WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Search Results for "Joie"

 

Joie Katherine MacNeil is the Girl in “The Red Tam”

The Red Tam exhibits Kroll’s careful balancing of form and color. The flow of the red tam into the green scarf enlivens the simplified volumes of the sitter’s face. The painting is one of three Kroll portraits of the daughter of American sculptor Hermon MacNeil — Joie Katherine MacNeil.

Joie was the daughter and darling of the MacNeil household

This work exhibits a careful balancing of form and color. The flow of the red tam into the green scarf enlivens the simplified volumes of the face. Kroll’s traditional approach was at odds with the modernist artist’s desire to experiment with new styles and methods.

[ SOURCE INFO
SOURCE: Indianapolis Museum of Art.
Leon Kroll (American, 1884-1974) Creation date 1928. Oil on canvas. Dimensions 19-1/2 x 15 in. 25-5/8 x 21 in. (framed) Signed, l.r.: Leon Kroll. Accession number 30.47 Credit line – Purchased from the George T. Carleton Bequest. Copyright © Leon Kroll. Collection: American Painting and Sculpture to 1945

Joie’s Travels across the US, Hawaii, and Canada

When Joie was thirteen, she traveled with her parents to across the US. Their journeys began in Chicago, then San Francisco, next Hawaii, and Canada finally Massachusetts. The local newspaper told the story this way: 

‘[1924 June 27,  The Daily Sun,  Queens Borough; page 12; Col 4] Mr and Mrs Hermon Atkins MacNeil and their daughter, Joy, of North Boulevard, are on a three months’ trip to the coast.  They are going by automobile to Chicago, from where they will go to Kennilworth, Ill., to visit Mrs. MacNeil’s father.  From there they will go to San Francisco by train, and later to Honolulu to visit Mr. MacNeil’s brother, who is a professor at a College there.  On their return trip they will tour Canada and stop off at Chelsea, Mass.  Both Mr. and Mrs. MacNeil are nationally known as sculptors.

 

Her death notice in the Daily Star of Queens Borough

JOIE MACNEIL, 17, DAUGHTER OF SCULPTOR, DIES March 20, 1928.

Joie Katherine MacNeil, seventeen, daughter of Hermon A. MacNeil, noted American sculptor, died in Flushing Hospital of an infection which had been slowly draining her health since an attack of scarlet fever several years ago.

Miss MacNeil returned from Paris last fall with her mother, Mrs. Carol Brooks MacNeil, with whom she had been studying art in France.  The girl’s health had failed rapidly since, and for the last three months she had been confined to the MacNeil home on Fifth Avenue (North boulevard), College Point.   

She was removed to the Flushing Hospital  two weeks ago.

Only daughter and darling of the MacNeil household, Joie returned a year ago from the fashionable Oakmere Academy, a girls school at Mamaroneck, where she had completed a fall course and expressed great eagerness to accompany her parents to Europe.

In France she delighted her parents by applying herself to the study of art forms afforded in the best schools and galleries in Paris and by actually producing some very promising sketches and portrait studies, evincing marked talent with pencil and brush. 

Joie MacNeil bade fair to prove an artistic heritage as the daughter of the renowned sculptor and Mrs. MacNeil, herself a sculptress of wide reputation and an internationally recognized artist.

She leaves behind her parents, two brothers, Alden a recent graduate of Cornell University and now a student in the famous Fountainbleu art school, and Claude, an aviator and mechanical engineer on the staff of the Sikorsky Aircraft Manufacturing Company at College Point.

Funeral services will be held this evening at eight o’clock at the MacNeil home, the Rev. George Drew Egbert, rector of the First Congregational Church of Flushing officiating.

A special program of music for the occasion is being arranged by Thomas Burton, concert singer, a friend of Miss MacNeil and a neighbor.

Private services will follow tomorrow at the creamatory in Fresh Pond Cemetery, Maspeth, under the direction of C. Johann & Sons.

Source: The Daily Star, Queens Borough, Tuesday Evening, March 20, 1928. Page 4, column 7.

Joie MacNeil’s and her Parents’ Travel documents from 1919

https://www.questroyalfineart.com/artist/leon-1884-1974-kroll/
The full College Point News column appeared as follows:

https://hermonatkinsmacneil.com/?s=Joie

http://collection.imamuseum.org/artwork/55806/

Categories : Location
Comments (1)

‘The Darling of the MacNeil Family” succumbs at 19.

She was the Girl in “The Red Tam”

Queens Borough, The Daily Star told this account:

JOIE MACNEIL, 17, DAUGHTER OF SCULPTOR, DIES March 20, 1928.

Joie Katherine MacNeil, seventeen, daughter of Hermon A. MacNeil, noted American sculptor, died in Flushing Hospital of an infection which had been slowly draining her health since an attack of scarlet fever several years ago.

Miss MacNeil returned from Paris last fall with her mother, Mrs. Carol Brooks MacNeil, with whom she had been studying art in France.  The girl’s health had failed rapidly since, and for the last three months she had been confined to the MacNeil home on Fifth Avenue (North boulevard), College Point.   

She was removed to the Flushing Hospital  two weeks ago.

Only daughter and darling of the MacNeil household, Joie returned a year ago from the fashionable Oakmere Academy, a girls school at Mamaroneck, where she had completed a fall course and expressed great eagerness to accompany her parents to Europe.

In France she delighted her parents by applying herself to the study of art forms afforded in the best schools and galleries in Paris and by actually producing some very promising sketches and portrait studies, evincing marked talent with pencil and brush. 

Joie MacNeil bade fair to prove an artistic heritage as the daughter of the renowned sculptor and Mrs. MacNeil, herself a sculptress of wide reputation and an internationally recognized artist.

She leaves behind her parents, two brothers, Alden a recent graduate of Cornell University and now a student in the famous Fountainbleu art school, and Claude, an aviator and mechanical engineer on the staff of the Sikorsky Aircraft Manufacturing Company at College Point.

Funeral services will be held this evening at eight o’clock at the MacNeil home, the Rev. George Drew Egbert, rector of the First Congregational Church of Flushing officiating.

A special program of music for the occasion is being arranged by Thomas Burton, concert singer, a friend of Miss MacNeil and a neighbor.

Private services will follow tomorrow at the creamatory in Fresh Pond Cemetery, Maspeth, under the direction of C. Johann & Sons.

Source: The Daily Star, Queens Borough, Tuesday Evening, March 20, 1928. Page 4, column 7.

 

Categories : Location
Comments (0)

 In August of 1929, Hermon Atkins MacNeil sent a painting to my mother, Ollie Francis McNeil, as a wedding present.  Mother always referred to him as her “Uncle Hermon.”  Painted on an thin (acid-based) cardboard, the piece has aged badly in the eighty-eight years since MacNeil sketched and painted it in 1925.  Here is how it looked in 2010 before continual flaking and deterioration stressed it even further.

This photo from 2010 shows the un-restored landscape painted by Hermon MacNeil in 1925. Several flakes (1/2 to 3/4 of an inch) peeled off from the sky after this photo was taken. The deterioration was destroying this informal piece and suppressing its sentimental value as an MacNeil heirloom. Something had to be done to preserve it for its second century.

This photo from 2010 shows the un-restored landscape painted by Hermon MacNeil in 1925. Several flakes (1/2 to 3/4 of an inch) peeled off from the sky after this photo was taken. The deterioration was destroying this informal piece and suppressing its sentimental value as an MacNeil heirloom. Something had to be done to preserve it for its second century.

Leslie Goodwin examined the fragile conditions of MacNeil heirloom and determined that cleaning, stabilization, and repainting of broken areas could refresh the piece.

Leslie Goodwin examined the fragile conditions of the MacNeil heirloom and determined that cleaning, stabilization, and repainting of broken areas could refresh the piece.

 In August 2013, I received an enquiry on this website from an art restorer, Leslie Goodwin, in Colorado.  She had been asked by a client to evaluate another painting by MacNeil. I offered her what information I knew about Uncle Hermon’s occasional ‘dabbling in oils.’

Later, I sent the photo (at right) of the painting to Leslie.  She thought she could help to preserve this piece. I began making arrangements to mail it to her.  After receiving her address, I determined that I had travel plans that would take me within 20 miles of her studio. Coincidence?

Several weeks later, I delivered the painting, personally, to Leslie Goodwin in Colorado. She was able to carefully examine the fragile conditions of our MacNeil heirloom, firsthand. 

Leslie explained the risks and uncertainties of working with old art. She saw the necessity of stopping the rapid deterioration that recent years were adding to the ageing piece. She suggested that cleaning, stabilization, and repainting of broken areas could refresh the piece.  We both agreed that without professional TLC this MacNeil oil painting would not see a 2nd century of life.

So, carefully, she began the preservation process.  Two days later she called to say she was finished.  She was also pleased with the results.  Pictured BELOW is the resurrected look of Ollie Francis MacNeil Leininger’s wedding present from her “Uncle Hermon.”

After restoration

After restoration the cleaning of the landscape brought out hidden colors.

As I saw the results of Leslie’s work, I felt that I was seeing Mother’ s wedding present as she first saw it in 1929.  The repairs to lost portions of the sky brought the scene back together. The cleaning of the landscape brought out hidden colors that I did not see before. A vibrant freshness came out of the strokes of paint. It looked as though Uncle Hermon ‘sculpted’ in paints with a sculptor’s knife rather than an artist’s brush. And of course, that familiar signature, “H. A. MacNeil,” now jumped out of the corner with new boldness.  ”  I think even Ollie would be proud!

1929-HAM-OFMcNeil-WedGift-Note1

Hermon MacNeil’s handwritten note pencilled on the back of his landscape painting says’ “Landscape sketch by H. A. MacNeil presented to Ollie Francis MacNeil as a wedding present by her uncle. H. A. MacNeil ~~ 1929”

While the painting has some limited value, the real heirloom significance resides in the pencilled message on the back.  Hermon MacNeil’s handwritten note on the back of his landscape painting says, “Landscape sketch by H. A. MacNeil presented to Ollie Francis MacNeil as a wedding present by her uncle. H. A. MacNeil ~~ 1929″

That note confirmed several things for me!

  • Not only did mother address Hermon as “Uncle,” he considered himself to be just that to his cousin’s, (Tom McNeil’s) daughters.
  • Hermon was aware of mother’s wedding, and wanted to send a gift.
  • Hermon sent a gift made by his own hands.
  • Hermon personalized that gift with a handwritten note that included his signature – twice!
  • In addition, the timing of Hermon’s gift and note to Ollie McNeil was about 17 months after the prolonged death of Hermon’s and Carol’s only daughter, Joie Katherine MacNeil, in March 1928.  Joie, age seventeen, died in  Flushing Hospital of an infection which had been slowly draining her health since an attack of scarlet fever several years previously. She convalesced in the MacNeil home on Fifth Avenue (North boulevard), College Point.  My mother, Ollie McNeil, would have been about 2 years older than Joie MacNeil.
  • It also came 3 months after the marriage of their son Alden B. MacNeil to Irene E. Hollo on May 25, 1929.  Those nuptials were held while Hermon and Carol MacNeil were abroad in Italy and Paris from November 1928 to September 1929.

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster