Archive for Bust
“Clan MacNeil Connections and Hermon Atkins MacNeil”
The current issue of the Clan MacNeil Association of America magazine has a feature story on Hermon Atkins MacNeil by webmaster, Dan Leininger
The Galley edited by Vicki Sanders Corporon titles Dan’s story as “Clan MacNeil Connections and Hermon Atkins MacNeil.” The feature and photos fill 8 pages in the “Galley” issue for Spring/Summer 2014.
The featured photos include the East Pediment of the Supreme Court Building in Washington, D.C. (with a detail close-up of Moses, Confucius, and Salon); The George Rogers Clark monument in Vincennes, IN at the site of his victory over the British in 1779; Confederate Defenders of Charleston, SC; the Young Lawyer Abraham Lincoln in Champaign, IL; General George Washington on the Washington Arch, NYC, NY. Also in this article are photos of the grouping Coming of the White Man in Portland, OR; The WWI Angel of Peace Monument in Flushing NY; and a bust of Dwight L. Moody (who MacNeil sketched during the 1893 Chicago Worlds Fair.
Another art work of Hermon A. MacNeil has emerged through the kindnesses of the Orr family and the attraction of this website — namely, a beautiful portrait bust of Hermon MacNeil’s physician, Dr. Francis G. Reilly.
Pat Orr send the information about his MacNeil painting of “Dave Blue” as presented in my previous posting. He was also kind enough to ask his brother, Tim Orr, to send some photos of another Hermon MacNeil creation that has been in their family (for almost) five generations.
Pat sent the following request to Tim:
Dan has a website dedicated to the life and works of his uncle H.A. MacNeil. I have the oil painting of Dave Blue Who Lived Under the Ground and you have the bronze bust of Daddy Boy (Grandma’s father, Dr. Francis Reilly). Could you email him some pics. See his directions below. He wants to add the discoveries of his uncle’s work to his website and possibly a book as well.
Tim sent several photos of the bust of “Daddy Boy,” as the family has called their heirloom piece. Enhanced profile and frontal views are posted here.
Pat also included some tidbits of family history he gathered in his “MacNeil detective work:’
I have a few more details of interesting information for you. I spoke with my mother and she said H A MacNeil was a neighbor of my great grandparents in the Catskills. They had a summer house there, and he had one down the road. Apparently, my great grandfather was his doctor. In fact, H A did a bronze bust of my great grandfather which my brother has now at his house. …
In terms of the home in upstate New York called “Bittersweet” I don’t know what happened to that. I imagine it was sold at some point along the way. That was way before my time. I was born in Washington, D.C. in 1970.
Did you ever meet your uncle, or you just know him by way of photographs?
Tim provided additional interesting family details not mentioned before:
As I understand the story, the bust was compensation to my GG (sic: great-grandfather) for medical services rendered…but that could just be a story. The medallion was either a gift or he may have purchased it, or could have been compensation also. As an aside, the vacation home in Liberty NY is now under water, a part of a reservoir network in that area I believe.
The idea of “compensation” (barter) makes sense in that era and in Hermon MacNeil’s history of doing that with Inn-keepers in his early years of travel in Italy and Paris .
Thanks to Pat and Tim Orr for sharing heir family history and treasures. They give us insight into Hermon A. MacNeil and their own family
WHO IS DAVE BLUE ?
Another mystery oil painting entitled “Dave Blue,” has surfaced through an inquiry on this website. The work is signed, “H. A. MacNeil SC” in two places.
Patrick Orr wrote from Connecticut,
“IS IT POSSIBLE THAT I HAVE A PAINTING BY H.A. MACNEIL?”
Patrick included several photos from which the detail at your right enlargement below were taken.
In our ongoing correspondence, I explained to Patrick the following:
A. MacNeil often placed the letters “SC” after his signature on works meaning “Sculptor.” This was his standard manner of signing his works. Interesting that he did so to an oil painting as well. See numerous examples on the masthead photos on my website.
B. MacNeil is known to have painted oils. Mostly for fun or gifts. My mother had an oil painting as a wedding gift that he gave her in 1929.
C. You have a unique and interesting piece. Just on the basis of looking at the pictures, I would say there is little reason to doubt that this piece is what it claims to be.
D. I doubt that a forger would bother to make a fake “MacNeil” oil painting.
E. Hermon would sketch when he went places or saw interesting people. He had an artists eye.
I asked Patrick where he got the work:
“The painting belonged to my grandparents, and when they died I asked my uncle if I could have it. I always liked it. I have no idea how they acquired it.”
“My grandparents and their grandparents are from the lower west side of Manhattan. In the 1970s my grandparents moved to CT. I don’t remember any stories unfortunately, but I will ask my mother. They definitely treasured it. Everybody always commented on it.”
“Who was Dave Blue? Did he live in a cave? Was he blind? Was he a freed slave or son of slaves? A mystery and so very intriguing.”
SO, Pat Orr agreed that I could post his “MacNeil Mystery” on my website. The next day another email arrived from Patrick:
“I have some interesting information for you. I spoke with my mother and she said H A MacNeil was a neighbor of my great grandparents in the Catskills. They had a summer house there, and he had one down the road. Apparently, my great grandfather was his doctor. In fact, H A did a bronze bust of my great grandfather which my brother has now at his house. The painting I have was a gift he gave to them.
… Unfortunately, my mom doesn’t know about the history or background of the painting itself. She doesn’t know when or where it was done.”
That fits in with the sticker on the back of the canvas being from a New York art supplier. I can imagine him picking up the canvas in New York, and then taking it with him on his travels and using it to do the study of the old black man.”
SO, the intriging “MacNeil Mystery” remains:
“Dave Blue who lived under the ground.”
Who was Dave Blue?
Did he live in the ground?
Was he blind?
Was he a freed slave or son of slaves?