Archive for Lorado Taft
Another “Lawyer Lincoln” comes forward from Rushville Public Library. (Part 1)
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“Lincoln Lawyer” Hermon MacNeil’s sculpture bust of Abraham Lincoln. Pictured at its home for the last 91 years.
Since 2010, this website has become a gathering point for questions and information about Hermon Atkins MacNeil.
The most recent inquiry came from the “Land of Lincoln” about MacNeil’s Abraham Lincoln which depicts the young Illinois lawyer in his clean-shaven years riding the 8th Circuit of the Illinois Court.
Marian Fretueg wrote the following:
While I was doing some research I came across a 1928 Rushville Times of Rushville, Illinois newspaper article which told of a bust of Abraham Lincoln sculpted by Hermon A. MacNeil purchased by Albert Morris Bagby of New York City. Mr. Bagby had the bust shipped to Rushville and was to be temporarily placed at the city’s library to be enjoyed by all the patrons. Rushville, Illinois was Mr. Bagby’s hometown. For some reason or other, the sculpture was never moved from our library and it now proudly on display in our new library.
After some research I could not find where this sculpture is mentioned anywhere, there was a bust of Abraham Lincoln at the University of Illinois at Champaign-Urbana. Were you aware of this sculpture? I am sure it is the real thing with his name and the bronze factory where it was made on the base of the sculpture.
I have included a picture of the bust, the autograph of Mr. MacNeil’s and the stamp of the Roman Bronze Works. There is also a copy of the accessions book where the bronze bust was given to the library in 1928.
It was so exciting when I was reading about Mr. Bagby’s gift and then reading about Mr. MacNeil and how famous he was. I would love to hear from you and find out if you were aware of this bust.
Thank you so much for your time.
Marian Fretueg
The distinctive signature of the artist on the back of the bust. LincolnRushvilleIL-4.jpg
LincolnRushvilleIL-4.jpg
Dear Marian Fretueg,
Thank you for your kind email and the lovely pictures of Rushville Public Library’s “Lincoln Lawyer” By Hermon Atkins MacNeil. I ask your permission to publicize this work as the Webmaster of HermonAtkinsMacNeil.com
I can tell you are a researcher, because you found my ‘digital museum’ dedicated to the life and work of Hermon A. MacNeil, or as my late mother called him, her “Uncle Hermon”
I would like to visit the Rushville Library to meet you and to photograph this piece for posting on my website. Your piece has its own history in Rushville as a “Land of Lincoln” community with a benefactor donating this beautiful monument to the prairie lawyer who rode the 8 Circuit that covers Rushville and much of Illinois.
To my knowledge eight (8) of these MacNeil Works were cast at Roman Bronze Works (RBW) in New York City. The Rushville piece would appear to be the 5th of the eight that I am able to locate with my website and help from researchers like yourself. As the enclosed link tells the history, the original statue was a Standing Lincoln submitted in about 1924 for a contest of a commission which MacNeil did not win. About 1928 he had 8 busts cast at RBW using the original Standing Lincoln as his model. Lorado Taft loved the piece and recommended it to the University of Illinois to grace the marble foyer of Lincoln Hall at the university. The Hall was remodeled about 2010. I have humorous stories in the link below that tell how the Lincoln Lawyer bust was “locked-up” for safe keeping during the 1 year of reconstruction. It was also “kidnapped” by students at one point in the university’s history.
I have 11 different stories (postings) that come up in a search of “Lincoln Lawyer” as I call this piece of MacNeil work. There are 2 pages that come up on this brief search. Click below to see the articles in the search:
Thus began our discussion on this recent discovery.
Thanks to Marian Fretueg and Rushville Public Library, photos of another “Lincoln Lawyer” by Hermon MacNeil has been added to the website.
This accounts for five of the eight castings made at Roman Bronze Works in 1928.
STAY TUNED FOR MORE OF THE STORY of Rushville’s Lincoln to be posted later.
Roman Bronze Works (RBW) of New York City was a casting foundry that made thousands of bronze statues on the 19th and 20th centuries
Mary Lawrence: A Sculptor of “The White Rabbits”
Posted by: | CommentsMary Lawrence was a talented sculptor. All that is left of her work in the 1893 World’s Fair are the pictures, as depicted below.
“Christopher Columbus” by Mary Lawrence at the World’s Columbian Exposition, 1893, Chicago, Illinois
She became one of The White Rabbits along with Carol (Carrie) Brooks (MacNeil) and numerous other “women assistants” to Lorado Taft and other male sculptors. They helped create “the White City” as the 1893 Chicago Worlds Fair was known. 1 The material was temporary, made of staff plaster, and modeled on wooden and medal frameworks. The elegance of the White City inspired
Lawrence was a pupil of Augustus Saint Gaudens at the Art Students League of New York for five years. In that period, she proved her skills many times over.
In the Chicago exhibition, her work with the White Rabbits was overpowered by an accomplishment central to the Court of Honor.
Saint Gaudens’ recommended that she create the theme statue of the exposition, namely, the monumental center-piece of Christopher Columbus. 1 This work was to be placed in the Court of Honor at the entrance of the Administration Building.
Frank Millet, who served as Director of Decorations, resented that a woman “had been selected, and seemed to bear her some personal animus as well.” 2 Seeing the piece put on such a prominent place, he ordered her to move the statue to the plaza of the railroad station. Lawrence complied even though Charles F. McKim, architect for Exposition, had told to place the work at that location. His authority to do so was second only to Daniel Burnham, the Chief Coordinating Architect.
She approached McKim a second time to tell him of the change. He had the statue returned to the Court of Honor at the Administration Building entrance. McKim worked with Augustus Saint Gaudens on many projects. He was introduced to Mary Lawrence by Saint Gaudens as they collaborated in New York on early plans for the Exposition in Chicago.
Though McKim was twenty years senior to Mary Lawrence, Bruce Wilkinson describes their relationship in this way:
“Her good looks and high spirits made her popular with the young and the not so young. Charles Follen McKim, whose second wife had died tragically after one short idyllic year, fell in love with her and remained a little so all the rest of his crowded life.”
Kim, Burnham, and especially, Lorado Taft were open to women as students and sculptors. Their show of support in the White Rabbitsdecision advanced opportunities for women for years to come.
Janet Scudder (1869-1940) was one of Taft’s students who described her own the joy filled elation and that of her White-Rabbit-sisters in the following way:
“Janet describes working under Loredo as “That wonderful year! Filled with work, filled with accomplishment and filled with what was considered in those days a very fat salary!”[2] The salary was so large that, upon being paid, “We rushed back to our rooms at the hotel, opened the envelopes and poured out the five-dollar bills (for some reason we were paid our hundred and fifty dollars in five-dollar bills,) and carpeted the floor with them. We wanted to see what it felt like to walk on money.” [3] 3
The Joy of the “White Rabbits” changed their lives and the future of sculpture.
Women and men working on figures for the East entrance to the Horticulture Building in Taft’s section of the World’s Columbian Exposition. Chicago History Museum Images. SOURCE: [ At: https://discoverherstory.wordpress.com/2018/01/08/white-rabbits-american-women-sculptors/ on March 1, 2019.]
Footnotes:
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White City
Most of the buildings of the fair were designed in the neoclassical architecture style. The area at the Court of Honor was known as The White City. Façades were made not of stone, but of a mixture of plaster, cement, and jute fiber called staff, which was painted white, giving the buildings their “gleam”. Architecture critics derided the structures as “decorated sheds”. The buildings were clad in white stucco, which, in comparison to the tenements of Chicago, seemed illuminated. It was also called the White City because of the extensive use of street lights, which made the boulevards and buildings usable at night. - Bruce Wilkinson, Uncommon Clay: The Life and Works of Augustus Saint Gaudens. Harcourt Brace Jovanovich, Publishers, Orlando, Florida, 1985, p. 249
- Ibid.
- Janet Scudder: “White Rabbits: American Women Sculptors”. [ At: https://discoverherstory.wordpress.com/2018/01/08/white-rabbits-american-women-sculptors/ on March 1, 2019.]
Carol Brooks MacNeil & the “White Rabbits” of the 1893 Chicago World’s Fair
Posted by: | CommentsIn the 1890’s Women Sculptors were not accepted as students by many established sculptors. One exception was Larado Taft of Chicago. He taught and encouraged many female student artist to develop their skills as sculptors.
Lorado Taft and sculpture class
Description:Photograph of Lorado Taft and his sculpture class at the Chicago Art Institute (ca. 1890s). Identified individuals are Carrie Brooks McNeil (seated, front left), Julia Bracken (seated front right), Will LeFavor (standing second from left in checkered apron), and Lorado Taft (standing third from right in black vest). (Note 1)
The story is told by Wikipedia as follows: As the date of the f air’s opening grew closer, Taft realized that he would not be able to complete the decorations in time. Discovering that all the male sculptors he had in mind were already employed elsewhere, he asked Daniel Burnham if he could use women assistants, an occurrence that was virtually unheard of at that time. Burnham’s reply was that Taft could “hire anyone, even white rabbits, if they can get the work done.” Taft, an instructor of sculpture at the Chicago Art Institute who had many qualified women students and who frequently employed women assistants himself, brought in a group of women assistants who were promptly dubbed “the White Rabbits.”
One side note: The White Rabbits helped build the White City, as the Chicago Fair was called. “Thine alabaster cities gleam, undimmed by human tears” were the words that Katherine Lee Bates wrote in 1895 in her poem “America, the Beautiful.” Samuel A. Ward composed the hymn tune in 1882. It was combined with Bates’ poem in 1910 and published as “America, the Beautiful.” Read the complete history HERE . The words became part of the third verse inspired by her seeing the Columbian Exposition “White City” in 1893.
https://en.wikipedia.org/wiki/White_Rabbits_(sculptors)
From the ranks of the White Rabbits were to emerge some of the most talented and successful women sculptors of the next generation. These include:
- Julia Bracken (1871–1942)
- Carol Brooks (1871–1944)
- Ellen Rankin Copp (1853-1901)
- Helen Farnsworth (1867–1916)
- Margaret Gerow (whose art career ended with her marriage to sculptor Alexander Phimister Proctor)
- Mary Lawrence (1868–1945)
- Bessie Potter (1872–1954)
- Janet Scudder (1869–1940)
- Enid Yandell (1870–1934)
- Zulime Taft [de] Lorado Taft’s sister
Horticultural Building
Horticulture Building of World’s Columbian Exposition in Chicago in 1893. Women Sculptors nick named the “White Rabbits” created much of the work on this building. Carol Louise Brooks (later MacNeil) was one of those sculptors. (Note 2)
Besides their work on the Horticultural Building, several of the White Rabbits were to obtain other commissions to produce sculpture at the Exposition. Among these were Lawrence’s statue of Columbus, placed in front of the Administration Building, Yandell’s Daniel Boone for the Kentucky Building, Bracken’s Illinois Greeting the Nations in the Illinois Building, and Farnsworth’s Columbia for the Wisconsin Building.
Note 3. SOURCE: PJ Chmiel https://farm1.staticflickr.com/196/497505305_c32f7e852d_b.jpg
Notes:
- Original photo found in RS 26/20/16, Box 25, Art Institute Classes. Phys. Desc: TIFF Original photo is 7.75″ x 4.5″ ID:0006291. Repository: University of Illinois Archives. Found in: Lorado Taft Papers, 1857-1953. Subjects: American SculptureChicago Art Institute Taft, Lorado, 1860-1936. Rights:This image is in the public domain. Please contact us if you would like to purchase a high-resolution copy of the image.
- [CREDITS: By C.D. Arnold – Arnold, C.D., The World’s Columbian Exposition: Portfolio of Views, Issued by the Department of Photography, National Chemigraph Company, Chicago, 1893, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29205089]
- PHOTO: Daniel Boone statue; by PJ Chmiel. See his gallery on Flickr: https://www.flickr.com/photos/pjchmiel/ also https://farm1.staticflickr.com/196/497505305_c32f7e852d_b.jpg
MacNeil-Brooks Wedding Reception – Christmas Day 1895
Posted by: | CommentsOne Hundred and twenty-three years (123) ago, Hermon Atkins MacNeil and Carol Louise Brooks were on married Christmas Day.
Recently an invitation to their Wedding Reception came available from the estate of Walter Pratt. He was a first cousin of Hermon. A facsimile appears below.
Noteworthy, is the location of the reception: the “Studio 1733 Marquette Building Chicago, Adams and Dearborn Streets, Chicago”. Recovery of this printed invitation adds several previously unknown facts to the story of their wedding day. The 19th Century Marquette Building is the 21st Century home of the John D. and Catherine T. MacArthur Foundation.
The wedding earlier in the day was a private ceremony. Rev. Edward F. Williams, a Congregational Minister, officiated. Their license, completed in Rev. Williams hand, appears below.
“Marriage: On Christmas Day 1895, in Chicago, he married Carol Louise Brooks, also a sculptor (see their marriage record below). Earlier MacNeil was informed that he had won the Rinehart Roman Scholarship. Following their wedding, the pair left for Rome, passing three years there (1896-1899) and eventually spend a fourth year in Paris where their first son, Claude, was born. During those years they studied together under the same masters and shared the income of the Rinehart scholarship awarded to Hermon. (Carol had also studied sculpture with both Lorado Taft and Frederick William MacMonnies).”
Both Carol and Hermon sculpted for the Chicago World’s Fair of 1893. Carol Brooks was one of Lorado Taft’s “White Rabbits”
Lorado Taft’s “White Rabbits” https://en.wikipedia.org/wiki/White_Rabbits_(sculptors)
Hermon sculpted statues on the Electricity Building (See picture below)
Carol Brooks MacNeil – 1907 – Twelve years after her marriage to Hermon 
H.A.MacNeil ~1895 sketch – The Sun (New York City) 
The Electricity Building housed the Tower of Light, displays by Western Electric, General Electric, American Bell Telephone, Edison’s lasest phonographs. 
The White City Columbian Exposition: http://members.cox.net/academia/cassatt8.html 
New York Public Library – Digital Gallery (655 x 760) 
H.A. MacNeil “Fan Club” Members examine the Marquette Building – 140 S. Dearborn Ave. 
Panel 4 “The de Profundus was intoned 
Panel 3 “Passing two leagues up the river …” 
Panel 2 ” To follow those waters …” 
“To follow those …” Panel 1
Related posts:
- ~ ~ ~ “The Most Happy Young Man I Know” ~ ~ ~ ~ ~ ~ ~ Hermon A. MacNeil ~ Success & Marriage! (13) 1895 Hermon Atkins MacNeil, American Sculptor (1866-1947) MacNeil’s bronze of…
- Hermon MacNeil ~ “The Most Happy Young Man I Know!” (10) ~ Christmas Day 1895 ~ In 1895, Amy Aldis Bradley…
- Hermon MacNeil at the 1893 Columbian Exposition ~ ~ ~ THE CHICAGO YEARS ~ ~ (9) CHICAGO YEARS: Partners and Colleagues When Hermon MacNeil came home to the…
- “PRIMITIVE INDIAN MUSIC” ~ Part 3: 1894 Eda Lord’s Ticket to the Chicago World’s Fair (9) Eda Lord, (the woman who purchased the MacNeil bronze statue,…
- The MacNeil’s Chicago Wedding – Christmas Day 1895 (9) I sit here in Chicago during this Christmas Season, imagining…
- MacNeil – Brooks 120th Anniversary (1895-2015) (7) On Christmas Day one dozen decades ago, Hermon A. MacNeil…
Lincoln Hall Revisited ~ 2017~ 6 year Nose Check-up!
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July 21, 2011. The restored bust on display at the Spurlock Museum at University of Illinois. After a thorough cleaning and patina restoration, MacNeil’s Lincoln bust went on public display for one year in the Spurlock Museum. This was the first showing of the piece in full circle — 360 degree visibility.
MacNeil’s Abe Lincoln (above) was cleaned and the patina restored in 2011 when Lincoln Hall was reconstructed for its 100th Anniversary.
After six years back in his old niche in the east foyer entrance of beautiful Lincoln Hall, I was curious about how much wear Lincoln’s “lucky nose” had sustained from student caresses on their way to exams and classes.
So, while traveling to visit family in Kentucky, Virginia, and NC in July 2017, we made opportunity to spend the night in Urbana, Illinois. We turned very appropriately onto “Lincoln Street” off of I-74 and found a motel for the night.
The next morning (Monday, July 31st) we ventured off toward the restored Lincoln Hall on the University of Illinois campus. Wiggling through blocks of summer street construction into Wright Street, we parked and walked toward the Main Quad.
Larado Taft’s Alma Mater
Lorado Taft’s powerful allegorical grouping “Alma Mater” (with Learning and Labor) at the corner of Eighth and Wright Street greeted us. (Taft was the alumnus who recommended MacNeil’s bust of Lincoln over other artists considered for placement in the Hall in 1924.) For More on Taft click HERE
We met an alumnae who had dropped her son off for summer workshops. She asked us to take her picture with the Alma Mater behind her. Turned out she was originally from Beresford, SD and planned to retire in the Black Hills. Small world.
Abe Lincoln’s nose has a well worn shine again. The patina restoration in 2011 has given way to the”petting” and “well wishes of 100’s of hands” seeking blessings from Old Honest Abe.
We walked into the old quadrangle at the center of campus. Walking the brick walks of the lush green lawn. we arrived at the east entrance of Lincoln Hall. We stopped to admire the terra-cotta bas-relief panels placed above the high windows of the building. They depict scenes from the life of the prairie lawyer memorialized in this beautiful hall.
The restored East Foyer of Lincoln Hall with its gilded vaulted ceiling and columns makes a dramatic setting for Hermon A. MacNeil’s bust of Abraham Lincoln as the famed prairie lawyer who left Illinois to lead the nation through the War to preserve the Union and the succession South states.
Entering the East Foyer, we could see the Lincoln bust before us. The magnificent Beaux Arts style of the ceiling formed a vaulted arch spanning above the wings of the white marble stairs and landing. This splendidly restored foyer dominated the life-size bust of our sixteenth President centered on the landing in its gold-leafed niche.
The tradition of touching Lincoln’s nose for “good luck” has passed on to another generation of Illini students since the restoration.
Even from the doorway a “bronze glow” could be glimpsed on Abe Lincoln’s nose. He was wearing his well-worn shine again. As predicted, the brown patina of the 2011 restoration had given way to the”petting” and “well wishes of 100’s of hands” seeking blessings from Old Honest Abe. The tradition has carried on to Lincoln Hall’s second century.
The bronze relief plaque containing the words of the Address at Gettysburg was on our right. The gold gilding of the column capitals and the rosettes in the vaulted arch of the ceiling, gave an inspiring elegance to this hall of remembrance.
In the elegance of this hallowed hall, Abe’s “accessible nose” adds a tactile legacy and fitting tribute to learning in the “Land of Lincoln.”
MacNeil – Brooks 120th Anniversary (1895-2015)
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Carol Brooks MacNeil – 1907 – Twelve years after her marriage to Hermon
H.A.MacNeil ~1895 sketch – The Sun (New York City)
On Christmas Day one dozen decades ago, Hermon A. MacNeil and Carol Louise Brooks were married in Chicago, Illinois. The pair were both sculptors who met while working on the World’s Colombian Exposition of 1893, better known as the Chicago World’s Fair.
Carol was a student of Lorado Taft and became one of the White Rabbits. These female sculptors were hired (commissioned) to help finish the 100’s of sculptures needed to finish the buildings, fountains, arcades, for the White City of the Chicago Worlds Fair.
Previous postings celebrate this MacNeil-Brooks Wedding:
Eda Lord’s Chicago World’s Fair Ticket from ‘Chicago Day.’ (Her great-great grandson, Jim Dixon found it an a box of her memobilia from the era when she bought her MacNeil sculpture.)
