Edward A. Van Orden, “Collecting a Masterpiece; an Introduction to the Standing Liberty quarter”
By~~ SLQ ~~ Part One ~~
In September 2019 the cover story of the Numismatist
featured a superb story
by Edward Van Orden
entitled,
an Introduction to the Standing Liberty Quarter”
CLICK HERE or Above for full Article
SLQ Article: The Numismatist Sept ‘19
Edward Van Orden describes the Standing Liberty quarter dollar by saying:
“Eversince it first appeared in circulation in January 1917, the Standing Liberty quarter (SLQ) has been considered among the most beautiful U.S. coins ever produced. Its historically symbolic and sculptural design played a vital role in elevating the artistry of U.S. silver coinage.

Hermon A. MacNeil Commemorative sketched by Artist Charles D. Daughtrey as the seventh work in his Series of Coin Designers is available at http://www.cdaughtrey.com/
Crafted by American sculptor Hermon Atkins MacNeil (1866-1947), this iconic image of Liberty was the winning entry in a contest that drew upward of 50 submissions. An artist of some renown, MacNeil designed the east pediment of the United States Supreme Court building in Washington, D.C., and sculpted a rendering of General George Washington for the Washington Square Arch in New York’s Greenwich Village. MacNeil’s Liberty spoke to the movement in American numismatics initiated in 1904 by President Theodore Roosevelt and preeminent sculptor Augustus Saint-Gaudens. In the spirit of Saint-Gaudens’ double eagle (gold $20)and
Victor D. Brenner’s Lincoln cent designs, – the quarter found its renaissance, boasting a style hearkening back to antiquity that intertwined artisan form with transactional function
At a time when most of Europe was actively engaged in the First World War, President Woodrow Wilson, elected on a peace platform in 1916, was biding our country’s time before directly involving the United States militarily. It was against this backdrop that the Standing Liberty quarter was unveiled to an eager public.
The design fittingly reflected America’s increasing global involvement, epitomized by Miss Liberty’s confident, forward movement, holding a shield in her left hand for protection and an olive branch in her right for peace. Our nation, for the most part, desired peace but was prepared to defend itself and its way of life. In the words of Mint Director Robert W. Woolley in July 1916, the design seemed to typify “the awakening interest of the country in its own protection.”
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To be Continued … Come back for MORE ….
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SOURCES used by Van Orden for his article:
Benford, Timothy B., Jr. “MacNeil’s Liberty: Art or Obscenity?” The Numismatist (December 2003).
Brothers, Eric. “New York City: Mecca of Numis- matic Artistry.” The Numismatist (November 2013). Cline, J.H. Standing Liberty Quarters, 3rd edition.
Palm Harbour, FL: author, 1997.
Dolnick, Michael M. “Design Changes on the Lib-
erty Standing Quarter.” The Numismatist (Septem- ber 1954).
Doyle, Al. “Class of 1916, Part 2.” The Numismatist (October 2016).
____. “MacNeil’s Standing Liberty Quarter among Most Artistic.” Coin World’s Coin Values (November 2004).
Duffield, Frank G. “Slight Change in the Die of Quarter Dollars.” The Numismatist (June 1926).
Kelman, Keith N. Standing Liberty Quarters. Nashua, NH: International Numismatica Corporation, 1976. (ANA Library Catalog No. GB24.K4) .
LaMarre, Tom. “MacNeil’s Standing Liberty Remains a Favorite.” Coins magazine (September 30, 2009).
Lange, David W. “The Coinage of 1921.” The Numismatist (December 2003).
____. “Collecting Standing Liberty Quarters.” The Numismatist (December 2003).
____. “The Impossible Dream.” The Numismatist (October 2005).
____. “1923-S Coinage, Part 2.” The Numismatist (September 2011).
____. “The Standing Liberty Quarter.” The Nu- mismatist (July 2016).
Moran, Michael F. Striking Change: The Great Artistic Collaboration of Theodore Roosevelt Augus- tus Saint-Gaudens. Atlanta: Whitman Publishing, 2008. (GB40.M6s)
Sieber, Arlyn G. “Images of Liberty.” The Numis- matist (July 2016).
Woolley, Robert W. “Symbolism of the New Coins of 1916.” Report of the Director of the Mint (July 15, 1916).