WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil,  of the Beaux Arts School American classic sculptor of Native images and American history.  ~ World’s Fairs, statues, monuments, coins, and more… ~ Hot-links ( lower right) lead to works by Hermon A. MacNeil.   ~ Over 300 of stories & 4,000 photos form this virtual MacNeil Gallery stretching east to west  New York to New Mexico ~ Oregon to S. Carolina.   ~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth. ~~Do you WALK or DRIVE by MacNeil sculptures DAILY!  ~ CHECK OUT Uncle Hermon’s works!     Daniel Neil Leininger, webmaster

DO YOU walk by MacNeil Statues and NOT KNOW IT ???

Archive for June, 2023

The Hermon MacNeil’s sculpture of the

East Pediment contains a hidden fasces.

~ The Fasces  (located to the left of Confucius) rests on the shoulder of the man holding the boy.  They represent the enforcement of the law and its passing on to coming generations.

A Fasces is a bound bundle of wooden rods, sometimes including an axe with its blade emerging. The fasces is an Italian symbol that had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a magistrate’s power and jurisdiction. Wikipedia

~ Is There a

2nd Fasces?

~ The Female figure to the right is resting another bound form on her shoulder.

I had imagined it was a Sheaf of grain with leaves extended to the right.  There is also a young girl (half visible to her right).  Again the presence of the YOUTH suggests ‘the “Carrying on” of civilization through a internal knowledge of right and wrong’.

But being bound as a fasces,

it shares that same symbolism of

power and jurisdiction” 

MacNeil described the right side or the Pediment as

tempering justice with mercy, allegorically treated”.

Visitors often miss the East Pediment of the Supreme Court Building because it is located at the rear of the building. This sculptural group was designed by Hermon A. MacNeil (1866–1947), an artist who studied under the masters of classical architecture and design. Cass Gilbert (1859–1934), the architect of the building, worked closely with MacNeil from 1932 to 1934 to create the thirteen symmetrically balanced allegorical figures. MacNeil submitted the following description of his work to the Supreme Court Building Commission:

“Law as an element of civilization was normally and naturally derived or inherited in this country from former civilizations. The ‘Eastern Pediment’ of the Supreme Court Building suggests therefore the treatment of such fundamental laws and precepts as are derived from the East. Moses, Confucius and Solon are chosen as representing three great civilizations
and form the central group of this Pediment.

Flanking this central group—left—is the symbolical figure bearing the means of enforcing the law. On the right a group tempering justice with mercy, allegorically treated. The ‘Youth’ is brought into both these groups to suggest the “Carrying on” of civilization through the knowledge imbibed of right and wrong. The next two figures with shields; Left – The settlement of disputes between states through enlightened judgment. Right—Maritime and other large functions of the Supreme
Court in protection of the United States. The last figures: Left—Study and pondering of judgments. Right – A tribute to the fundamental and supreme character of this Court.

Finale—The fable of the Tortoise and the Hare.”~

Fasces

Fasces is a bound bundle of wooden rods, sometimes including an axe with its blade emerging. The fasces is an Italian symbol that had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a magistrate’s power and jurisdiction. Wikipedia

Related posts:

  1. SUPREME COURT – Arrival at last! (16.7) “Slow but steady wins the race.”  So said Aesop in…
  2. Moses, Confucius, and Solon at Supreme Court (16.5) The East Pediment of the Supreme Court of the United…
  3. Hermon MacNeil’s Supreme Court Sculptures: ~ ~ ~ Moses Revisited ~ ~ ~ (16.3) When the Supreme Court justices considered whether the Ten Commandments…
  4. Hermon MacNeil’s Supreme Court Sculptures: ~ ~ ~ ~ ~ ~ The Tortoise & the Hare Revisited ~ ~ ~ (15.2)    At each corner of the East Pediment of the…
  5. JOURNEY TO SUPREME COURT: ~ Finds plenty of Sculpture along the way in Washington D.C. … (14.4) I recently visited our nation’s Capitol with family. Sculpture and…
  6. Tortoise and Hare taken to Supreme Court (13.6) Hermon MacNeil has taken the Tortoise and the Hare to…
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After the adoption of the US Constitution in 1789 and for the next 146 years, the United States Supreme Court had no permanent home.   Briefly from 1789 to 1800, the Federal Government functioned out of Philadelphia, and then New York City until the permanent Capitol was built in the District of Columbia.  Finally, in 1800 the U.S. Federal Government moved into Washington, D.C.

Painting: “British Burn the Capitol, 1814,” Allyn Cox, 1974, Corridor, House wing, First Floor.

The Supreme Court of the United States, however, changed its meeting place a half dozen times within the Capitol.  After the British burned the Capitol in the War of 1812, the Court convened in a private home.  Eventually, from 1860 until 1935, the Court sat in what is now known as the “Old Senate Chamber.”

Hermon Atkins MacNeil (1866 -1947)

Cass Gilbert architect (1859 – 1934)

Though considered a co-equal branch, the Judicial function seemed a “nomadic” tenant of space in the growing Capitol until 1929.  A former President, who later served as Chief Justice, changed that itinerant existence.

Chief Justice Wm. Howard Taft 1921

In 1929 Chief Justice William Howard Taft, who had been President of the United States from 1909 to 1913, persuaded Congress to end this arrangement and authorize the construction of a permanent home for the Court.  Architect Cass Gilbert was charged by Chief Justice Taft to design “a building of dignity and importance suitable for its use as the permanent home of the Supreme Court of the United States.”  [Gilbert and Taft were both Ohioans and life long friends.]

Neither Taft nor Gilbert survived to see the Supreme Court Building completed. Construction proceeded under the direction of Chief Justice Hughes and architects Cass Gilbert, Jr., and John R. Rockart. The construction, begun in 1932, was completed in 1935, when the Court was finally able to occupy its own building.

Hermon MacNeil and Architects

Hermon MacNeil trained in Paris at the Ecole de Beaux Arts with both sculptors and architects.  He later won the Reinhart Prize and again studied with architects and sculptors from 1896 to 1899 at the American Academy in Rome.

The New York Architectural League wanted an award medallion to present to architects and sculptors.  They commissioned Hermon MacNeil to create a suitable medal.   Photos of MacNeil’s original clay masters may be viewed here: [CLICK HERE].   These clay were reduced onto the steel dies used  press the final medallions pictured below.

Later A. A. Weinman and Hermon MacNeil were both awarded this commemorative creation.  Weinman designed the Walking Liberty half dollar and the Mercury dime 

The actual medal presented to Weinman is pictured below.  It resides in the webmaster’s private collection.

New York Architectural League Medal.  Designed by Hermon MacNeil this is the actual medallion awarded to A. A. Weinmann.  https://www.pafa.org/museum/collection/item/medal-honor-sculpture-architectural-league-new-york Pennsylvania Academy of Fine Arts

Hermon MacNeil and Cass Gilbert

MacNeil added sculptures to at least two of Cass Gilbert’s many buildings and monument projects.

  1. United States Supreme Court 1928-1935[9] Washington, DC
  2. St. Louis Art Museum 1901-1904[12] Saint Louis, MO

 

MacNeil & the Supreme Court Building

The Supreme Court website suggests Gilbert was directly involved with the sculptor’s designs.

Cass Gilbert, the building’s architect, worked closely with MacNeil from 1932 to 1934 to create the thirteen symmetrically balanced figures above the Corinthian portico. 

The central marble figures on this rarely noticed eastern pediment depict the theme “Justice – The Guardian of Liberty.”  Sculptor MacNeil’s central figures represent three great Eastern civilizations from which our laws are derived.  These figures portray lawgivers: Moses (receiver of Hebrew Ten Commandments) flanked by Confucius (Chinese philosopher and teacher) and Solon (Athenian lawmaker, statesman, and poet).  Confucius is on the viewers’ left, Solon to the right, both flanking Moses with his hands on two separate tablets. 1

MacNeil & the St. Louis Art Museum (Palace of Fine Arts).

 

To view this collaboration from 1912: CLICK HERE 

 

 

 


Photos:

  1.  Painting: “British Burn the Capitol, 1814,” Allyn Cox, 1974, Corridor, House wing, First Floor. (https://www.aoc.gov/explore-capitol-campus/blog/most-magnificent-ruin-burning-capitol-during-war-1812)
  2. “The East Pediment”  https://www.supremecourt.gov/about/east_pediment_11132013.pdf. SEE ALSO: “Religious Symbols Inside & Outside the U.S. Supreme Court Building”.  Assembled by Nathaniel Segal 2014  http://nathanielsegal.mysite.com/TenCommandments/10SupremeCourtBuilding.html
  3. This Unique “New York Architectural League” Award Medal links H. A. MacNeil & A. A. Weinman.   Posted by: | here on Sept. 01, 2022  https://hermonatkinsmacneil.com/2022/09/01/this-unique-new-york-architectural-league-award-medal-links-h-a-macneil-a-a-weinman/
  4. “New York Architectural League Medal” ~Original Clay Models saved from the MacNeil Studio ~ 1947 Posted by: | here on Sept. 16, 2022 https://hermonatkinsmacneil.com/2022/09/16/new-york-architectural-league-medal-original-clay-models-saved-from-the-macneil-studio-1947/

Research Sources:

  1. Cass Gilbert Society: Selected Works.  Retrieved at https://www.cassgilbertsociety.org/works/  on May, 20, 2023
  2. Cass Gilbert Society: Biography.  Retrieved at https://www.cassgilbertsociety.org/architect/bio.html  on May, 20, 2023

WHAT YOU FIND HERE.

Here is ONE place to go to see sculpture of Hermon A. MacNeil & his students. Located in cities from east to west coast, found indoors and out, public and private, these creations point us toward the history and values that root Americans.

Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the work from all angles, including setting.
2. Take close up photos of details that you like
3. Look for MacNeil’s signature. Photograph it too! See examples above.
4. Please, include a photo of you & others beside the work.
5. Tell your story of adventure. It adds personal interest.
6. Send photos to ~ Webmaster at: HAMacNeil@gmail.com