WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Sep
01

Professor Robert Henry Thurston ~ ‘Encourager of MacNeil’s Genius’ (Part 1 of 3)

By
Professor Robert H. Thurston, first Director of Sibley School of Mechanical Engineering at Cornell, 1886-1903

Professor Robert H. Thurston, first Director of Sibley School of Mechanical Engineering at Cornell, 1886-1903

Hermon MacNeil’s three years at Cornell (1886-1889) with Professor Robert Henry Thurston shaped the rest of his sixty years of life and his entire career as a sculptor.   After leaving there, MacNeil would eventually return to make four major sculptures for the University. In his will executed after his death, he ordered that all of his professional papers be left to the Cornell University Library (Division of Rare and Manuscript Collections #2425).

Of Robert H. Thurston’s thousands of career accomplishments, perhaps his quietest yet most profound, was his personal praise for Hermon MacNeil‘s sculptural talent and the confidence with which he encouraged Hermon to develop those skills in Europe and the Beaux Arts schools of Paris.

Professor Robert Henry Thurston (1839-1903). Founding Director of the Sibley College School of Engineering of the Cornell University. Thurston hired and mentored Hermon Atkins MacNeil from 1886-89 age 20 to 23 (1886-89) to teach industrial art, drawing, to the engineering students.  A duplicate of this bronze bust and memorial plaque was erected at the American Society of Mechanical Engineers (ASME) office in NYC.  Thurston was the first President of ASME.

Professor Robert Henry Thurston (1839-1903). Founding Director of the Sibley College School of Engineering of the Cornell University. Thurston hired and mentored Hermon Atkins MacNeil from 1886-89 age 20 to 23 (1886-89) to teach industrial art, drawing, to the engineering students. A duplicate of this bronze bust and memorial plaque was erected at the American Society of Mechanical Engineers (ASME) office in NYC. Thurston was the first President of ASME.

In the 1880s, Thurston was a man of vision who became a central pioneer in the developing field of Mechanical Engineering.  He would soon become the first president of the newly organized American Society of Mechanical Engineers (A.S.M.E.). The faculty of Cornell brought him there to start the Sibley College of Engineering. 

The bronze memorial sculpture at the right was a tribute to Thurston who died in 1903. The Cornell University, its Sibley College of Engineering and the Ithaca community conceived, subscribed and and commissioned MacNeil to sculpt this bas-relief in 1908.  A duplicate of this bronze memorial was placed in New York City at the offices of the ASME.  Thurston was the first president of that national engineering society.

In 1886, Hermon MacNeil was a fresh twenty year-old graduate of Boston State Normal Art SchoolMacNeil was then the same age as a certain carpenter named Ezra Cornell when he walked forty-one miles (in 1826) into the town of Ithaca from DeRuyter, New York. Arriving at the crest of Libe Slope (the current location of MacNeil’s statue of him), Cornell could see the town of Ithaca in the valley below.  The place looked so promising as young Ezra could see manufactured goods and commodities being transferred from wagons to steamboats and barges.  University history explains it this way:

At last he had come to a place, Cornell decided —before continuing down the hill, taking a boardinghouse room for the night and finding a carpentry job the next morning— where he could make something of himself.  [ Cornell Engineering: A Tradition of Leadership and Innovation, p. 2. ]

Exactly sixty years later, another twenty year old was brought to Ithaca, this time by Professor Robert Thurston.  MacNeil had just Graduated with first honors from the Boston State Normal Arts School (Massachusetts School of Art).  This talented youth brought skills that Thurston desired all of his engineers to develop (mechanical drawing, drafting, architectural drawing, geometries, modeling and sculpting. 

So Thurston hired Hermon MacNeil as Instructor of Art to teach these skills. The engineer degree required four years of these classes.  Thurston wanted mechanical engineering students to know how to draw and to absorb the visual skills of a true artist.

Stay tuned for more (Part 2) on MacNeil’s first attempts at sculpting at Cornell and Professor Thurston’s vital role in affirming Hermon’s talent and future as a sculptor. 

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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster