WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Archive for Travels with Uncle Hermon

“Abraham Lincoln” with Marian Fretueg (right) and head librarian (left) greeted us at Rushville Public Library.

My previous posting on May 13, 2019 (CLICK HERE) shared another discovery of this website.  Namely, for nearly a century an additional “Lincoln Lawyer” bust has made its a home on the Illinois prairie in Rushville.

Well, I could not resist a visit there.  So, I took a side trip to Rushville on a recent vacation voyage through my old home state of Illinois.

And guess what I found? Ta Dah!

Another of Hermon MacNeil’s “Lincoln Lawyer” was found at the Rushville (Illinois) Public Library. The happy webmaster was pleased to see it and meet the Library staff

 

I am sure you recognize Abe Lincoln.  Well the guy smilin’ on the right is me, Dan Leininger [the “happy webmaster of https://hermonatkinsmacneil.com/ ].

Rushville is county seat of Schuyler County. The ‘new’ Public Library is located about seven  blocks north of the downtown.  The concrete sidewalks, driveway, and parking lot give easy access to walk-up, drive-up, or pedal-up traffic. The Stone and buff-brick building is clean, inviting with open access to all stacks.

Marian Fretueg a board member and volunteer (pictured on far right), sent an email inquiring about my knowledge of this bust by Hermon A. MacNeil.

Marian asked the Library Board for permission to publish the re-discovery of the “Lawyer Lincoln” bust on this website.

She said that the donor of the bust was Albert Morris Bagby of New York City.  He grew up in Rushville, Illinois and became a successful musician studying with Franz Liszt. She said, “He left our little town and studied in Germany and then ended settling in New York City.”

Mr. Bagby had the bust shipped to Rushville in 1928 to be temporarily placed at the city’s library for the enjoyment of all the patrons.  Marian stated, “For some reason or other, the sculpture was never moved from our library.   It is now proudly on display in the new building for the Rushville Public Library. 

Bagby began his “Musical Morning” show in 1891 at his own private studio at 152 W. 57th Street. MacNeil later taught at the Art Students League of New York located in the American Fine Arts Building, one block away, at 215 West 57th Street,Several years later he moved it to the Waldorf-Astoria, the Unofficial Palace of New York, located on 34th Street at 5th Avenue. His life story is a fascinating one.  CLICK HERE:

I suspect that there must have been some connection between Hermon MacNeil and Mr. Bagby. MacNeil had studios in Manhattan, NYC. Maybe we could link the histories of these two men.  That would make a great story to research the two men and the possible intersection of their lives.

Hermon sculpted many statues and monuments around NYC. He also did private work with many persons of prominence there.  

Mr. Bagby. He obviously donated many items to his hometown through the years. His heart never seemed to lose affection for his home town.  Rushville may not have been fully aware of the “treasure” that their native son left them in the “Lawyer Lincoln.”  Perhaps the new Rushville Public Library home can raise community awareness and pride in this treasure and history. 

Bagby, Albert Morris, 1859-1941

Biographical notes:

Albert Morris Bagby was born in Rushville, Illinois on April 29, 1859 to Mary Agnes Scripps of Jackson, Missouri and John Courts Bagby from Glasglow, Kentucky. After completing his primary education in the United States, Bagby traveled to Europe to study music.

He first studied under Professor Scharwenka at the Berlin Conservatory and later with Franz Liszt in Weimar. Before Bagby died in 1941, he was considered one of the last links to Mr. Liszt. Though never a virtuoso performer himself, Bagby was an ardent admirer and pupil of the great pianist and so devoted his life to the patronage of music and performance. (Time Magazine, March 10, 1941)

After returning from Europe, Bagby was invited to give music lectures at various socialite clubs in New York. These lectures, often with piano accompaniment, turned into luxurious concerts. At first Bagby sought to call his recitals “Matinee Musicale,” but at the urging of his friend, Miss Louise McAllister, the name was changed to “Musical Morning.” (The Unofficial palace of New York, p. 99)

The first official Musical Morning was held in 1891 at Bagby’s own private studio at 152 W. 57th Street in New York. The concert series was so popular that a larger space was needed. (Emanuel Feuerman, p.89) Bagby refused to rent public music halls, which he felt would destroy the personal and intimate nature of the performance. Fortunately, an ideal site for performance and private society presented itself when a new hotel opened its doors on 5th Avenue and 34th Street. The Waldorf-Astoria (on 34th Street, and then in 1929 its new location) became the new home of Bagby’s Musical Morning, remaining so until its end in 1941. (The Unofficial palace of New York, p. 97,100)

Following each Musical Morning (which were attended by subscription only), Bagby would host a lunch for a few dozen of his most notable guests. Conversing easily with royalty, socialites and skilled musicians, Bagby became a popular figure in the social life of Europe and America. (Time Magazine, March 10, 1941)

Offering performances by almost every distinguished artist in the United States, Bagby succeeded in both providing elite entertainment and funds for The Bagby Music Lovers’ Foundation, Inc. The foundation, established at the 300th Musical Morning in January, 1925 was set up to give pensions to elderly musicians as a “reward for their unforgettable service to music.” (The Unofficial palace of New York, p. 95, 101)

In addition to his life work with Musical Morning, Bagby also traveled to Europe quite extensively, attending performances at Richard Wagner’s Bayreuth Festival and visiting friends.

While living at the Waldorf-Astoria in New York, Bagby received hundreds of letters and postcards from the European royal families who had attended his performances and seen him in Europe. Most of the letters thanked Bagby for his kindness and generous gifts.

With most of Europe in turmoil after the Second World War, it was often difficult to purchase books and magazines in English. Bagby, being the generous individual that he was, acted almost as a courier service, sending books, encyclopedias, and subscriptions to National Geographic and The Spur to various European royal families. The missives also contained personal notes about the family’s wellbeing, and a request that Bagby visit next time he was in Europe.

Besides being a musician, Bagby was also a writer. When he was younger he contributed to various periodicals, and in 1895 published his first novel, a musical romance entitled Miss Traumerei. In 1904 he wrote Mamie Rosie, a fictional account a young musician’s journey to stardom.

Later in life Bagby gave back to his home town by donating various volumes, statues and paintings to the Rushville Public Library. Albert Morris Bagby died of pneumonia on February 27, 1941 at the age of 81, ending his five-decade career as director of Musical Morning. (Time Magazine, March 10, 1941).

  • From the description of [Albert Morris Bagby collection]. 1890-1960. (Pritzker Military Library). WorldCat record id: 236876955 http://snaccooperative.org/ark:/99166/w6s76w29

  • The Unofficial Palace of New York: A Tribute to the Waldorf-Astoria, hardcover – 1939 by Frank Crowninshield (Author).

 

 

I had the privilege of visiting the MAM site this week and will post a  larger story soon.  For now, here’s a quick shot of MacNeil’s “Sun Vow”.

Here’s a quick shot of MacNeil’s “Sun Vow” with yours truly camera in hand.

I had the privilege of visiting the MAM site this week and will post a  larger story soon.  For now, here’s an editorial by Frank Gerard Godlewski, Historian & NY Armory Arts Week Curator

It demonstrates a strong strain of public opinion in Montclair, NJ, concerning the “Sun Vow” a gift of Wm T. Evans. Montclair citizens have viewed and driven by this MacNeil original for over 100 years. What follows below is a re-posting of a Patch Montclair facebook page: ( https://patch.com/new-jersey/montclair/respecting-sun-vow )

Montclair Op-Ed: ‘Respecting The Sun Vow’

Regarding the Montclair Art Museum’s landscape re development proposal for the Planning Board Meeting Monday August 26 at 7:30 PM

By Frank Gerard Godlewski | | Updated

This post was contributed by a community member.
 
Montclair Op-Ed: Respecting The Sun Vow
Hermon Atkins MacNeil (1866-1947), The Sun Vow, 1899 (cast 1902), Bronze, 68 x 45 x 29 in., Gift of William T. Evans, 1913
MONTCLAIR, NJ — The following article comes courtesy of a Montclair Patch community member. Learn more about posting announcements or events to your local Patch site.The Montclair Art Museum is a cultural landscape masterpiece conceived by the visionary founding planners of our community. Today, it is an important cultural focal point and should continue to thrive and develop. It would be “bad grammer” however, within it’s dialogue with the community, for the Museum to erase our culteral/artistic legasy and its symols from our collective memory’s landscape..The Museum’s re development proposal calls for the removal of the “Sun Vow” statue which is one of the earliest art pieces collected by William T. Evans, the museum’s founder (1909). The statute, placed on its erratic naturalistic rock, occupies a prominent location in the historic landscape as does the Lebanese Cedar tree that was cultivated and planted by the local landscape design visionary Howard Van Vleck. The plan proposes to remove the existing tree and historic sculpture to create a reflecting pond and a new commissioned sculpture.The founders of the museum inteded to preserve our natural beauty and our cultural heritage. The Sun Vow statue is a symbol from our cultural past. Montclair, once the home of the Lenne Lenape has lost most of its native american symbols, except perhaps or the names like Watchung and Yanticaw. Dianne Lewis, NY architect stated at her Montclair Art Museum presentation “Why Montclair is Montclair” that “Montclair is a mystical visionary landscape that preserves the ghosts of the Native Americans. It has a tragic dimension. Montclair is not an ordinary suburban condition, it is like Fiesole in Tuscany and a becon of light seen from the distance.”The intention of Mr. Evans was to place the Sun Vow piece infront of the building so that it could be enjoyed by passers by from the street as well as the grounds. Why change that?

 
Museum’s founders were components of the Municipal Arts Commission who intended to preserve the natural beauty of Montclair with the creation of the first 1906 Master Plan.A 1902 Montclair Times Article about the Sun Vow statue states:”Object of the municipal art commission. The objective of this commission shall be to promote in all practical ways the beautifying of Montclair, to preserve the distinctive charm of the country town, and to exert influence to the end that the principle of local fitness shall be served in public and private improvements, to consider the probable future development of Montclair, and to plan for meeting it’s needs. To influence a just appreciation of the value of art in daily life and to encourage and promote the public and private use and patronage of good art in Montclair. Montclair is fortunate in having one of the notable groups of recent statuary permanently placed where our people may enjoy it. Mr. William T Evans who has brought to Montclair his choice collection of works of painters, has just placed upon his grounds the bronze group by H. A. McNeil, which received the highest award of the gold medal at Buffalo, and a silver medal at the Paris exposition. The group represents (an Indian) a native American boy taking the sun test, which is to decide whether he shall be classed with them the men of the tribe or shall go back to play with the children.… Mr. Evans, appropriate use of a great bolder of the massive granitoid gneiss of our New Jersey Highlands, as a pedestal for the group makes it easy to imagine the test on a rugged hilltop in the blazing glare of the midday sun. … The bolder was found by Mr. James Owen at Singac. It weighs 12 tons and was brought to Montclair upon a truck drawn by 12 horses.”The removal of the “Sun Vow” statue, a gift to the community from the museum’s founder as well as the proposed changes to the front yard of the museum subtract from our cultural patrimony. With the current local trends of re development, our collective memory of the township and its original beauty is disappearing. All you have to do is look down Bloomfield Avenue to see these aesthetic changes.The front yard of the Museum is a very important part of our cultural legacy. It is an icon ingrained in our community’s collective memory. Each element in front of the facade has a significance. The museum’s founders intentions and the valuable historic landscape should be respected and remain as a learning tool of our original cultural legacy to teach to the new generations to come.Frank Gerard Godlewski, Historian & NY Armory Arts Week CuratorDon’t forget to visit the Patch Montclair Facebook page. Send local news tips and correction requests to eric.kiefer@patch.com

May 8th I will be able to complete a “bucket list” check-off by visiting the “Coming of the White Man”.

This photo shows the upper base of the statue as part of the casting itself with the name sculpted into the base. This sits on the boulder that MacNeil crafted for the setting from Columbia River granite.

Post Card of 1905 Statue before the oak branch was broken. MacNeil selected the stone for the base and supervised its delivery from the quarry to the hill where it was hauled up by a four horse team.

 

 

 

 

 

 

 

 

 

 

 

 

 

I hope to take my own photos of the Statue in its Washington Park setting.  I have told MacNeil’s stories of this piece, but have never had the pleasure of seeing it myself and spending time there. 

Other posts related to the “The Coming of the White Man”  [Click HERE]

More to come after May 8th.

 

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A model of the railroad station built for the Universal Exposition of 1900 in Paris. The building is the present day Musee d’Orsay

The Musee d’Orsay in the center of Paris was originally built as the railroad station for the Universal Exposition of 1900. MacNeil and his contemporary sculptors exhibited and received prizes in that competition.

It now is a Museum.   Sculptures made by MacNeil’s teachers are a part of the exhibits.  MacNeil had many teachers in Paris  at the Ecole Des Beau Arts. Below are the signatures of A [Alexandre] Falguiere and H [Henri] Chapu from two of their marble sculptures.

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Alexandre Falguiere (1831 – 1900)

Falguiere’s sculpture of Tarcisius was completed in 1867 when MacNeil was just 1 year old.

Alexandre Falguiere (1831-1900), Tarcisius, martyr chretien, 1867

Alexandre Falguiere (1831-1900), Tarcisius, martyr chretien, 1867

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Falguiere placed Christian symbols on has interpretation of the young martyr: Two doves of peace, olive branches, alpha and omega, and a cross of the chi-rho letters.

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Henri Chapu (1833-1891)

A beautiful feature of Chapu’s work graces the Musee d’Orsay — Joan of Arc (Jeanne d’Arc a’ Domremy 1870.DSCN4110

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Jeanne dArc A Domrem by Henri Chapu 1870

Jeanne dArc A Domremy by Henri Chapu 1870

The year 2016 marks the sesquicentennial of the birth of Hermon Atkins  MacNeil on February 27, 1886.

2016-rev-1

Hermon Atkins MacNeil about the time of his Standing Liberty works.

Hermon Atkins MacNeil about the time of his Standing Liberty works.

While we celebrate each February as “MacNeil Month,”  this year is extra special as the 150th anniversary of his birth.

Several events during 2016 will acknowledge that here on HermonAtkinsMacNeil.com:

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  • The newly commissioned 2016 MacNeil Medallion will be available for sale on eBay.  CLICK HERE
  • Postings will continue to celebrate the life and art of Hermon A. MacNeil.
  • Kisimul Castle the home of the MacNeil Chieftans from the 14th century, will be featured.
  • The origins of the MacNeil Clan on the Isle of Barra in Scotland’s Outer Hebrides will be visited with photos and history .
  • The webmaster’s ongoing travels and activity will be presented as his “Search for Uncle Hermon” continues as a odyssey of retirement.
  • Antique “MacNeil Postcards” of some of his sculptures across the U. S. will be presented as features.
  • MacNeil’s years in Paris will be revisited with photos of the newly restored Ecole de Beaux Arts where he studied and taught.
  • MacNeil’s teachers in Paris will be featured with photos of their sculptures in the Musee d’Orsay in the center of Paris. This museum was built as the railroad station for the Universal Exposition of 1900 in which MacNeil and his contemporary sculptors exhibited and received prizes.
  • Our recent Travels to Scotland will be featured with photos and stories.
  • Our travels to France this year will be shared.

ALL in ALL, 2016 begins as a banner year for this website. SO stay tuned.

Better yet, SUBSCRIBE by clicking the button.

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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COME BACK & WATCH US GROW

WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster