WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Archive for Location

CLICK HERE to purchase MacNeil Medallion on eBay

by William Harry Warren Bicknell

Close-up of etching of Carol Louise Brooks MacNeil by W. H. W. Bicknell dated 1897

William Harry Warren Bicknell was an American artist born in 1860 in Boston Massachusetts. His etching of Carol Brooks MacNeil (below) is on paper and framed behind glass. It measures about 8”x9.5” (etching) frame is 12.25” x 14.5”. The etching is dated 1897 (note signature block on bottom photo).

The work was obtained from the estate sale of Walter Pratt, first cousin of Hermon Atkins MacNeil. Carol Brooks was a sculptor and artist in her own right. She was one of the “White Rabbits” who worked on the 1893 World Columbian Exposition (Chicago World’s Fair). In addition, on Christmas Day of 1895, she married Hermon Atkins MacNeil designer of the Standing Liberty Quarter.

Another similiar sample of the work of William Harry Warren Bicknell is offered below. Most of his works on the Smithsonian American Art Museum website are “Untitled”  Click Here

This work of William Harry Warren Bicknell is Untitled (woman in plumed hat), n.d., etching on paper, Smithsonian American Art Museum, Bequest of Leonard Hastings Schoff, 1979.33.2

Stay tuned to HermonAtkinsMacNeil.com for more on Carol Louise Brooks MacNeil and the other women sculptors called the “White Rabbits” of 1897 Chicago Worlds Fair.

Related posts:

  1. Hermon MacNeil at the 1893 Columbian Exposition ~ ~ ~ THE CHICAGO YEARS ~ ~ (5) CHICAGO YEARS:  Partners and Colleagues When Hermon MacNeil came home to the…
  2. ~ ~ ~ “The Most Happy Young Man I Know” ~ ~ ~ ~ ~ ~ ~ Hermon A. MacNeil ~ Success & Marriage! (5) 1895 Hermon Atkins MacNeil, American Sculptor (1866-1947) MacNeil’s bronze of…
  3. The MacNeil’s Chicago Wedding – Christmas Day 1895 (5) I sit here in Chicago during this Christmas Season, imagining…
  4. MacNeil – Brooks 120th Anniversary (1895-2015) (5) On Christmas Day one dozen decades ago, Hermon A. MacNeil…
  5. Marquette Statue in Chicago (4) Today we took a short trip south from our daughter’s…
  6. Lorado Taft offered praise for ‘promising Native works’ of Hermon Atkins MacNeil in 1903 (4) In the early 1900s, because of his knowledge and authorship…

One Hundred and twenty-three years (123) ago, Hermon Atkins MacNeil and Carol Louise Brooks were on married Christmas Day.

Recently an invitation to their Wedding Reception came available from the estate of Walter Pratt. He was a first cousin of Hermon. A facsimile appears below.

Married in a private ceremony on Christmas Day Hermon and Carol MacNeil had a reception in the Marquette Building

Noteworthy, is the location of the reception: the “Studio 1733 Marquette Building Chicago, Adams and Dearborn Streets, Chicago”. Recovery of this printed invitation adds several previously unknown facts to the story of their wedding day.  The 19th Century Marquette Building is the 21st Century home of the John D. and Catherine T. MacArthur Foundation.

The wedding earlier in the day was a private ceremony. Rev. Edward F. Williams, a Congregational Minister, officiated. Their license, completed in Rev. Williams hand, appears below.

Marriage License of Hermon Atkins MacNeil and Carol Louise Brooks issued on December 24th, 1895 and completed on Christmas Day 1895 by Rev. Edward F. Williams, Congregational Minister.

“Marriage: On Christmas Day 1895, in Chicago, he married Carol Louise Brooks, also a sculptor (see their marriage record below). Earlier MacNeil was informed that he had won the Rinehart Roman Scholarship. Following their wedding, the pair left for Rome, passing three years there (1896-1899) and eventually spend a fourth year in Paris where their first son, Claude, was born.  During those years they studied together under the same masters and shared the income of the Rinehart scholarship awarded to Hermon. (Carol had also studied sculpture with both Lorado Taft and Frederick William MacMonnies).”

Both Carol and Hermon sculpted for the Chicago World’s Fair of 1893. Carol Brooks was one of Lorado Taft’s “White Rabbits”

Lorado Taft’s “White Rabbits” https://en.wikipedia.org/wiki/White_Rabbits_(sculptors)

Hermon sculpted statues on the Electricity Building (See picture below)

Sketch of Hermon MacNeil from a newspaper article announcing the 1895 award of the Rinehart Prize
Carol Brooks MacNeil in 1907 with their two sons, Claude (rt) and Alden (lt) at their College Point Home in Queens, NYC, NY where she lived until her death in 1944.

Related posts:

  1. ~ ~ ~ “The Most Happy Young Man I Know” ~ ~ ~ ~ ~ ~ ~ Hermon A. MacNeil ~ Success & Marriage! (13) 1895 Hermon Atkins MacNeil, American Sculptor (1866-1947) MacNeil’s bronze of…
  2. Hermon MacNeil ~ “The Most Happy Young Man I Know!” (10) ~ Christmas Day 1895 ~ In 1895, Amy Aldis Bradley…
  3. Hermon MacNeil at the 1893 Columbian Exposition ~ ~ ~ THE CHICAGO YEARS ~ ~ (9) CHICAGO YEARS:  Partners and Colleagues When Hermon MacNeil came home to the…
  4. “PRIMITIVE INDIAN MUSIC” ~ Part 3: 1894 Eda Lord’s Ticket to the Chicago World’s Fair (9) Eda Lord, (the woman who purchased the MacNeil bronze statue,…
  5. The MacNeil’s Chicago Wedding – Christmas Day 1895 (9) I sit here in Chicago during this Christmas Season, imagining…
  6. MacNeil – Brooks 120th Anniversary (1895-2015) (7) On Christmas Day one dozen decades ago, Hermon A. MacNeil…

This Feb 27th of 2018 marks the 152 Anniversary of the birth of HERMON ATKINS MacNEIL. We celebrate with a little MacNeil history.

American sculptor of hundreds of pieces and monuments all over this country, 1st President of the Clan MacNeil Association of America,

Eight years ago this website started gathering the many images and stories associated with his life and work.  The Clan name traces back to to the Island of Barra in the Western Hebrides of Scotland.

The Kisimul Castle in Castle Bay was restored by the MacNeil of Barra XLV –Robert Lister MacNeil.  The story of the Clan and the Castle are told in his book, Castle in the Sea: The Macneil of Barra XLV, published in 1964.  His son Ian Roderick Macneil, Chief, Clan Macneil, published a revised 2nd edition 1975.

The Kisimul Castle is featured in cameo on this postcard “The Macneil” by Raphael Tuck and Sons. (Publishers to their Majesties the King and Queen) as part of their series “SCOTTISH CLANS.” Series VI; Postcard 9481.

The reverse of this never used postcard contains a Clan history of the two branches of the MacNeils:

No Date is found on the Postcard

MacNeil Chief greets visitors arriving to the Kisimul Castle for the 2014 Gathering of the MacNeil Clan.

The 2014 Gathering of the Clan was celebrated at the Castle and across Barra. I had the priviledge to attend the festivities and to tour Scotland for three weeks with Donna, my wife.  It was a memorable trip of a lifetime and an inauguration of our retirement years.

Webmaster, Daniel Neil Leininger in kilt at Kisimul Castle in the summer of 2014.

 

 

  • What is the future of this statue?

“Confederate Defender of

Charleston?”

Given the recent violence around Confederate monuments,

And the removal of others

one must wonder. 

 

How long will this pair point out to

 

Fort Sumter Bay?

 

Since 1932 if this monument has stood in

Charleston harbor at Battery Park.

Twice it has been vandalized with spray paint.

In separate news:    At the University of Texas – Austin, Confederate statues have been removed. University President Greg Fenves said in a statement that it has become clear “that Confederate monuments have become  symbols of modern white supremacy and neo-Nazism.”  (USA Today, Aug 22, 2017)

Is the sun setting on this piece by Hermon MacNeil?

only time will tell…

Hermon A. MacNeil’s words at the dedication:

“Its motif in brief, is that the stalwart youth, standing in front with sword and shield, symbolizes by his attitude the defense not only of the fort, but also of the fair city behind the fort in which are his most prized possessions, wife and family. And she, the wife, glorified into an Athena-like woman, unafraid, stands behind him with arms outstretched toward the fort, this creating an inseparable union of the city and Fort Sumter.”

“BLACK LIVES MATER. THIS IS THE PROBLEM RACISM”. SOURCE: http://www.nydailynews.com/news/crime/statue-honoring-confederacy-defaced-charleston-park-article-1.2266043

MacNeil’s “Confederate Defenders” was completed as a studio model in 1931. This is is an autographed photo of the model of Confederate Defenders of Charleston Monument pictured in MacNeil’s studio in College Point, NY before completion of the full bronze sculpture as dedicated on October 20, 1932

 

“THE CAUSE FOR WHICH THEY FOUGHT THE CAUSE OF SLAVERY WAS WRONG.” SOURCE: The Blaze ( http://www.theblaze.com/stories/2015/07/11/charleston-confederate-monument-vandalized-again-this-time-with-obama-quote/ )

 

Can America as a nation get beyond the “birthmark of slavery” present throughout our founding, our history, our civil war, our Jim Crow apartheid, our Civil Rights violence, our ongoing racial prejudice, ethnic discrimination, black voter suppression, and claims of racial supremacy?

The answer is up to us.

“The cause for which they fought,

the cause of slavery was wrong.” 

President Barack Obama ~ Eulogy for Rev. Pickney, Pastor of Emanuel AME Church 1.5 miles North of this statue

 

An excerpt From President Barack Obama’s

FAREWELL ADDRESS

January 10, 2017

“I am asking you to hold fast to that faith written into our founding documents; that idea whispered by slaves and abolitionists; that spirit sung by immigrants and homesteaders and those who marched for justice; that creed reaffirmed by those who planted flags from foreign battlefields to the surface of the moon; a creed at the core of every American whose story is not yet written; Yes we can.”

“BLACK LIVES MATER. // THIS IS THE PROBLEM #RACISM”. http://i.dailymail.co.uk/i/pix/2015/06/21/21/29D7C09E00000578-3133597-Confederate_monument_vandalized-a-58_1434918039434.jpg

The Post and Courier ~ Charleston, SC

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July 21, 2011. The restored bust on display at the Spurlock Museum at University of Illinois. After a thorough cleaning and patina restoration, MacNeil’s Lincoln bust went on public display for one year in the Spurlock Museum. This was the first showing of the piece in full circle — 360 degree visibility.

     MacNeil’s Abe Lincoln (above) was cleaned and the patina restored in 2011 when Lincoln Hall was reconstructed for its 100th Anniversary.  

     After six years back in his old niche in the east foyer entrance of beautiful Lincoln Hall, I was curious about how much wear Lincoln’s “lucky nose” had sustained from student caresses on their way to exams and classes.

     So, while traveling to visit family in Kentucky, Virginia, and NC in July 2017, we made opportunity to spend the night in Urbana, Illinois. We turned very appropriately onto “Lincoln Street” off of I-74 and found a motel for the night.  

The next morning (Monday, July 31st) we ventured off toward the restored Lincoln Hall on the University of Illinois campus.  Wiggling through blocks of summer street construction into Wright Street, we parked and walked toward the Main Quad.

Larado Taft’s Alma Mater

Lorado Taft’s powerful allegorical grouping “Alma Mater” (with Learning and Labor) at the corner of Eighth and Wright Street greeted us.  (Taft was the alumnus who recommended MacNeil’s bust of Lincoln over other artists considered for placement in the Hall in 1924.) For More on Taft click HERE

We met an alumnae who had dropped her son off for summer workshops.  She asked us to take her picture with the Alma Mater behind her.  Turned out she was originally from Beresford, SD and planned to retire in the Black Hills. Small world.

Abe Lincoln’s nose has a well worn shine again. The patina restoration in 2011 has given way to the”petting” and “well wishes of 100’s of hands” seeking blessings from Old Honest Abe.

We walked into the old quadrangle at the  center of campus.  Walking the brick walks of the lush green lawn. we arrived at the east entrance of Lincoln Hall. We stopped to admire the terra-cotta bas-relief panels placed above the high windows of the building. They depict scenes from the life of the prairie lawyer memorialized in this beautiful hall.

The restored East Foyer of Lincoln Hall with its gilded vaulted ceiling and columns makes a dramatic setting for Hermon A. MacNeil’s bust of Abraham Lincoln as the famed prairie lawyer who left Illinois to lead the nation through the War to preserve the Union and the succession South states.

Entering the East Foyer, we could see the Lincoln bust before us.  The magnificent Beaux Arts style of the ceiling formed a vaulted arch spanning above the wings of the white marble stairs and landing.  This splendidly restored foyer dominated the life-size bust of our sixteenth President centered on the landing in its gold-leafed niche.

The tradition of touching Lincoln’s nose for “good luck” has passed on to another generation of Illini students since the restoration.

Even from the doorway a “bronze glow” could be glimpsed on Abe Lincoln’s nose.  He was wearing his well-worn shine again. As predicted, the brown patina of the 2011 restoration had given way to the”petting” and “well wishes of 100’s of hands” seeking blessings from Old Honest Abe.  The tradition has carried on to Lincoln Hall’s second century.

The bronze relief plaque containing the words of the Address at Gettysburg was on our right.  The gold gilding of the column capitals and the rosettes in the vaulted arch of the ceiling, gave an inspiring elegance to this hall of remembrance.

In the elegance of this hallowed hall, Abe’s “accessible nose” adds a tactile legacy and fitting tribute to learning in the “Land of Lincoln.

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
Hosting & Tech Support: Leiturgia Communications, Inc.
COME BACK & WATCH US GROW

WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster