WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Search Results for "manuelito"

Silent for over a century since MacNeil sculpted him, this “Chief of the Multnomah” could probably  tell us many volumes of stories about “The Coming of the White Man.

(Continued from Nov 10, 2011)

One of MacNeil’s  “Chief of the Multnomah”, (which has seen a lot in American history since 1904, and even more since “The Coming of the White Man”) still  stands guard silently over a once $25,000,000 estate in Easton, MD, known as Hidden Bridge Farm.   The future of both the “Chief” and the Estate remain uncertain.  The waterfront playground  property is now locked in Chapter 7 bankruptcy being handled by Easton attorney, James Vidmar.


These photos show  “A Chief of the Multnomah” as he overlooks the  Choptank River on Maryland’s Eastern Shore.  This same MacNeil statue featured in the previous posting on Nov. 8, 2011 was once owned by John A. Porter.  

A source has told us that the “Chief” was placed as the centerpiece on  this 540-acre Estate  by “John A. Porter.”  Porter achieved front page fame as the former CEO of Worldcom before its colossal collapse in 2000-2.  The scandal brought Worldcom into the news as the “Enron” of the tele-communication industry.

Daniela Deane, House Gossip for the Washington Post, described the situation  in 2002 in this way:

Hidden Bridge Farm, a 540-acre spread with five houses on it, is for sale for $26.5 million — about $16.5 million more than any other property has sold for on the Eastern Shore. The farm sits on 1.5 miles of waterfront on the Choptank River, about 10 miles southwest of Easton.

Besides the 10,000-square-foot all-brick manor house, the property also has a waterfront farmhouse, a 3,000-square-foot guest house, a caretaker’s house, a guest cottage and two two-bedroom …  Source: [ Daniela Deane. “House gossip; Eastern Shore Estate Asks a Record Price.” The Washington Post. Washingtonpost Newsweek Interactive. 2002. Retrieved November 08, 2011 from HighBeam Research: http://www.highbeam.com/doc/1P2-325206 ]           

Deane’s story details one of the holdings of  John A. Porter who was worth over $500,000,000 in 1999.  Now, however, he is broke.  After loosing the Maryland property and “Chief Multnomah,”  he has had  to scale down to a 10,000 sq foot ocean-front mansion in Palm Beach.  That little homestead retreat is worth much less than Hidden Bridge only about $17,000,000.  Fortunately, Florida has a generous “Homestead Act”, known by locals as the “mansion loophole” act.

Some folks suggest that you might be able to “buy the farm” for possibly $14 Million, once it comes on the market.  The “Chief “  may (or may not) be included in the selling price.

So, we may wonder, what might MacNeil’s two “Chiefs” say if they spoke to us 2011?  If Multnomah and Manuelito could speak to the White Man after 150 years, what would they say?

  • What might they tells us about men who think they “own the land?”
  • What might they have seen of “human greed” from white men or red men and others?
  • What might they  know about “crooked treaties” or “cooked books?” 

    Chief Manuelito of the Navajo sculpted bu H A MacNeil in 1895

  • How many ‘moons’ might it be before the next entry in the “Greatest-Corporate-Scandal-in-US- History Contest?”
  • How many pension funds or villages will be raided and destroyed in the meantime?

WATCH ON, you CHIEFS!

For Further reading:  other John A. Porter and Worldcom articles:

1. “Former WorldCom Chairman Finds Shelter in Homestead Exemption “

2. “In Florida, No Wolves at the Door” 

3. “Corporate Strife Touched Florida”

4. “Corporate Conflicts” 

5. “Worldcom Settlement Falls Apart”

6. “WorldCom Case Study 20061 ” by Edward J. Romar, University of Massachusetts-Boston, and Martin Calkins, University of Massachusetts-Boston 

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Images of Hermon A. MacNeil’s sculpted medallion for the 1901 World’s Fair are as coveted today as they were 110 years ago. Here are three examples:

EXAMPLE #1 from 2010.

Below, a recent You Tube posting shares a trio of MacNeil’s beautiful Medals in Bronze, Silver and Gilt finishes. Thanks to Will of the American Association of Young Numismatists (AAYN) [See note #1 below], for making this video of these rare MacNeil medallions.   Thanks as well, to website contributor and friend, Gibson Shell of Kansas City for his alert eye in finding this first beautiful example.

Mellin's Food Company of Boston, a maker of 'baby formua', touts their wars with the MacNeil image at center stage of their ad. "Baby formula' was a radically new idea in 1901. Their product had to compete with mother's breast milk, an already accepted product with a much longer history. The Gold Medal from the Pan American Exposition gave their new product a greater recognition for quality and acceptance.

EXAMPLE #2 from 1901. 

Manufacturers were so proud of winning the Gold Medal at the Pan American Exhibition that they displayed it prominently on their advertisements.  Here in the ad below, the Mellin Food Company of Boston, a maker of ‘baby formula’, touts their wares with the MacNeil image at center stage of their ad. “Baby formula’ was a radically new idea in 1901. Their product had to compete with mother’s breast milk, an already accepted product with a much longer history. The Gold Medal from the Pan American Exposition gave their new product a greater recognition for quality and acceptance.

EXAMPLE #3 from 1901. 

Here is another Gold Medal winner. F. R. Pierson a horticulturist operating a nursery and greenhouse at Tarrytown-on-Hudson, N.Y., won Eight Gold Medals at the 1901 Buffalo World’s Fair.  His advertisement states that this is, “the largest number awarded any firm on the Flori-culture Department.”  The ad enumerates the company’s prize-winning selections of Rhododendrons, evergreens,  roses, cannas, bay trees, fig-leaf palms and hydrangeas.   AND of course it bears MacNeil’s Pan American Exposition Medallion prominently at the top corners of the advertisement. [CLICK ON IMAGE TO ENLARGE]

CLICK TO ENLARGE - The W. R. Pierson Company's advertisement offers another example of the esteem with which manufacturers and businesses held the Gold Medal competitions over a century ago.

MACNEIL’S MEDALS

These MacNeil sculpture medals were  made by the Gorham Manufacturing Company of Boston, a quality producer of fine silver since 1832.

CLOSE UP VIEWS. 

Pictured below are near-life-size images of Hermon A. MacNeil’s sculpture design for the Award Medals at the Pan American Exposition, held at Buffalo, NY in 1901.  All award medals were struck from the same design whether in Bronze, Silver or Gold. These below are silver medals.

MacNeil's sculpture design for the Award Medals at the Pan American Exposition, Buffalo, NY 1901 (front)

MacNeil's sculpture design for the Award Medals at the Pan American Exposition, Buffalo, NY 1901 (reverse). All award medals were struck from the same design whether in Bronze, silver or gold. These are silver medals.

“PHYSICAL LIBERTY” 1904.

The buffalo image on the Obverse face of this medallion bears a resemblance to a MacNeil work he made  three years later. That larger-than-life sculpture at the 1904 World’s Fair in Saint Louis, Missouri  was known as “Physical Liberty”  (see below).  It stood at the top of the Cascade at that Exposition celebrating the 100th anniversary  of  the Louisiana Purchase. Ironically, MacNeil’s allegorical figure used Native American images to symbolize the vitality of American expansion westward. 

HISTORICAL IRONY?

A near arrogant sense of Manifest Destiny often accompanied such 19th Century concepts of American pride.  An inescapable irony today, in our own 21st Century, is that MacNeil and many of his contemporary sculptors placed such Native American images at the center stage of these World Fairs.  MacNeil’s embrace of Native American themes in his sculpting from 1895-1905 still offers us lessons in culture, anthropology and life values more than a century later. 

MORE HISTORY:

1.) For further irony read my previous stories of  the making of Hermon MacNeil’s 1895 sculpture representing Chief Manuelito of the Navajo or read history of this Chief of the Navajo starting here.

2.) William Wroth’s “Long Walk” to Bosque Redondo  also provides poignant insight into this period of the United States management of Native American peoples and the life of Chief Manuelito who was part of that “Long Walk” and signed the treaty of 1868 that sought to restore Navajo lands after the disastrous interventions of the US government.

3.) “The Long Walk”  A Ten (10) Part video story of the Navajo “Fearing Time” accounting atrocities against the Navajo people from 1863 to 1868.  Researched and produced with support of the George S. and Delores Dore’ Eccles Foundation and the Pacific Mountain Network.   Part 1Part 2Part 3Part 4Part 5Part 6Part 7Part 8 Part 9Part 10.

4.)  “The Long Walk”   For a Navajo perspective view this video by Nanebah, whose great-great grandmother survived “The Long Walk”.

