Archive for Cornell
Hermon MacNeil’s three years at Cornell (1886-1889) with Professor Robert Henry Thurston shaped the rest of his sixty years of life and his entire career as a sculptor. After leaving there, MacNeil would eventually return to make four major sculptures for the University. In his will executed after his death, he ordered that all of his professional papers be left to the Cornell University Library (Division of Rare and Manuscript Collections #2425).
Of Robert H. Thurston’s thousands of career accomplishments, perhaps his quietest yet most profound, was his personal praise for Hermon MacNeil‘s sculptural talent and the confidence with which he encouraged Hermon to develop those skills in Europe and the Beaux Arts schools of Paris.
In the 1880s, Thurston was a man of vision who became a central pioneer in the developing field of Mechanical Engineering. He would soon become the first president of the newly organized American Society of Mechanical Engineers (A.S.M.E.). The faculty of Cornell brought him there to start the Sibley College of Engineering.
The bronze memorial sculpture at the right was a tribute to Thurston who died in 1903. The Cornell University, its Sibley College of Engineering and the Ithaca community conceived, subscribed and and commissioned MacNeil to sculpt this bas-relief in 1908. A duplicate of this bronze memorial was placed in New York City at the offices of the ASME. Thurston was the first president of that national engineering society.
In 1886, Hermon MacNeil was a fresh twenty year-old graduate of Boston State Normal Art School. MacNeil was then the same age as a certain carpenter named Ezra Cornell when he walked forty-one miles (in 1826) into the town of Ithaca from DeRuyter, New York. Arriving at the crest of Libe Slope (the current location of MacNeil’s statue of him), Cornell could see the town of Ithaca in the valley below. The place looked so promising as young Ezra could see manufactured goods and commodities being transferred from wagons to steamboats and barges. University history explains it this way:
At last he had come to a place, Cornell decided —before continuing down the hill, taking a boardinghouse room for the night and finding a carpentry job the next morning— where he could make something of himself. [ Cornell Engineering: A Tradition of Leadership and Innovation, p. 2. ]
Exactly sixty years later, another twenty year old was brought to Ithaca, this time by Professor Robert Thurston. MacNeil had just Graduated with first honors from the Boston State Normal Arts School (Massachusetts School of Art). This talented youth brought skills that Thurston desired all of his engineers to develop (mechanical drawing, drafting, architectural drawing, geometries, modeling and sculpting.
So Thurston hired Hermon MacNeil as Instructor of Art to teach these skills. The engineer degree required four years of these classes. Thurston wanted mechanical engineering students to know how to draw and to absorb the visual skills of a true artist.
Stay tuned for more (Part 2) on MacNeil’s first attempts at sculpting at Cornell and Professor Thurston’s vital role in affirming Hermon’s talent and future as a sculptor.
Judge Douglas(s) Broadman became the first Dean of the Cornell University Law School in 1887 when Hermon MacNeil was on the faculty. After the Judge’s death in 1891, MacNeil was commissioned to sculpt a bust of Professor Boardman for the University. This was one of MacNeil’s earliest works in marble. At the time he was residing in Chicago working on the 1893 World’s Columbian Exposition
MacNeil taught modeling of sculpture at Cornell from 1886-89. He would have known Broadman who came to teach Law in 1887 after a distinguished career on the bench
According to Cornell Archives:
Douglass Boardman graduated from Yale in 1842 and then studied law. He was admitted to the bar in 1845 and practiced law in Ithaca, New York. From 1848-1851 he served as District Attorney of Tompkins County, New York, and from 1852-1856 was County Judge. In 1856 he and Judge Francis M. Finch formed a law partnership which continued until 1866 when Boardman was elected a justice of the Supreme Court for the 6th district. He was a director of the First National Bank of Ithaca from its organization in 1864 and became its president in 1884; became a trustee of Cornell University in 1875; and was appointed Dean when the Cornell Law School was organized. Judge Boardman retired from the Supreme Court in 1887, and died in 1891. [ http://rmc.library.cornell.edu/EAD/htmldocs/RMM01622.html ]
For More history see:
Hermon Atkins MacNeil (1866-1947) and Thomas Henry McNeil (1860-1932) were cousins. They shared a common grandfather, Peter McNeil (1786-1847).
Hermon is the sculptor celebrated on this website.Thomas (Tom Henry) was my grandfather. My mother, Ollie Francis McNeil, always referred to Hermon as “Uncle Hermon”. Their parents wanted her (and her sisters and brother) to do that out of respect.
Hermon was more correctly their “first cousin, once removed”. But “Uncle” seems both easier and more respectful. Hermon would be my “first cousin, twice removed” [ see ancestry chart below ].
Tom Henry was born in Missouri, near Burdette in Bates County. He graduated from the University of Michigan. He played football there as the first starting quarterback in consecutive seasons. He practiced as a lawyer for Kansas City Railways Company, and in later years, he was responsible for making accident reports to the Interstate Commerce Commission and the Public Service Commission of Missouri. He died in 1932.
Hermon was born in Everett (Chelsea, Malden) Mass. In 1886 he graduated from Normal Art School in Boston (now Mass Art). He moved to Cornell University, New York, until 1889, leaving to study in Paris as a pupil of Henri M. Chapu and Alexandre Falguière. He sculpted in Chicago from 1891-1895, at the Columbian World Exposition (1893 Chicago World’s Fair) meeting Carol Brooks (also a sculptor). They married on Christmas Day 1895 and sailed days later for Rome (1895-99). Following another year in Paris (1899-1900), they settled in New York City building a home and studio in College Point, Long Island. He worked and lived there until his death in 1947.
FOR MORE read:
Daniel Neil Leininger, webmaster, HermonAtkinsMacNeil.com
Upon graduation from Massachusetts Normal Art School, MacNeil’s work was recognized with the award ‘first prize’ in his graduating class. This honor attracted the attention of Cornell University in Ithaca, New York. They invited him to teach as Instructor of Industrial Art. His discipline there was sometimes described as ‘modeling’ – meaning sculpturing from live models.
For three years (1886-89), he taught on the faculty. It seems a formative time. He saved his money, followed his dreams, and resigned in 1889 to travel to Europe studying art in Paris. The Cornell University, wanting to stay connected to this promising young sculptor, told him they would hold his faculty position for him.
Upon returning to the USA, MacNeil decided to settle in Chicago, instead. The reason was that the Chicago Worlds Fair was generating commissions for Sculpture as part of this ‘modern’ extravaganza.
Yet despite Hermon MacNeil’s decision to not return to Cornell University, the ties and the mutual affection, have remained over the years as evidenced in the following:.
- In 1893, he was commissioned to sculpt a bust of the first dean of the Law School Judge Douglas Boardman . The work remains in Myron Taylor Hall, inside of the Rare Book Room (as seen in the above link).
- In 1930 he was asked to make a sculpture of Ezra Cornell, the founder of the school to grace the campus. A moving account of his experience of this sculpture will be posted later on this website.
- Later, toward the end of his life, he chose to archive his personal papers in the library at Cornell where they remain the largest repository of his records and correspondence, to this day. See MacNeil Personal Papers
MacNeil’s fingerprints remain on Cornell University to this day.
The upcoming post, MacNeil Month #3, will feature “Studies in Paris.”
Over two hundred years after his birth [See the Party], Ezra Cornell is advising students on-line at Cornell University. His statue, sculpted by Hermon A. MacNeil, offered some sense of the founders presence on campus when it was dedicated ninety-one years ago. But MacNeil’s figure like all other such art captured the benefactor as ‘frozen in time’ and non-interactive.
So, enter the digital world, circa 1986. Jerry Feist, Assistant Dean of Students and Steve Worona ’70, M.S. ’73 inaugurated Dear Uncle Ezra (DUE) as the world’s first online advice column. Feist became the first Uncle Ezra, answering questions for years many before passing the torch to his unknown successor. The creation has continued to answer “over 20,000 questions, ranging from the serious (“I’m stressing out big time — where can I get help?”) to the silly (“Why is there no chair lift on the slope?”).”
The site provides an interactive voice for Cornell students to meet their “Dear Uncle Ezra” (whose identity is kept strictly under wraps). Not only is it popular on Cornell but several universities have copied the idea for their own campus websites. “Uncle Ezra is the original, of which all others are copies.According to Christine Ryu in an article in the Cornell Daily Sun,“Two centuries after his birth Ezra Cornell is most readily identified by his green statue on the Arts Quad.” So Hermon gave Erza a likeness. Computer technology and Staff creativity have given him a voice and a presence in student life and the staff services. Ryu quotes local sources as follows:
Resident Cornell history buff and former Sun columnist Corey Earle ’07 says “I think Dear Uncle Ezra is a phenomenal resource for the Cornell community,” noting that “with all the vast resources that Cornell students have available to them at Cornell, the most difficult thing is finding the right one to use. More than anything else, Uncle Ezra points people in the right direction.”
We at HermonAtkinsMacNeil.com have brought our own “Dear Uncle Hermon” into the digital age. Perhaps both Uncles would be proud. If Uncle Hermon’s art gave Ezra a three dimensional likeness on campus, then Dear Uncle Ezra (DUE) certainly gave him a voice. Ezra has come a long way from his telegraph technology days and Western Union fortune and empire that he used to build Cornell University. Thanks to both of our Uncles. You have provided quite an inheritance.
MacNeil’s said of this statue, “When I began to work on that, my heart fairly leaped within me. Mr. Cornell, I discovered, looked like my own father! … And so throughout it was a labor of love; it almost worked itself out.” [ J. Walker Mc Spadden, Famous Sculptors of America, pp. 319-320. ]
Dear Ezra http://ezra.cornell.edu/
Cornell Daily Sun http://cornellsun.com/node/2726
See Also: [ J. Walker Mc Spadden, Famous Sculptors of America, Libraries Press: Freeport, New York, pp. 319-320. ]
The statue of Cornell University founder, Ezra Cornell, was dedicated on June 12, 1919 after a delay brought on by the World War I. A picture of the dedication event (complete with straw-hats on the gentlemen in attendance) can be seen at the link below to the Cornell Chronicle Online along with a news account of the decication. Hermon Atkins MacNeil came to Cornell in 1886 (at the age of 20) to teach modeling (Instructor of Industrial Art). He taught there for 3 years. The Cornell Chronicle article sites a tradition that “Miniatures of the statue, known as the ‘coveted Ezra,’ are given to the university’s foremost benefactors as a token of the university’s appreciation for their support.”
Some marketing of these miniatures of this MacNeil sculpture are still done today by art dealers. The following link provides an example with further data, photo detail, and dimensions.
More on Ezra Cornell can be viewed in the The Erza Files