WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !
~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.
~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.
~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A. New York to New Mexico — Oregon to South Carolina.
~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,
Take a Virtual Journey
Since 2010 this website has transported viewers through the years and miles between 100’s of Hermon MacNeil’s statues & monuments throughout the USA.
For over one hundred years these sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.
PERHAPS, you walk or drive by one of his public sculptures daily. HERE, you can gain awareness of this great sculptor and his many works. Maybe there are some near you! CHECK HERE!
“We did not discover this bust by Hermon A. MacNeil until 2020, 100 YEARS after this sculpture was installed in its niche at New York Public Library. Here’s the story we found!”
IN 1920 THE NEW YORK PUBLIC LIBRARY Bulletin reported the following story and photos:
“The John Stewart Kennedy Memorial was completed and the bust of Mr. Kennedy by H. A. MacNeil, the sculptor, was installed in the niche prepared for it in the Fifth Avenue entrance lobby. Mr. Kennedy was formerly the President of the Lenox Library, and upon the consolidation became a Trustee and Second Vice-President of The New York Public Library, in which capacities he continued to serve until his death in 1909. He took an active part in the negotiations, which resulted in the consolidation, and the deep interest, which he displayed in the development of the Library and his liberal benefactions to it will be ever remembered.” [SOURCE: Bulletin of the New York Public Library, Volume 24: January to December 1920, New York, 1920]
1920 New York Public Library. The John Stewart Kennedy Memorial was completed and the bust of Mr. Kennedy by H. A. MacNeil, the sculptor, was installed in the niche prepared for it in the Fifth Avenue entrance lobby.
Kennedy was a Scottish-born American businessman, financier and philanthropist. At the time of his death his will gave away $30,000,000 to various , universities, libraries, museums, Presbyterian missions, around the city and globe, including $2,500,000 to the New York Public Library. [https://en.wikipedia.org/wiki/John_Stewart_Kennedy]
For additional information on J. S. Kennedy see:
Albro Martin, James J. Hill and the Opening of the Northwest (1976) and
Ralph W. Hidy, Muriel E. Hidy, and Roy V. Scott with Don L. Hofsommer, The Great Northern Railway: A History (1988).
Hermon MacNeil came to Chicago in 1891. Preliminary work was beginning on the World’s Columbian Exposition of 1893(Chicago Worlds Fair). He brought with him a Letter of Introduction to Phillip Martiny, a gift from Augustus Saint Gaudens of New York City.
“Martiny was one of the large team of decorative sculptors assembled to carry out details for the World’s Columbian Exposition, Chicago, 1893, where he settled for a year to carry out the clay models for many somewhat facile decorative allegorical figures, cherubs, caryatids and the like. … The sculptures, which were carried out in staff, a weather-resistant plaster, were destroyed with the exhibition buildings, but the successful effect they produced led to further similar commissions at the Pan-American Exposition in Buffalo, New York (1901) and the Louisiana Purchase Exposition in St Louis (1904). His growing reputation led to his only medal, an award medal for the 1895 Cotton States and International Exposition in Atlanta, Georgia.” [4] Source: https://en.wikipedia.org/wiki/Philip_Martiny
“So MacNeil chose to settle in Chicago where this collosal World’s Fair was “being born.” This decision proved momentous in many ways. In his ‘Chicago Years’ he met people who would remain professional colleagues and friends for the next four decades. These included Frederick MacMonnies, Lorado Taft, his pupil, Carol Louise Brooks (who MacNeil was to marry in 1895), Daniel Chester French, as well as architects Daniel Burnham, Stanford White, and Charles Follen McKim. The rest of MacNeil’s career would become a repeated succession of partnerships with these colleagues on projects, monuments, buildings, and memorials that were joint efforts of many Beaux Arts trained scupltors and architects associated with the American Academy in Rome.”The rest story has been told on thiswebsite at: “The Chicago Years” [CLICK HERE].