5.) “300 Miles – Or Long Walk Of The Navajo – Richard Stepp”  For a musical tribute with an ‘American Indian Movement’ perspective.

6.) Leslie Linthicum, staff writer for the Albuquerque Journal,  gives a delightful article, “Navajo Leader Stands Tall”.   It offers historical irony from our 21st Century on attitudes toward Native American culture  through her story of the ‘management’ and ‘preservation’ of MacNeil’s iconic statue of Chief Manuelito.

NOTE #1: 

The American Association of Young Numismatists (AAYN) is an association dedicated to educating and impassioning young people about the hobby of coin collecting. We hope our videos help spark your interest in numismatics.

Apr
26

A Brief Bio – H. A. MacNeil

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Hermon Atkins MacNeil (about the time of his marriage to Carol Brooks on Christmas Day 1895)

Hermon Atkins MacNeil, American sculptor, (February 27, 1866 – October 2, 1947) was most influential in winning worldwide recognition of the American Indian as a valid artistic focus in American and European Art. His statues depicting the Native American themes became an introduction for Americans and Europeans to a ‘truly American’ subject matter for the arts. His many later monument sculptures still grace public spaces in dozens of cities across the United States.  (Hot-links on this website will take you there — virtually)

 

Early Life and Career:  Born in Everett (Chelsea, Malden) Massachusetts on his parent’s farm, MacNeil received his formal training in the arts at the Normal Art School in Boston (now Mass Art) in 1886. Upon graduation in 1886 he moved to Cornell, New York where he became an instructor in industrial art and modeling at Cornell University from 1886 to 1888. Seeking continued education, he followed the path of many sculptors/artists of his day and left for study and experience in Europe.  Settling in Paris, he studied at the Ecole des Beaux-Arts and at the Julien Academy as a pupil of Henri M. Chapu and Alexandre Falguière.

2016 MacNeil Medallion marking the 150th Anniversary the birth of Hermon A. MacNeil. Commissioned by our webmaster, these numbered medals are available on eBay.

Chicago:  In 1891, he was back in the United States working with Frederick MacMonnies assisting on the architectural sculptures for the World’s Columbian Exposition of 1893 in Chicago. With Lorado Taft, sculpture director, he prepared preliminary sketches and was asked to craft several sculptures for the Electricity Building.   Afterward, he settled in Chicago.  He taught at the Art Institute of Chicago and opened a studio, shared with artist Charles F. Browne, where he continued developing his work depicting the American Indian.

Native American Themes: His first introduction to native subjects came through Buffalo Bill’s Wild West Show. During the 1893 Worlds Fair, Buffalo Bill’s troupe performed in a carnival setting outside the main entrance.  Fascinated, MacNeil’s artist-eye and imagination took every opportunity to see the show and sketch the ceremonies and rituals of Indian life. He latter befriended Black Pipe, a Sioux warrior from the show, who he found down-and-out on the Chicago streets after the carnival midways of the Fair had  closed.  MacNeil invited Black Pipe to assist in studio labors, which he did for over a year.  Inspired by these native subjects and encouraged by Edward Everett Ayers, MacNeil found a respect for this vanishing Native culture and made subsequent trips to the southwest.  

In the summer of 1895, along with Hamlin Garland (a writer) and C. F. Browne (a painter), he traveled to the four-corners territories (now, New Mexico, Arizona, Colorado, and Utah) seeing American Indians (Navajo, and Moqui — now Hopi) in their changing cultural element on various reservations.  While there, he was asked to sculpt, out of available materials, a likeness of Chief Manuelito. The Navajo warrior had died in despair after being imprisoned for four years as a renegade by the U. S. Government (Col. Kit Carson) twenty-five years earlier.  Manuelito’s likeness (click here), made of available materials, brought tears to his widow’s eyes, and remains an object of cultural pride in Gallup, New Mexico to this day. 

Marriage: On Christmas Day 1895, in Chicago, he married Carol Louise Brooks, also a sculptor (see their marriage record below). Earlier MacNeil was informed that he had won the Rinehart Roman Scholarship. Following their wedding, the pair left for Rome, passing three years there (1896-1899) and eventually spend a fourth year in Paris where their first son, Claude, was born.  During those years they studied together under the same masters and shared the income of Hermon’s Rinehart scholarship. (Carol had also studied sculpture with both Lorado Taft and Frederick William MacMonnies).

Rome: While living in Rome from 1896-99, Hermon MacNeil made his studio in the Villa dell’ Aurora. There he put into bronze several myths and dances of the Moqui (Hopi) Indian tribes from his visits there in 1895. His first creation theReturn of the Snakes’, depicted a nude Indian running through the prickly-pear cactus carrying two handfuls of rattlesnakes. (1897 “The Moqui Runner” Modeled 1896, Cast 1897).  This Indian priest, having used the snakes in a tribal ceremony to pray for rain to save the crops, is running down the mesa to free the snakes so that they may convey the prayers for rain to heaven.  (The concept later became the subject of  his 1931 Society of Medalists Commemorative (Issue #3). During his time in Rome he also sculpted The Sun Vow,’ the piece for which he became most famous and most often remembered.  There in the hallowed cultural dominance of millennia of Geeco-Roman art, MacNeil chose to give sculptural life to his memories of the American Native West. 

American Sculptor:  At the turn of the century MacNeil was back in the states, bringing with him his fame from achievements in Europe and growing recognition in the United. States. Settling in New York City, Queens, College Point, he build a home and studio.  For the next five decades he focused on the many commissions he received for exhibitions throughout the states as well as private sales of his works.
Expositions:
His handy works were entered into the Pan-American Exposition in Buffalo (1901); the Charleston Exposition in South Carolina (1902); the Louisiana Purchase Exposition in St. Louis (1904); the Lewis and Clark Exposition in Portland, Oregon (1905); and the Pan-Pacific Exposition in San Francisco (1915).  
Coins & Medals:
He sculpted the Pan-American Exposition Medal (1901), the Standing Liberty Quarter (1916), and the Society of Medalists #3 (Prayer for Rain, 1931).  
Buildings & Monuments:  
He made many building sculptures for these expositions, a few of which still remain.  For the 1904 Fair he worked with architect Case Gilbert on the Palace of Fine Arts (now the home of the Saint Louis Art Museum).  It contains three of his bas relief panels above the doors.  Decades later, Gilbert, had MacNeil sculpt the East Pediment of the U. S. Supreme Court Building where Moses is the center of 11 figures.  Other public buildings bearing his works include the Connecticut Capitol (six statues), the Missouri Capitol (dozens of figures in a one hundred foot stone frieze), the Cook County Court House (two pairs of figures) and Marquette Buildings (four bronze panels per the entrances).  The Pony Express statue in Saint Joseph Missouri (1940) was probably his last work completed in his 74 year of life.

“The Pony Express” (1940) by H. A. MacNeil; St. Joseph, MO (photo by Dan Leininger)


A highly successful and creative sculptor/artist, MacNeil died at age eighty-one in his home/studio on Long Island Sound where he had worked for forty-seven years.

VISIT this Website:  

Launched in April 2010, this Gallery celebrates Hermon Atkins MacNeil, American sculptor. Trained in the Beaux Arts School of Paris, he led a generation of American sculptors to capture many fading Native American images in the realism of this classic style. He designed and sculpted for World’s Fairs, public monuments (see links below), coins, and buildings across to country.
We, here at HermonAtkinsMacNeil.com, celebrate his work daily.
We have designated each February as “MacNeil Month” to honor his birth.

Enjoy over 100 stories of H. A. MacNeil’s work and life here, on-site, in your area, on vacation, wherever…

  • — Google Maps show location of sculptures!
  • — Click on list of “Public Sculptures of H.A.MacNeil” to see photos.
  • — Study & Leave COMMENTS at the bottom of any Posting.
  • — All in one cyber-space you can Celebrate a lifetime of art

A list of over forty web links to “Sculptures of Hermon Atkins MacNeil” can be found (to your right) or at  https://hermonatkinsmacneil.com/.  


This page is adapted from the following sources:
  1. www.nygardgallery.com at:http://www.fada.com/browse_by_artist.html?gallery_no=26&artist=3522&bio=1 
  2. Holden, Jean Stansbury (October 1907). “The Sculptors MacNeil“. The World’s Work: A History of Our TimeXIV: 9403–9419.
  3. Hermon Atkins MacNeil –  Wikipedia.org
  4. Daniel Neil Leininger.  This website: https://hermonatkinsmacneil.com/   ]
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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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COME BACK & WATCH US GROW

WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster