
Alexander Hamilton plaster model (reverse) with de-assession tag at Swope Art Museum
Plaster models from the studio of
Hermon Atkins MacNeil
are returning to College Point thanks to.
James Haas
(MacNeil biographer and College Point author)
Jim Haas, with help from Charlie Chiclacos, traveled to
Swope Art Museum
in Terre Haute, Indiana,
where the plasters have been in storage since 1947 after the death of the sculptor. His widow Cecelia MacNeil released them from the MacNeil estate.
Jim Haas and Charlie Chiclacos, drove a rental van to Terre Haute last month to retrieve the pieces.
One rescued piece is the Adventurous Bowman model (1915). The final plaster stood atop the Column of Progress at the Pan-Pacific Exposition in San Francisco (See photos below)

“Column of Progress” with MacNeil’s “Adventurous Bowman” as the finial figure on top.

Adventurous Bowman model (1915). The final plaster stood atop the Column of Progress at the Pan-Pacific Exposition in San Francisco
Swope Art Museum received the remaining plaster models from the original MacNeil Studio before it was sold and demolished.
The Bowman plaster has a broken arm and bow. < See photos above and below.> The pieces seem intact enough for possible repair.

Since the Pan-Pacific Exposition closed in 1916 all buildings and monuments were demolished. This broken model is the only remnant of depicting the “Adventurous Bowman.”
The MacNeil home and studio were occupied for several years, but once the property was sold both buildings were demolished. The site of the MacNeil Studio and home were prime real estate located on the East River Sound adjoining Chisholm Park.
In 1966, the centennial of Hermon’s birth, the City of New York renamed that park as:
“MacNeil Park”
to honor the name of the Sculptor-couple who lived and worked there in College Point for half a century. A condominium complex stands on the original site of the MacNeil property.
Hermon MacNeil served on the board there. His plaster of “The White Man Coming” has been displayed there for nearly a century. (See below)

“Coming of the White Man” original clay model 72 inches high at the Poppenhusen Institute in College Point, Queens, New York.
Seventy-five years have passed since the sculptor’s death in 1947.
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