Fifty years later, Hermon MacNeil, revisited these “Chicago Years” when he wrote out his thirteen page Autobiography. Here’s what he wanted us to know:
“St. Gaudens was then the great sculptor in America and in my brash way [ I ] went to N. Y. City and asked him for a job, that is, the privilege of being an apprentice. He was kind enough to give me a letter to Philip Martiny, a very able sculptor who had considerable work at that time designing sculpture for the coming exposition in Chicago. He rather doubtfully took me on. At the end of the first week he asked me what I thought I should have for pay. I had had no professional experience so I told him to set my stipend. I would have taken $2 or $3 a day if he said so but he asked me if $5 would be enough! I don’t think I showed any disappointment in my face and told him that was O.K. (O.K. was not used in those days however) So for a year I revelled [sic] in assisting in the professional work and learned a great deal. Had in Paris learned to model the figure but in the studio to use intelligently and decoratively that knowledge was another thing again. As a friend of Martiny’s said to me when looking at my work, “Don’t you know their is a great difference between a school study and a work of art?” It sunk in.” [ “AUTOBIOGRAPHICAL SKETCH — HERMON ATKINS MACNEIL,” June, 1943, page 4. ] Cornell University Archives.
Hamlin Garland
Garland Garland came to Chicago in 1893.
Teen Writer. “Garland began to write poetry during his teens and published his first poem in Harper’s Weekly called Lost in a Norther which announced his close connection with the adventurous American spirit and the pioneering life that would characterize a large part of his fiction.” [ https://mypoeticside.com/poets/hamlin-garland-poems ]
Keen Observer.“It wasn’t until Garland was in his early thirties though that he began to achieve some success with a collection of short stories under the title Main Travelled Roads. He used this success to move to Chicago where he gave lectures on writing in a more realistic way and later also visited the ‘untamed’ west where he observed cowboys and made copious books of notes on the life of American Indians. It was these keen character studies that he would use in his fiction in later years.” [ https://mypoeticside.com/poets/hamlin-garland-poems ]
Scene Novelist. When Garland moved to Chicago in 1893, he wanted to experience the events and excitement of the 1893 World’s Columbian Exposition. He was already considered “a significant figure in the Chicago Literary Movement” and “one of Chicago’s most important authors”.[8] He wanted to both participate and witness this global, cultural symbol of the emerging American Exceptionalism. Garland contributed some of the featured 6,000 lectures. In doing so he became friendly “with Mark Twain, Walt Whitman and Rudyard Kipling, as well as Edward Eggleston, Joseph Kirkland and E.W. Howe.” [3]
The Woodlawn neighborhood sprung up to house the explosion of workers, businesses, and commerce necessary to construct the “White City” He settled in Woodlawn at 6427 South Greenwood Avenue, an apartment just six blocks south of the Midway and its amusements.
The White Rabbits. The story of Larado Taft and his female assistants, The White Rabblts, has been told many times here on this website. They did more than finish the works of their male sculptors counterparts.
The Rabbits weren’t just responsible for realizing other people’s visions; several of them also contributed their own sculptures to the fair. Scudder created an allegorical female Justice for the Illinois building as well as a sculpture for the pavilion of her home state, Indiana. Taft’s sister Zulime Garland made Flying Victory and Learning. Julia Bracken Wendt, who was already the most talented assistant in Taft’s studio before the fair, sculpted Faith; Charity was undertaken by Carrie Brooks MacNeil, Maternity by Ellen Copp, and “Art” by Bessie Potter Vonnoh.
Friendships and Romance. While creating the these buildings and sculptures, there evolved a unique community of White City artists. The collegiality extended through the years. Several friendships evolved into marriage. Both Garland and MacNeil found their life partners in Larado Taft”s assistants, The White Rabbits. A recurring community of Camp Life sprung up:
[1]“The spirit of playful camaraderie among the city’s artists was manifest in the first of several outings to Bass Lake, Indiana. For two weeks in August 1894 Potter experienced invigorating camp life with the sculptors Lorado Taft, Carrie Brooks, Hermon Atkins MacNeil, Lew Wall Moore, and Edward and Laura Swing Kemeys, And the painters Charles Francis Browne, Carl Heber, and Menthe Svenden. Between recreational activities and spirited antics, painters and sculptors alike engaged in plein-air oil sketching of the scenery. Evenings were given over to art lectures illustrated by the stereopticon projected on a make shift screen consisting of a sheet stretched between trees. Such a good time was had that the artist arranged another merry outing for September. There after the excursions became annual events.”
[1] Julie Aronson, Bessie Potter Vonnoh: Sculptor of Women, Cincinnati Art Museum: Ohio University Press; Athens, Ohio. 2008, p. 31.
TWO MARRIAGES:
Hermon MacNeil married Carol (Carrie) Brooks a student of Larado Taft, and Hamlin Garland married Zulime Taft, sister of Larado.
They all built The White City, BUTthe White Citysculpted their lives as well.
SOURCES:
[1] Julie Aronson, Bessie Potter Vonnoh: Sculptor of Women, Cincinnati Art Museum: Ohio University Press; Athens, Ohio. 2008, p. 31.
Jamaicia Plain Historical Society [ https://www.jphs.org/people/2005/4/14/hamlin-garland-one-of-the-great-literary-pioneers-of-america.html ]
daughter of an Asian Indian Mother and a Jamacian Father,
Joyous New Yorkers flocked to the historic Washington Arch to dance and shout as Joe Biden was declared the next President-elect after four days of ballot counting.
It’s AnAmerican NationalBlockParty
Behind the scenes MacNeil’s likeness of General Washington guarded the rear flanks of the rally
MacNeil’s statue portrays General George Washington in the uniform of the Continental Army of 1775. Also, on the back of the Arch is Alexander Sterling Calder’s accompanying statue of President Washington as 1st President and the first civilian Commander-in-Chief.
Celebrating Americans seem relieved that new leadership will deal with the following stresses of 2020:
Political Vitriol
COVID-19 PANDEMIC
Black Lives Matter demonstrations.
Weaponized Decision Folly
In June 2020 Vandals tossed
red paint
this MacNeil work
Both statues of George Washington suffered “red paint” vandalism during earlier demonstrations on June 29, 2020.
The accompanying “George Washington as President”statue by Alexander Sterling Calder was also damaged. They have since been cleaned. However, such vandalism takes a toll on these century old marble art monuments.
Hermon MacNeil’s life and works developed around a community of artists and sculptors. Many of them met and worked together during the Chicago Worlds Fair of 1893.
Hamlin Garlandwas one of those people —
author, explorer,friend ofNative Americans,
advisor and friend of President Teddy Roosevelt,
winner of the Pulitzer Prize in 1922,
a proud son of Wisconsin, as well as, South Dakota and Illinois, and New York, too!
Therefore, his HOME has become a National Historic Landmark !
In 1973 the Interior Department designated the Hamlin Garland Homestead a National Historic Landmark. The house was purchased by the West Salem Historical Society and restoration was started in 1975.
In 1973 the Interior Department designated the Homestead of Hamlin Garland as a National Historic Landmark.
“At dedication ceremonies that fall a large stone and plaque noting its historic values were placed in front of the house. The house was purchased by the West Salem Historical Society late in 1973, but restoration did not actually begin until 1975.”https://en.wikipedia.org/wiki/Hamlin_Garland_House
Wisconsin is proud of their historic connection to this friend of Hermon A. MacNeil. This State has also has designated a Heritage Highway, namely the …
“Hamlin Garland Highway.”
Hamlin Garland Highway in Brown County South Dakota. [Credit: Hamlin Garland Society]
NOTE: The previous post showed South Dakota’s historic pride for Garland as TEN miles of Brown County Highway 11 near Aberdeen in South Dakota similarly bears the name of Hamlin Garland. They call it “Hamlin Garland Memorial Highway.”
Named after Hannibal Hamlin, the vice president (from 1861-1865) under Abraham Lincoln, Hamlin Garland was born on a farm near West Salem, WI on September 14, 1860. His early years were spent in the mid-west (Wisconsin, Iowa and Dakota), where he managed to acquire an education and graduating with honors from a western seminary.
His early success in writing enabled him to purchase this house and 4 acres in West Salem as a homestead for his parents.
The home was in poor condition and Garland spent much of October 1893 repairing and renovating; he eventually installed indoor plumbing, making it the first home in the area with that innovation.[7] He originally named it Mapleshade because of the three large maples on the property.[8]https://en.wikipedia.org/wiki/Hamlin_Garland_HouseAfter Garland prepared the house and his parents moved back from the Dakota Territory in time to celebrate Thanksgiving.
In 1893,[7] Hamlin moved to Chicago, where he lived at 6427 South Greenwood Avenue in the Woodlawn neighborhood. He is considered “a significant figure in the Chicago Literary Movement” and “one of Chicago’s most important authors”.[8] Moccasin Ranch Park, located near [this] address, is named in his honor.[8]SOURCE: https://en.wikipedia.org/wiki/Hamlin_Garland#cite_note-MoccasinRanchPark-8
In Illinois in November 1899, Garland married Zulime Taft, the sister of sculptor Lorado Taft, and began working as a teacher and a lecturer.[9] In his literary career, Hamlin was an author of 52 novels, several poems and short stories. He received the Pulitzer Prize for Daughter of the Middle Border (sequel to Son of the Middle Border) in 1922.
This Garland Homestead commemorates the three-generation Family home of Hamlin Garland.
A prolific writer, Garland continued to publish novels, short fiction, and essays. In 1917, he published his autobiography, A Son of the Middle Border. The book’s success prompted a sequel, A Daughter of the Middle Border, for which Garland won the 1922 Pulitzer Prize for Biography. After two more volumes, Garland began a second series of memoirs based on his diary. Garland naturally became quite well known during his lifetime and had many friends in literary circles.[10] He was made a member of the American Academy of Arts and Letters in 1918.[4]
After moving to Hollywood, California, in 1929, he devoted his remaining years to investigating psychic phenomena, an enthusiasm he first undertook in 1891. In his final book, The Mystery of the Buried Crosses (1939), he tried to defend such phenomena and prove the legitimacy of psychic mediums. [ SOURCE: Wikipedia ]
Hamlin Died in 1940, at the age of 79 in Hollywood, California. He was cremated, and his ashes were returned to West Salem for burial in Neshonoc Cemetery two miles north of West Salem where his wife, children and parents are buried.
VISIT the Hamlin Garland HOMESTEAD:
The Garland Homestead in 1971. [Source: Hamlin_Garlin_House_West_Salem_La_Crosse_County_Wisconsin.jpg ]
The homestead is open Memorial Day to Labor Day, for tours. Tour hours are Monday through Saturday from 10 – 5 (last tour starts at 4:30). The Homestead is also open on Sunday from 1- 4 p.m. Other times by appointment call (608) 786-1399 or (608) 786-1675.
Address: 357 West Garland Street, West Salem Wi 54669.Free Will Donations Accepted
Hamlin Garland Highway in Brown County South Dakota. [Credit: Hamlin Garland Society]
InJune 1936, the Brown County Commissioners named a section of Brown County Highway 11, for a total of 10 miles, the “Hamlin Garland Memorial Highway.” This section travels past the homestead of Garland’s father, Richard, who homesteaded in 1881. In 1998, new signs were placed along this stretch of paved road noting the name of the highway.
GARLAND TOWNSHIP–This township was named after Hamlin Garland, a novelist, who lived in this area with his pioneer parents, Mr. and Mrs. Richard Garland. The land south and west of Columbia [and Ordway] was immortalized by this writer in “Among the Corn Rows,” and “A Son of the Middle Border.”
In 1895 HAMLIN GARLAND led Hermon MacNeil and Francis Brown to the four corners area (AZ, NM, CO, UT) to witness the Native American people and culture there.
One of Garland’s Grant Interviews with Julia Dent Grant (1826-1902) widow of General U. S. Grant
SD Historical Society:“Hamlin Garland’s South Dakota: History and Story”https://www.sdhspress.com/journal/south-dakota-history-9-3/hamlin-garlands-dakota-history-and-story/vol-09-no-3-hamlin-garlands-dakota.pdf
“Do you fear the force of the wind, The slash of the rain? Go face them and fight them, Be savage again. Go hungry and cold like the wolf, Go wade like the crane: The palms of your hands will thicken, The skin of your cheek will tan, You’ll grow ragged and weary and swarthy, But you’ll walk like a man!”
Their adventure in 1895 led into Native settlements in Colorado, Arizona (Moqui, Navajo), New Mexico, and Utah:
Hamlin Garland, led the tour to the southwest in the summer of 1895. MacNeil & Browne wanted to gain direct experience of American Indians to inform their art. What the trio found reflected in their respective painting, sculpture and writing.
MacNeil sculpted a cement statue of Chief Manuelito for trader C. N. Cotton under a tent in the dessert. His subsequent sculptures of Native Americans after that summer of 1895 continued his cultural interest. That fascination began with his friendship and sculpting of Black Pipe, the Sioux warrior. He first met Black Pipe at the Buffalo Bill Wild West Show at the Chicago World’s Fair in 1893. The Sioux modeled for MacNeil and later worked in his studio for over a year before MacNeil’s trip with Garland.
Charles Francis Browne was a painter and friend (his room mate in Paris) who accompanied Hermon MacNeil and the author.
Edward Everett Ayers was an art patron to both MacNeil and Browne. He had been a Civil War Calvary officer stationed in the southwestern United States. He became a lumberman who made a fortune selling railroad ties and telephone poles. He urged MacNeil to travel to see the vanishing West of the American Indian. He became an arts benefactor whose art collections are now housed by the Art Institute of Chicago, as well as, the Newberry Library. His copy of MacNeil’s “Moqui Runner” still graces the Newberry Library.
Lincoln buff and talented amateur photographer David B. Wiegers sent us a photo of an additional “Lincoln Lawyer” bust by Hermon A. MacNeil.
This one makes its home in the Law Library at Pennsylvania University. Dave snapped these shots there recently.
Law Library at Pen Law School. ~~~ PHOTOS: Courtesy of Dave Wiegers Photography
The piece resides at the Law Library of the University of Pennsylvania. It is new to this website.
Eight of these busts were cast in about 1911 from a standing Lincoln piece that MacNeil sculpted in 1911.
Wiegerspairs (1.) his love of photography with (2.) a quest to travel to every Lincoln statue and monument in the 35 states he has visited in the last 15 years.
See his story at: https://dbwiegers.zenfolio.com/about.html
And view over 500 photos of his Lincoln Collection on the front end of his website: https://dbwiegers.zenfolio.com/
Not pictured on his website is his Boston Terrier, named “Lincoln.”
The Penn Law Journal describes their “Lincoln Lawyer Bust” this way:
Opposite the front entrance, in full view straight ahead on the massive staircase leading up to the library from the Great Hall, stands a statue of Abraham Lincoln. Lincoln, who led the most massive legal and political reform the United States has ever known, is a superb example of legal greatness as Lewis Hall has memorialized it-of revolution in the interest of tradition. For Lincoln avowedly fought to realize the ideals of the Declaration of Independence, even as he essentially restructured the legal landscape in the interests of fundamental justice.
The statue of Abraham Lincoln in the Great Hall, which faces the original entrance to the Law School, was immediately visible upon passing through the massive twin doors on 34th Street. The symbolic power of the statue, the role of Lincoln as martyr to resurrection of the righteousness of the American republic, gave students a tangible focus for legal greatness, a sense that lawyerly skills were integral to the discernment and sense of justice of the most heroic of all American presidents.
The Penn Law Journal of 2014 [Vol. 31, Iss. 2 [2014], Art. 1 ]
This MacNeil Medallion is a 3" bronze medal with nickel plating minted in 2016 to commemorate the 150th Anniversary of the birth of Hermon Atkins MacNeil and the 100th Centenary year of the first minting of the Standing Liberty Quarter dollar. The face duplicates the obverse of MacNeil's original sculpture of Miss Liberty from 1916. The "M" beneath the 13th star is the only form of signature allowed for the sculptor.
<== NOW AVAILABLE ON EBAY the Hermon A. MacNeil Medallion
Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.
Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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COME BACK & WATCH US GROW
WE DESIRE YOUR DIGITAL PHOTOS – Suggestions
1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster
