WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

Since 2010 this website has transported viewers through the years and miles between 100’s of Hermon MacNeil’s statues & monuments throughout the USA.

For over one hundred years these sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

PERHAPS,  you walk or drive by one of his public sculptures daily. HERE, you can gain awareness of this great sculptor and his many works.  Maybe there are some near you! CHECK HERE!

Dec
10

MacNeil Christmas Cards

By

Hermon MacNeil often made Christmas Cards that  featured his own drawings and studio images.

MacNeil Christmas card from 1922.

Here’s a Card from 1922  ==>>

This pencil sketch proclaiming “Merry Christmas 1922” appears reminiscent of MacNeil’s “Sun Vow”

In that composition, a Native Chief, possibly Sioux, coaches a young warrior through a rite of passage — shooting an arrow into the of the sun.

In MacNeil’s 1922 Christmas drawing, a similar pair of figures wave a banner of seasons greetings.  Their presence seems a reprise of the Sun Vow sculpture.

While that was over a century ago, here’s what we can know  today:

  • We know being an artist, MacNeil often carried and kept sketchbooks. 
  • We know he would sit in Buffalo Bill’s Wild West Show of the 1893 Chicago World’s Fair with his sketchbook.
  • We know he sketched D. L Moody at an interdenominational Sunday Worship in Wild Bill’s Arena (since no Sunday shows were allowed and Moody rented the venue)
  • We know he traveled, sketched and sculpted on his trip to the Southwest territories in 1895 (New Mexico, Arizona, Utah and Colorado). 
  • We know he formed clay and plaster images there; and he shipped many back to Chicago.
  • We know that his memory of Native images dominated his sculptures for the next ten years.

I suspect that the idea for this card sprang up from the artist’s visual memory, perhaps, revived from an old sketchbook.  A dusty record of images that he first saw three decades earlier at the Worlds Columbian Exposition of 1893.

Here’s More from this website:

“Native American Themes: His first introduction to native subjects came through Buffalo Bill’s Wild West Show. During the 1893 Worlds Fair, Buffalo Bill’s troupe performed in a carnival setting outside the main entrance. Fascinated, MacNeil’s artist-eye and imagination took every opportunity to see the show and sketch the ceremonies and rituals of Indian life — MacNeil often carried a sketch book. He latter befriended Black Pipe, a Sioux warrior from the show, who he found down-and-out on the Chicago streets after the carnival midways of the Fair had  closed.  MacNeil invited Black Pipe to model for him and assist in studio labors, which he did for over a year.  Inspired by these native subjects and encouraged by Edward Everett Ayers, MacNeil found a respect for this vanishing Native culture and made subsequent trips to the southwest.  When the Marquette Building was constructed, MacNeil was awarded a commission to complete Four Bas Relief Panels  of over the main entrance.  His work depicts four scenes from Marquette’s trip through the Great Lakes region.”

“In the summer of 1895, along with Hamlin Garland (a writer) and C. F. Browne (a painter), he traveled to the four-corners territories (now, New Mexico, Arizona, Colorado, and Utah) seeing American Indians (Navajo, and Moqui — now Hopi) in their changing cultural element on various reservations.  While there, he was asked to sculpt, out of available materials, a likeness of Chief Manuelito. The Navajo warrior had died in despair after being imprisoned for four years as a renegade by the U. S. Government (Col. Kit Carson) twenty-five years earlier.  Manuelito’s likeness (click here), made of available materials, brought tears to his widow’s eyes, and remains an object of cultural pride in Gallup, New Mexico to this day.” SOURCE: Click HERE

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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
Hosting & Tech Support: Leiturgia Communications, Inc.
COME BACK & WATCH US GROW

WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster