

Last summer I received an email from Linette Porter-Metler of the Mount Vernon and Knox County Library of Mount Vernon, Ohio.  She enclosed the photos you see below.

Linette entitled her email, “DO WE HAVE ONE?” Here is what she said:

Thanks for your website!

We are a four-library public library system in Central Ohio.  All year, we have been celebrating our 125th Anniversary here as a public library in Mount Vernon, Ohio, and during our research we found that one of our sculptures donated to us in 1936 by a Dr. Freeman Ward may be one of The Chief of the Multnomah statues shown on your site. But it does have some differences as you can see by the photo compared to the one on your site at the New York museum.

Ours does not seem to have a number stating it was one of the copies (i.e. 4/20)..All it has is his name, the word “Multnomah”, and the number “03” etched on the side of his footrest. I will send photos. Also, there is a copper? Twisted piece at top of bow near his shoulder.

I will enclose as many photos as I can.  If you have any further information to share with us about this, we would appreciate it!

Thanks!

Linette Porter-Metler, Community Relations / Public Affairs, Public Library of Mount Vernon and Knox County, 201 N. Mulberry Street, Mount Vernon, OHIO

PLMVKC Ind8My answer is simply:

YES,  MT. VERNON,

YOU HAVE ONE !

Another "Chief of the Mulnomah" discovered at Mt. Vernon, Ohio.

Another “Chief of the Mulnomah” discovered at Mt. Vernon, Ohio.

 

 

PLMVKC Ind03

H. A. MACNEIL signature on the Multnomah statue with the year ’03′ (as in 1903).

Christmas Greetings from the home of Hermon and Carol MacNeil. 

Pictured below is a tinted postcard of their studio which ajoined their home on College Point.  Beneath that you can see their actual 1922 Christmas card drawn by Hermon MacNeil for their friends.  Married on Christmas Day in 1895, this is also Hermon and Carol’s 27th Wedding Anniversary.  (CLICK for MORE)
Note how Hermon’s Christmas card sketch resembles his “Sun Vow” pair of Native Americans from a quarter century earlier. 

MERRY CHRISTMAS

from the MacNeil’s of College Point just 91 years ago.

MacNeil studio in College Point

MacNeil studio in College Point

MacNeil Christmas card

MacNeil Christmas card 1922 (photo courtesy of  – James Haas)

Hermon Atkins MacNeil (1866-1947) – “Hopi” (Obverse) and “Prayer for Rain” (Reverse)  Society of Medallists (SOM), Issue #3 of 1931, was based on MacNeil’s “Moqui (Hopi) Runner” statue of 1897.  This was the only SOM issue that MacNeil would ever sculpt.  Yet nearly fifty years later (1943), he vividly described these images of his 1895 travels to the Hopi (Moqui) Mesa in his Autobiographical Sketches.

MacNeil’s brief artists intro accompanying the medal is as follows:

Four examples of various finish patinas medals that MacNeil selected for SOM#3 in 1931 (from collection of Dan Leininger, webmaster)

Four examples of various finish patinas on medals that MacNeil selected for SOM#3 in 1931 (Reverse view. From collection of Dan Leininger, webmaster)

“The two incidents of the Hopi Prayer for Rain on the mesas of northeastern Arizona depicted on this medal are chosen by your sculptor because of the extraordinary vital enthusiasm and power that the Indians throw into this ceremony. Having witnessed it and been thrilled by the intensity of their emotion and on further study by the complicated and perfectly natural development of this drama, I cannot help feel that in it we find a basic note underlying all religions. All these Southwest Indians, living as they do in an arid region, have developed their religion along the lines of their greatest need –water.”

In the documentation accompanying each medal, MacNeil offered the following additional narrative of his witnessing of this ritual nearly 36 years earlier while on his 1895 venture to the Southwest with Hamlin Garland and Charles F. Browne:

This is one of their greatest and most important ceremonies. Occurring in August, it is filled with ritualism for nine days and in their kiva, an underground chamber, they have ceremonies with these snakes that have been gathered by the antelope and snake clans of their tribe for six days, from the north, east, south and west, also from above and below, therefore from all the directions of the universe. These snakes, so far as our best authority goes, although a portion of them are poisonous varieties, are not tampered with but are handled freely by the Indians, both during their underground ceremonies, and later on the last day above ground, in their public ceremony. During the last day ceremony they dance two and two, one with the snakes in his mouth, sometimes two at a time, while the other, accompanying him, wards off the head of the snake from the face of his companion with an eagle feather. It will be remembered that the eagle preys on the snake in nature and the smell of the eagle feather is supposed to frighten the snake with the intention of preventing him from biting.  This ceremony was so intense and apparently so vital to them that although I myself saw two Indians bitten, they seem to be so completely under the control of the spirit that although I watched for further developments, yet there seemed to be no swelling or poisonous effects from the bites.

Even though the dancing takes place after the participants have taken hardly any food during the nine days, yet immediately after the public ceremony, which is performed in a circular action around the sacred stone on the mesa at Waslpi, they each take an emetic. After circling twice around the sacred rock, the one bearing snakes in his mouth emits them and a third follower immediately grabs the snake from the ground and carries it back to a little improvised enclosure of cottonwood boughs. After all the snakes have been used on this manner each Indian grabs into the bunch and with his hands filled with the snakes, each one starts running down the trail off the mesa onto the plains as shown on the reverse side of the medal and figuratively deposits the snakes again in their underground abodes.

Obverse of SOM#3 by Hermon MacNeil (collection of Dan Leininger, webmaster)

Obverse of SOM#3 by Hermon MacNeil (collection of Dan Leininger, webmaster)

Behind the heads of the dancers on the obverse is shown the sand picture drawn by the Indians themselves with colored earths on the floor of their kiva or underground chamber, about which they performed sacred ceremonials previous to the public dance. On this side of the medal the attempt is also made to show the apparent basic reason for the use of the snake in this prayer for water. This reason or theory seems to have evolved from the similarity in action between the snake on the earth and the lightning in the sky. The Indian, however, has evolved the theory of a kind of cousinship through these angular moving reptiles with the still more angular movement of the lightning to jar the rain clouds for rain, thus making their chief need their strongest prayer. Curiously enough, although there had been no sign of rain for weeks, the day following the remarkable ceremony, a little cloud appeared in the sky and the next day it rained copiously.” 

[ SOURCE: Society of Medalists documentation accompanying the medals; reproduced at “Medals4Trade” ]

1931 "Moqui Rain Dance" (reverse) SOM #3 ~ Dan Leininger, webmaster

1931 “Moqui Rain Dance” (Obverse) SOM #3 ~ Dan Leininger, webmaster

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
Tech Support: Leiturgia Communications, Inc.
COME BACK & WATCH US GROW

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

PHOTOS WANTED: Be a WEBSITE contributor

WE DESIRE YOUR DIGITAL PHOTOS of MacNeil's work! Here's some photo suggestions:
1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil's signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster