WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style. World's Fairs, statues, public monuments, coins, and buildings across to country. [Hot-links (on the lower right) lead to photos and info about these works by MacNeil. ]

~ 2016 marked the 150th Anniversary of Hermon MacNeil's birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Archive for December, 2014

I sit here in Chicago during this Christmas Season, imagining a Christmas wedding ceremony one hundred and nineteen years ago.

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On Christmas Eve day in 1895, Hermon Atkins MacNeil and Carol Louise Brooks purchased a Cook County license to solemnize their marriage. The very next day, Christmas 1895, they shared their vows before God and a Congregational minister named, Edward F. Williams, here in Chicago.  The record looks like this:

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

Both Hermon and Carol were sculptors. Hermon had completed 4 bronze relief sculpture panels for the new Marquette Building. They had fellow friends among the art community, sculptor colleagues from the  Chicago World’s Fair, students and teachers from the Art Institute of Chicago, and “White Rabbits” team of women sculptors.  We don’t have any record of who might have witnessed their nuptials.

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But it was Christmas Day, a time when families gather.  Hermon’s family was far away in Massachusetts. Carol’s was born in Chicago and studied there at the Art Institute with Lorado Taft working on the 1893 Worlds Fair with her “White Rabbit” colleagues. Perhaps some friends or family were present or even hosted some wedding celebration. Her parents were close enough to be present, but no evidence suggests that.  It appears to have been a quick, quiet, modest ceremony.  The less than a one-day turn around on their marriage license would support that.  In addition, we know that they sailed a week later for Rome and Hermon’s Roman Reinhart Scholarship studies there. A  December 22, 1895 – New York Sun, article (CLICK HERE) supports that as well as a letter from Amy Ardis Bradley [ CLICK for MORE ]

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New York Sun December 22, 1895 "The Reinhart Prize Winner ~ Hermon Atkins Macneil of Chicago"

New York Sun December 22, 1895 “The Reinhart Prize Winner ~ Hermon Atkins Macneil of Chicago”

The officiating minister, Rev. Edward (Franklin) Williams appears to have been a prominent clergy described as “a Congregational minister, educator, field agent for the United States Christian Commission, missionary, and writer.” Source: Edward Franklin Williams papers, Amistad Research Center at Tulane University, New Orleans, Louisiana )  He wrote Carol’s name as “Carrie” in his handwritten certification on the bottom of the license.  She went by ‘Carrie’ among her friends.

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Whether Rev. Williams considered her a ‘friend’ we do not know.  Philip Khopf, the Cook County clerk, wrote ‘Carol’ in the top portion of the certificate.  Rev. Williams could have copied “Carol” from the official record above, but chose to use ‘Carrie’ instead.  The license lists Carol as being 24 years of age and Hermon as 29.  We know that the minister was 63 years of age when he led their ceremony.  Until 1891 he was pastor of the South Congregational Church, in suburban Chicago.  For health reasons he had “an extended stay abroad (June, 1891 to July, 1893), primarily in Germany, where he pursued studies in Berlin.” Returning to Chicago he studied and lectured at Chicago Theological Seminary during 1894.

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Whether Rev. Williams had some previous knowledge with Carrie and Hermon or was a friend of the family, is uncertain.  He seemed very connected to the Chicago community and many of the potential benefactors of the arts. At a minimum, his use of “Carrie” seems to indicate a ‘cordial’ style of ministry and interaction. It also seems consistent with his servant-attitude toward needs of the soldiers and wounded he encountered during the Civil War.

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CLICK HERE for more Links and info about Hermon and Carrie’s marriage in 1895:

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More biographical information on Rev. Williams is offered below.

Williams, Edward Franklin (1832-1919)

 Historical Note: Edward Franklin Williams was a Congregational minister, educator, field agent for the United States Christian Commission, missionary, and writer.  Edward Franklin Williams was born in Massachusetts in 1832, the son of Delilah Morse Williams and George Williams. Williams attended Yale University from 1852 to 1856, and he continued to earn an advanced degree from Yale. He later attended the Princeton Theological Seminary, where he graduated and earned his license to preach in 1861.Williams was exempt from the draft due to a tubercular condition in his lungs, and thus he did not fight in the Civil War. In April 1863, Williams received a commission as a field agent for the United States Christian Commission. With the Commission, he served two and a half years in the armies of the Potomac and the James.After the war, Williams was sent as principal to begin was became the Lookout Mountain Educational Institutions in Chattanooga, Tennessee. In 1867, Williams was appointed by the American Missionary Association to teach in the Normal and Preparatory Division of what was later Howard University. He left Howard to preach at several churches in Massachusetts, Pennsylvania, Illinois, and New York, ultimately serving as pastor of Tabernacle Church in Chicago and Forty-Seventh Street Congregational Church, which later became South Congregational Church, in suburban Chicago, where he served until 1891.By 1880, Williams was writing a monthly column for The Congregationalist under a pen name, “Franklin.” He continued writing for this publication until 1908. He continued as a prolific writer, particularly in the 1890s.

From 1901 to 1911 Williams served as pastor of the Evanston Ave. Congregational Church in Chicago. Williams died in 1919 in Chicago.

[ Sources: Edward Franklin Williams papers, Amistad Research Center at Tulane University, New Orleans, Louisiana ]

 

 

On a cold December day we took the CTA Blue Line to Jackson street and walked out of the underground on Dearborn Street at the Federal Court Building.  We were just a block south of the Marquette Building which is home to Hermon MacNeil’s 1895 sculptures of 4 bronze relief panels [Cick Here] that tell the story Father Marquette explorations to Native peoples of Illinois.

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We walked past the Federal Courts, then turned east toward the Art Institute of Chicago.

There sculptor Edward Kemeys’ twin bronze Lions (Mr. Defiance and Mr. Prowl) greeted us at the entrance in their Holiday regalia. They have stood guard there since 1893 when Mrs. Henry Field commissioned them.

Above is “Mister ‘In-an-Attitude-of-Defiance’,” as he rests on a Christmas package that normally is his base.  The mood was festive as sixty people smiled and waited on the steps (between Mr. Prowler and Mr. Defiance) until the Museum doors were opened at 10 am.

1) Prowler and Defiance,  2)Mrs. Henry Field, and 3) Hermon MacNeil are all contemporaries of the 1893-95 era of the Chicago World’s Fair (Worlds Columbian Exposition).

Once inside we spent the morning admiring early art of Dutch and French collections. Eventually, we came opon a fovorite, Jules Adolphe Breton’s The Song of the Lark, (1884).

Part of the Field Collection, French artist, Jules Adolphe Breton's The Song of the Lark, 1884. is admired by a happy visitor.

Part of the Field Collection, French artist, Jules Adolphe Breton’s The Song of the Lark, 1884. is admired by a happy visitor.

After some lunch in the modern art area, we went to find MacNeil’s “Sun Vow”.  Here are my results.

While I could go on-and-on about this most famous of Uncle Hermon’s works, I will let my photographs speak for themselves.  Enjoy!

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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

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WE DESIRE YOUR DIGITAL PHOTOS of MacNeil's work! Here's some photo suggestions:
1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil's signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster