WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Search Results for "wedding 1895"

One Hundred and twenty-three years (123) ago, Hermon Atkins MacNeil and Carol Louise Brooks were on married Christmas Day.

Recently an invitation to their Wedding Reception came available from the estate of Walter Pratt. He was a first cousin of Hermon. A facsimile appears below.

Married in a private ceremony on Christmas Day Hermon and Carol MacNeil had a reception in the Marquette Building

Noteworthy, is the location of the reception: the “Studio 1733 Marquette Building Chicago, Adams and Dearborn Streets, Chicago”. Recovery of this printed invitation adds several previously unknown facts to the story of their wedding day.  The 19th Century Marquette Building is the 21st Century home of the John D. and Catherine T. MacArthur Foundation.

The wedding earlier in the day was a private ceremony. Rev. Edward F. Williams, a Congregational Minister, officiated. Their license, completed in Rev. Williams hand, appears below.

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

“Marriage: On Christmas Day 1895, in Chicago, he married Carol Louise Brooks, also a sculptor (see their marriage record below). Earlier MacNeil was informed that he had won the Rinehart Roman Scholarship. Following their wedding, the pair left for Rome, passing three years there (1896-1899) and eventually spend a fourth year in Paris where their first son, Claude, was born.  During those years they studied together under the same masters and shared the income of the Rinehart scholarship awarded to Hermon. (Carol had also studied sculpture with both Lorado Taft and Frederick William MacMonnies).”

Both Carol and Hermon sculpted for the Chicago World’s Fair of 1893. Carol Brooks was one of Lorado Taft’s “White Rabbits”

Lorado Taft’s “White Rabbits” https://en.wikipedia.org/wiki/White_Rabbits_(sculptors)

Hermon sculpted statues on the Electricity Building (See picture below)

Sketch of Hermon MacNeil from a newspaper article announcing the 1895 award of the Rinehart Prize
Carol Brooks MacNeil in 1907 with their two sons, Claude (rt) and Alden (lt) at their College Point Home in Queens, NYC, NY where she lived until her death in 1944.

Related posts:

  1. ~ ~ ~ “The Most Happy Young Man I Know” ~ ~ ~ ~ ~ ~ ~ Hermon A. MacNeil ~ Success & Marriage! (13) 1895 Hermon Atkins MacNeil, American Sculptor (1866-1947) MacNeil’s bronze of…
  2. Hermon MacNeil ~ “The Most Happy Young Man I Know!” (10) ~ Christmas Day 1895 ~ In 1895, Amy Aldis Bradley…
  3. Hermon MacNeil at the 1893 Columbian Exposition ~ ~ ~ THE CHICAGO YEARS ~ ~ (9) CHICAGO YEARS:  Partners and Colleagues When Hermon MacNeil came home to the…
  4. “PRIMITIVE INDIAN MUSIC” ~ Part 3: 1894 Eda Lord’s Ticket to the Chicago World’s Fair (9) Eda Lord, (the woman who purchased the MacNeil bronze statue,…
  5. The MacNeil’s Chicago Wedding – Christmas Day 1895 (9) I sit here in Chicago during this Christmas Season, imagining…
  6. MacNeil – Brooks 120th Anniversary (1895-2015) (7) On Christmas Day one dozen decades ago, Hermon A. MacNeil…

I sit here in Chicago during this Christmas Season, imagining a Christmas wedding ceremony one hundred and nineteen years ago.

~

On Christmas Eve day in 1895, Hermon Atkins MacNeil and Carol Louise Brooks purchased a Cook County license to solemnize their marriage. The very next day, Christmas 1895, they shared their vows before God and a Congregational minister named, Edward F. Williams, here in Chicago.  The record looks like this:

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

Both Hermon and Carol were sculptors. Hermon had completed 4 bronze relief sculpture panels for the new Marquette Building. They had fellow friends among the art community, sculptor colleagues from the  Chicago World’s Fair, students and teachers from the Art Institute of Chicago, and “White Rabbits” team of women sculptors.  We don’t have any record of who might have witnessed their nuptials.

~

But it was Christmas Day, a time when families gather.  Hermon’s family was far away in Massachusetts. Carol’s was born in Chicago and studied there at the Art Institute with Lorado Taft working on the 1893 Worlds Fair with her “White Rabbit” colleagues. Perhaps some friends or family were present or even hosted some wedding celebration. Her parents were close enough to be present, but no evidence suggests that.  It appears to have been a quick, quiet, modest ceremony.  The less than a one-day turn around on their marriage license would support that.  In addition, we know that they sailed a week later for Rome and Hermon’s Roman Reinhart Scholarship studies there. A  December 22, 1895 – New York Sun, article (CLICK HERE) supports that as well as a letter from Amy Ardis Bradley [ CLICK for MORE ]

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New York Sun December 22, 1895 "The Reinhart Prize Winner ~ Hermon Atkins Macneil of Chicago"

New York Sun December 22, 1895 “The Reinhart Prize Winner ~ Hermon Atkins Macneil of Chicago”

The officiating minister, Rev. Edward (Franklin) Williams appears to have been a prominent clergy described as “a Congregational minister, educator, field agent for the United States Christian Commission, missionary, and writer.” Source: Edward Franklin Williams papers, Amistad Research Center at Tulane University, New Orleans, Louisiana )  He wrote Carol’s name as “Carrie” in his handwritten certification on the bottom of the license.  She went by ‘Carrie’ among her friends.

 ~

Whether Rev. Williams considered her a ‘friend’ we do not know.  Philip Khopf, the Cook County clerk, wrote ‘Carol’ in the top portion of the certificate.  Rev. Williams could have copied “Carol” from the official record above, but chose to use ‘Carrie’ instead.  The license lists Carol as being 24 years of age and Hermon as 29.  We know that the minister was 63 years of age when he led their ceremony.  Until 1891 he was pastor of the South Congregational Church, in suburban Chicago.  For health reasons he had “an extended stay abroad (June, 1891 to July, 1893), primarily in Germany, where he pursued studies in Berlin.” Returning to Chicago he studied and lectured at Chicago Theological Seminary during 1894.

 ~

Whether Rev. Williams had some previous knowledge with Carrie and Hermon or was a friend of the family, is uncertain.  He seemed very connected to the Chicago community and many of the potential benefactors of the arts. At a minimum, his use of “Carrie” seems to indicate a ‘cordial’ style of ministry and interaction. It also seems consistent with his servant-attitude toward needs of the soldiers and wounded he encountered during the Civil War.

~

CLICK HERE for more Links and info about Hermon and Carrie’s marriage in 1895:

~

More biographical information on Rev. Williams is offered below.

Williams, Edward Franklin (1832-1919)

 Historical Note: Edward Franklin Williams was a Congregational minister, educator, field agent for the United States Christian Commission, missionary, and writer.  Edward Franklin Williams was born in Massachusetts in 1832, the son of Delilah Morse Williams and George Williams. Williams attended Yale University from 1852 to 1856, and he continued to earn an advanced degree from Yale. He later attended the Princeton Theological Seminary, where he graduated and earned his license to preach in 1861.Williams was exempt from the draft due to a tubercular condition in his lungs, and thus he did not fight in the Civil War. In April 1863, Williams received a commission as a field agent for the United States Christian Commission. With the Commission, he served two and a half years in the armies of the Potomac and the James.After the war, Williams was sent as principal to begin was became the Lookout Mountain Educational Institutions in Chattanooga, Tennessee. In 1867, Williams was appointed by the American Missionary Association to teach in the Normal and Preparatory Division of what was later Howard University. He left Howard to preach at several churches in Massachusetts, Pennsylvania, Illinois, and New York, ultimately serving as pastor of Tabernacle Church in Chicago and Forty-Seventh Street Congregational Church, which later became South Congregational Church, in suburban Chicago, where he served until 1891.By 1880, Williams was writing a monthly column for The Congregationalist under a pen name, “Franklin.” He continued writing for this publication until 1908. He continued as a prolific writer, particularly in the 1890s.

From 1901 to 1911 Williams served as pastor of the Evanston Ave. Congregational Church in Chicago. Williams died in 1919 in Chicago.

[ Sources: Edward Franklin Williams papers, Amistad Research Center at Tulane University, New Orleans, Louisiana ]

 

 

Carol Brooks MacNeil - 1907 - Twelve years after her marriage to Hermon

Carol Brooks MacNeil – 1907 – Twelve years after her marriage to Hermon

H.A.MacNeil ~1895 sketch - Chicago-Sun

H.A.MacNeil ~1895 sketch – The Sun (New York City)

On Christmas Day one dozen decades ago, Hermon A. MacNeil and Carol Louise Brooks were married in Chicago, Illinois.  The pair were both sculptors who met while working on the World’s Colombian Exposition of 1893, better known as the Chicago World’s Fair.

Carol was a student of Lorado Taft and became one of the White Rabbits. These female sculptors were hired (commissioned) to help finish the 100’s of sculptures needed to finish the buildings, fountains, arcades, for the White City of the Chicago Worlds Fair.  

Previous postings celebrate this MacNeil-Brooks Wedding:

  1. Christmas Day Wedding for Two Young Sculptors! Hermon Atkins MacNeil and Carol Louise Brooks

  2. “The Most Happy Young Man I Know” ~ Hermon A. MacNeil ~ Success & Marriage!
  3. Christmas Day Wedding for Two Young Sculptors! Hermon Atkins MacNeil and Carol Louise Brooks

  4. MacNeil’s Chicago Wedding

Eda Lord's Chicago World's Fair Ticket from 'Chicago Day.' Her great-great grandson, Jim Dixon found it an a box of her memobilia from the era when she bought her MacNeil sculpture.

Eda Lord’s Chicago World’s Fair Ticket from ‘Chicago Day.’ (Her great-great grandson, Jim Dixon found it an a box of her memobilia from the era when she bought her MacNeil sculpture.)

 

"Hermon Atkins MacNeil" in studio smock. A portrait by Milton Herbert Bancroft

In December 1895, 

"The de Profundus was intoned ..." (detail from right side of Panel 4).

  • Hermon Atkins MacNeil’s four bas relief panels depicting the life of Fr. Pére Marquette were put in place on the new Marquette Building in Chicago.
  • He received word that he had been awarded the Rinehart Prize for study in Rome.
  • On Christmas Day he married Carol Louise Brooks, a sculptor herself, who studied with MacNeil and shared many of the same colleagues.

    Carol Brooks MacNeil - 1907 - Twelve years after her marriage to Hermon

  • On New Years Day, or there about, they sailed for Rome and what would become 3 years of further study there, then going to Paris for a fourth year and exhibiting at the Exposition Universelle of 1900.

While we can imagine Hermon Atkins MacNeil’s state of mind in December 1895 to be quite elated, we have actual historical reference on MacNeil’s mood written by Amy Aldis Bradley, another artist friend who completed art for the Marquette project.

Amy Aldis Bradley wrote in 1895 to Peter Brooks, developer for the new Marquette Building in Chicago and employer of her father, stating the following: 

  “McNeil’s [sic] panels are being placed in position. It is greatly to their and his credit that these bas-reliefs have won for him the Roman [Rinehart] Fellowship. The Commission, choosing him as the best of the very young men…The young sculptor was married on Christmas Day, and sailed for Rome on Wednesday, and is, on the whole, the most happy young man I know. He is very grateful to the owners of the Marquette Building.  (Based of information from the MacArthur Foundation, current owner and curator of the Marquette Building, cited at their website: (http://marquette.macfound.org/slide/herman-macneil/ )

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

Hermon and Carol obtained a marriage license on Christmas Eve Day (Dec. 24th).  They were married on Christmas Day.  The dates seem to imply that they had a wedding ‘not long in the planning.’

Christmas Day in 1895, fell on a Wednesday. The following Wednesday, of course, was New Years Day. We do not have other confirmation that they sailed on New Years Day for France, but it seems to be consistent with plans to go to Rome quickly. The article below was written on December 19th, then published on December 22, 1895 in the NY Sun.  The reporter states that MacNeil would like to leave for Rome in about a week.  That is consistent with the other evidence.

We know that MacNeil inquired of the  Rinehart Committee if he could still fulfill the Rinehart Award conditions if he was a married man. They suggested that it would be a one year award under those conditions.  As it turned out he was given three years.  We do not know if he their fourth year spent in Paris was at their own expense or financed on their own.

The full text of the December 22, 1895 article that appeared in the New York Sun is posted below. In it the reporter states:

“When found in his studio yesterday, the young sculptor was busily at work on a crude mass of clay, from which were gradually emerging the features and forms of a Pueblo Indian. He was surrounded by a miscellaneous assortment of tools, plaster, and casts.  He left his work to discuss his good fortune.”

Here is is in its entirety. Enjoy!

December 22, 1895 – New York Sun, (CLICK HERE) see columns 5 and 6

New York Sun December 22, 1895 "The Rinehart Prize Winner ~ Hermon Atkins MacNeil of Chicago"

by William Harry Warren Bicknell

Close-up of etching of Carol Louise Brooks MacNeil by W. H. W. Bicknell dated 1897

William Harry Warren Bicknell was an American artist born in 1860 in Boston Massachusetts. His etching of Carol Brooks MacNeil (below) is on paper and framed behind glass. It measures about 8”x9.5” (etching) frame is 12.25” x 14.5”. The etching is dated 1897 (note signature block on bottom photo).

The work was obtained from the estate sale of Walter Pratt, first cousin of Hermon Atkins MacNeil. Carol Brooks was a sculptor and artist in her own right. She was one of the “White Rabbits” who worked on the 1893 World Columbian Exposition (Chicago World’s Fair). In addition, on Christmas Day of 1895, she married Hermon Atkins MacNeil designer of the Standing Liberty Quarter.

Another similiar sample of the work of William Harry Warren Bicknell is offered below. Most of his works on the Smithsonian American Art Museum website are “Untitled”  Click Here

This work of William Harry Warren Bicknell is Untitled (woman in plumed hat), n.d., etching on paper, Smithsonian American Art Museum, Bequest of Leonard Hastings Schoff, 1979.33.2

Stay tuned to HermonAtkinsMacNeil.com for more on Carol Louise Brooks MacNeil and the other women sculptors called the “White Rabbits” of 1897 Chicago Worlds Fair.

Related posts:

  1. Hermon MacNeil at the 1893 Columbian Exposition ~ ~ ~ THE CHICAGO YEARS ~ ~ (5) CHICAGO YEARS:  Partners and Colleagues When Hermon MacNeil came home to the…
  2. ~ ~ ~ “The Most Happy Young Man I Know” ~ ~ ~ ~ ~ ~ ~ Hermon A. MacNeil ~ Success & Marriage! (5) 1895 Hermon Atkins MacNeil, American Sculptor (1866-1947) MacNeil’s bronze of…
  3. The MacNeil’s Chicago Wedding – Christmas Day 1895 (5) I sit here in Chicago during this Christmas Season, imagining…
  4. MacNeil – Brooks 120th Anniversary (1895-2015) (5) On Christmas Day one dozen decades ago, Hermon A. MacNeil…
  5. Marquette Statue in Chicago (4) Today we took a short trip south from our daughter’s…
  6. Lorado Taft offered praise for ‘promising Native works’ of Hermon Atkins MacNeil in 1903 (4) In the early 1900s, because of his knowledge and authorship…

Christmas Greetings from the home of Hermon and Carol MacNeil. 

Pictured below is a tinted postcard of their studio which ajoined their home on College Point.  Beneath that you can see their actual 1922 Christmas card drawn by Hermon MacNeil for their friends.  Married on Christmas Day in 1895, this is also Hermon and Carol’s 27th Wedding Anniversary.  (CLICK for MORE)
Note how Hermon’s Christmas card sketch resembles his “Sun Vow” pair of Native Americans from a quarter century earlier. 

MERRY CHRISTMAS

from the MacNeil’s of College Point just 91 years ago.

MacNeil studio in College Point

MacNeil studio in College Point

MacNeil Christmas card

MacNeil Christmas card 1922 (photo courtesy of  – James Haas)

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster