Archive for Cornell
“Clan MacNeil Connections and Hermon Atkins MacNeil”
The current issue of the Clan MacNeil Association of America magazine has a feature story on Hermon Atkins MacNeil by webmaster, Dan Leininger
The Galley edited by Vicki Sanders Corporon titles Dan’s story as “Clan MacNeil Connections and Hermon Atkins MacNeil.” The feature and photos fill 8 pages in the “Galley” issue for Spring/Summer 2014.
The featured photos include the East Pediment of the Supreme Court Building in Washington, D.C. (with a detail close-up of Moses, Confucius, and Salon); The George Rogers Clark monument in Vincennes, IN at the site of his victory over the British in 1779; Confederate Defenders of Charleston, SC; the Young Lawyer Abraham Lincoln in Champaign, IL; General George Washington on the Washington Arch, NYC, NY. Also in this article are photos of the grouping Coming of the White Man in Portland, OR; The WWI Angel of Peace Monument in Flushing NY; and a bust of Dwight L. Moody (who MacNeil sketched during the 1893 Chicago Worlds Fair.
Hermon MacNeil was the first president of the Clan MacNeil Association of America. This summer, the Galley will contain a feature article about him, written by Dan Leininger, webmaster of this website — HermonAtkinsMacNeil.com.
The previous posting of February 8, 2013, entitled, “MacNeil Kinsman ~ Hermon Atkins MacNeil and Robert Lister MacNeil,” tells part of the story of these two men.
Vicki Sanders Corporon, editor of the Galley, has accepted the article and accompanying photos that tell more of the story. She said in recent correspondence:
“Thanks for sending such excellent photos of Hermon’s sculptures. I know their inclusion, along with your article, will be the highlight of the upcoming issue! He really was one of America’s finest sculptors … how important is your mission to make sure he is fully appreciated!”
Sculpture photos of the Supreme Court (East Pediment); George Washington from the Washington Arch in NYC; Abraham Lincoln from University of Illinois; Ezra Cornell at Ithaca; Confederate Defenders Monument (1932) Charleston harbor, SC; and George Rogers Clark at Vincennes will illustrate the story.
On May 26, 1921, the Clan MacNeil Association of America was organized in New York City. Central to that moment were Robert Lister MacNeil, (The MacNeil of Barra – 45th Chief of the Clan), and Hermon Atkins MacNeil, the clan’s first president.
Stay tuned for more as the publication is released.
In 1917 when Hermon MacNeil made the standing sculpture of Ezra Cornell, he placed a “machine” behind The man who made Cornell University. While MacNeil never knew Ezra Cornell, he did know Robert Thurston. Both Thurston and Cornell were men of machines. This third and final segment of the MacNeil ~ Thurston Story offers more on the brilliant engineer’s influence on the brilliant sculptor. Their individual creativity became a meeting ground of mechanical vision and artistic vision, foundational to Sibley College, and eventually, Cornell University College of Engineering.
Francis C. Moon in his 2007 volume on The Machines of Leonardo Da Vinci and Franz Reuleaux tells his story this way, combining three elements:
“Thurston – MacNeil – and Machines”
For Hermon MacNeil to come to Cornell as a young 20 year old artist was a serendipitous opportunity. For him to work directly with this mechanical engineer and seasoned educator, Robert Thurston, and to teach Thurston’s engineering students drawing and design was a melding of “The Two Cultures” ** of science and humanities. Thurston wanted to educate engineers who could draw, who could solve problems, and had an artist’s eye for detail and design.
** [The Two Cultures is the title of an influential 1959 Rede Lecture by British scientist and novelist C. P. Snow. Its thesis was that “the intellectual life of the whole of western society” was split into the titular two cultures — namely the sciences and the humanities — and that this was a major hindrance to solving the world’s problems. ]
In MacNeil, Thurston found the artist/sculptor that he wanted. His encouragement of the ‘sculptor’ in MacNeil led Hermon on to Paris, Chicago, Rome and eventually, New York City. but he kept returning to Cornell. In 1893 he make the bust of Justice Douglas Boardman. After Thurston’s death, he made the bronze bas-relief honoring the Dean. In 1917-18 MacNeil returned to make to the statue of Ezra Cornell. And after MacNeil’s own death in 1947, his personal papers were placed in the Cornell Universiry Library at his bequest. Robert Thurston appears to be the encourager and instigator of that loyalty. It seems that MacNeil never forgot Cornell.
Thurston achieved his mastery of steam engine technology early in life by working in the machine shop at his father’s steam engine manufacturing company in Providence, Rhode Island. He later volunteered to serve in the Navy Engineering Corps during the Civil War and afterwards taught at the US Naval Academy at Annapolis. Writing 21 books and 574 scientific articles, he spanned a prolific career first as President of Stevens Institute of Technology for 14 years, and later as director of Sibley College, Cornell University for 18 more years.
Professor Robert Thurston became a recognized expert on the “steam engine,” the primary ‘work horse’ of the 19th and early 20th centuries. He wrote dozens of monographs on the subject. His visionary approach to engineering education brought Cornell to the forefront of the field. The choice of young Hermon Atkins MacNeil, a trained artist and ‘soon-to-be’ sculptor, brought an artist’s eye to Thurston’s vision for Cornell’s scientifically trained engineering graduates. That vision has now shaped the “growth” of Cornell, engineering education, and the A.S.M.E. for 125 years. Steam engines, telegraphs, and even engineering schools, can all be coinsidered “great inventions.” Here is what Thurston had to say about the “growth” of such great discoveries:
“Great inventions are never, and great discoveries are seldom, the work of any one mind. Every great invention is really an aggregation of minor inventions, or the final step of a progression. It is not usually a creation, but a growth, as truly so as is the growth of the trees in the forest.” — Robert H. Thurston[In ‘The Growth of the Steam-Engine’, The Popular Science Monthly (Nov 1877), 17 ]
Hermon MacNeil’s three years at Cornell (1886-1889) with Professor Robert Henry Thurston shaped the rest of his sixty years of life and his entire career as a sculptor. After leaving there, MacNeil would eventually return to make four major sculptures for the University. In his will executed after his death, he ordered that all of his professional papers be left to the Cornell University Library (Division of Rare and Manuscript Collections #2425).
Of Robert H. Thurston’s thousands of career accomplishments, perhaps his quietest yet most profound, was his personal praise for Hermon MacNeil‘s sculptural talent and the confidence with which he encouraged Hermon to develop those skills in Europe and the Beaux Arts schools of Paris.
In the 1880s, Thurston was a man of vision who became a central pioneer in the developing field of Mechanical Engineering. He would soon become the first president of the newly organized American Society of Mechanical Engineers (A.S.M.E.). The faculty of Cornell brought him there to start the Sibley College of Engineering.
The bronze memorial sculpture at the right was a tribute to Thurston who died in 1903. The Cornell University, its Sibley College of Engineering and the Ithaca community conceived, subscribed and and commissioned MacNeil to sculpt this bas-relief in 1908. A duplicate of this bronze memorial was placed in New York City at the offices of the ASME. Thurston was the first president of that national engineering society.
In 1886, Hermon MacNeil was a fresh twenty year-old graduate of Boston State Normal Art School. MacNeil was then the same age as a certain carpenter named Ezra Cornell when he walked forty-one miles (in 1826) into the town of Ithaca from DeRuyter, New York. Arriving at the crest of Libe Slope (the current location of MacNeil’s statue of him), Cornell could see the town of Ithaca in the valley below. The place looked so promising as young Ezra could see manufactured goods and commodities being transferred from wagons to steamboats and barges. University history explains it this way:
At last he had come to a place, Cornell decided —before continuing down the hill, taking a boardinghouse room for the night and finding a carpentry job the next morning— where he could make something of himself. [ Cornell Engineering: A Tradition of Leadership and Innovation, p. 2. ]
Exactly sixty years later, another twenty year old was brought to Ithaca, this time by Professor Robert Thurston. MacNeil had just Graduated with first honors from the Boston State Normal Arts School (Massachusetts School of Art). This talented youth brought skills that Thurston desired all of his engineers to develop (mechanical drawing, drafting, architectural drawing, geometries, modeling and sculpting.
So Thurston hired Hermon MacNeil as Instructor of Art to teach these skills. The engineer degree required four years of these classes. Thurston wanted mechanical engineering students to know how to draw and to absorb the visual skills of a true artist.
Stay tuned for more (Part 2) on MacNeil’s first attempts at sculpting at Cornell and Professor Thurston’s vital role in affirming Hermon’s talent and future as a sculptor.
Judge Douglas(s) Broadman became the first Dean of the Cornell University Law School in 1887 when Hermon MacNeil was on the faculty. After the Judge’s death in 1891, MacNeil was commissioned to sculpt a bust of Professor Boardman for the University. This was one of MacNeil’s earliest works in marble. At the time he was residing in Chicago working on the 1893 World’s Columbian Exposition
MacNeil taught modeling of sculpture at Cornell from 1886-89. He would have known Broadman who came to teach Law in 1887 after a distinguished career on the bench
According to Cornell Archives:
Douglass Boardman graduated from Yale in 1842 and then studied law. He was admitted to the bar in 1845 and practiced law in Ithaca, New York. From 1848-1851 he served as District Attorney of Tompkins County, New York, and from 1852-1856 was County Judge. In 1856 he and Judge Francis M. Finch formed a law partnership which continued until 1866 when Boardman was elected a justice of the Supreme Court for the 6th district. He was a director of the First National Bank of Ithaca from its organization in 1864 and became its president in 1884; became a trustee of Cornell University in 1875; and was appointed Dean when the Cornell Law School was organized. Judge Boardman retired from the Supreme Court in 1887, and died in 1891. [ http://rmc.library.cornell.edu/EAD/htmldocs/RMM01622.html ]
For More history see:
Hermon Atkins MacNeil (1866-1947) and Thomas Henry McNeil (1860-1932) were cousins. They shared a common grandfather, Peter McNeil (1786-1847).
Hermon is the sculptor celebrated on this website.Thomas (Tom Henry) was my grandfather. My mother, Ollie Francis McNeil, always referred to Hermon as “Uncle Hermon”. Their parents wanted her (and her sisters and brother) to do that out of respect.
Hermon was more correctly their “first cousin, once removed”. But “Uncle” seems both easier and more respectful. Hermon would be my “first cousin, twice removed” [ see ancestry chart below ].
Tom Henry was born in Missouri, near Burdette in Bates County. He graduated from the University of Michigan. He played football there as the first starting quarterback in consecutive seasons. He practiced as a lawyer for Kansas City Railways Company, and in later years, he was responsible for making accident reports to the Interstate Commerce Commission and the Public Service Commission of Missouri. He died in 1932.
Hermon was born in Everett (Chelsea, Malden) Mass. In 1886 he graduated from Normal Art School in Boston (now Mass Art). He moved to Cornell University, New York, until 1889, leaving to study in Paris as a pupil of Henri M. Chapu and Alexandre Falguière. He sculpted in Chicago from 1891-1895, at the Columbian World Exposition (1893 Chicago World’s Fair) meeting Carol Brooks (also a sculptor). They married on Christmas Day 1895 and sailed days later for Rome (1895-99). Following another year in Paris (1899-1900), they settled in New York City building a home and studio in College Point, Long Island. He worked and lived there until his death in 1947.
FOR MORE read:
Daniel Neil Leininger, webmaster, HermonAtkinsMacNeil.com