WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil,  of the Beaux Arts School American classic sculptor of Native images and American history.  ~ World’s Fairs, statues, monuments, coins, and more… ~ Hot-links ( lower right) lead to works by Hermon A. MacNeil.   ~ Over 200 of stories & 2,000 photos form this virtual MacNeil Gallery stretching east to west  New York to New Mexico ~ Oregon to S. Carolina.   ~ 2021 marks the 155th Anniversary of Hermon MacNeil’s birth. ~~Do you WALK or DRIVE by MacNeil sculptures DAILY!   ~~ CHECK it OUT!

DO YOU walk by MacNeil Statues and NOT KNOW IT ???

Archive for Washington Arch

Hermon MacNeil was the first president of the Clan MacNeil Association of America.  This summer, the Galley will contain a feature article about him, written by Dan Leininger, webmaster of this website — HermonAtkinsMacNeil.com.

"The Galley" Spring/Summer 2013; Clan MacNeil Association of America

“The Galley” Spring/Summer 2013; Official Publication of the Clan MacNeil Association of America

The previous posting of February 8, 2013, entitled, “MacNeil Kinsman ~ Hermon Atkins MacNeil and Robert Lister MacNeil,” tells part of the story of these two men.

Vicki Sanders Corporon, editor of the Galley, has accepted the article and accompanying photos that tell more of the story. She said in recent correspondence:

“Thanks for sending such excellent photos of Hermon’s sculptures. I know their inclusion, along with your article, will be the highlight of the upcoming issue! He really was one of America’s finest sculptors … how important is your mission to make sure he is fully appreciated!”

Sculpture photos of the Supreme Court (East Pediment); George Washington from the Washington Arch in NYC; Abraham Lincoln from University of Illinois; Ezra Cornell at Ithaca; Confederate Defenders Monument (1932) Charleston harbor, SC; and George Rogers Clark at Vincennes will illustrate the story.

On May 26, 1921, the Clan MacNeil Association of America was organized in New York City.  Central to that moment were Robert Lister MacNeil, (The MacNeil of Barra – 45th Chief of the Clan), and Hermon Atkins MacNeil, the clan’s first president.

Stay tuned for more as the publication is released. 

The face of the General shows marble worn through 97 years of exposure and harsh cleaning.

The face of the General shows marble worn through 97 years of exposure and harsh cleaning.

On this 281st anniversary of the birth of George Washington (Feb. 22, 1732), we visit Hermon MacNeil’s famous statue in Washington Square, NYC.  Photos here show it both today and in MacNeil’s original plaster model of 1915 from his College Point studio.  His model was located just this past year. (See photos below).

CLICK BELOW for The Washington Arch as New Yorkers and visitors stroll southward from Fifth Avenue into Washington Park.

http://forgotten-ny.com/2011/11/a-walk-on-waverly-place/37-arch/

CLICK BELOW for General George Washington ~ MacNeil’s patriot Commander of the Continental Army.

http://forgotten-ny.com/2011/11/a-walk-on-waverly-place/39-washington-3/

CLICK BELOW for President Washington ~ Alexander Stirling Calder’s rendition of the civilian “Mr. President”

http://forgotten-ny.com/2011/11/a-walk-on-waverly-place/38-washington-2/

BELOW is my photo of MacNeil’s original studio plaster model for the George Washington Statue.  It is about 3 1/2 feet tall. 

George Washington as Commander-in Chief by H.A. MacNeil

Original Plaster model for “George Washington as Commander-in Chief” by H.A. MacNeil

The actual statues on the Arch are 12 feet tall.  They were both carved by the Piccirilli Brothers.  To see a clay model for the piece CLICK BELOW  =>

http://www.lehman.edu/academics/arts-humanities/piccirilli/img44.php

The Picarrilli’s were a  famous family of stone-carvers and sculptors who made many of the great sculpture carvings of that period (early 20th century).

Here are a few images of  Independence from Hermon Atkins MacNeil for this 237th Fourth of July Day in the United States of America.

1) From Vincennes, Indiana at the George Rogers Clark National Monument, Here is a hero of the American Revolution:

MacNeil’s “George Rogers Clark” in the rotunda of the National Monument in Vincennes, Indiana (Photo credit: Dan Leininger – webmaster)

The ranger at the monument commented on the proud dignity that MacNeil’s work conveys in the face and stance of this 26 year-old Virginia patriot, Col. George Rogers Clark. (Photo: Dan Leininger ~ webmaster)

On a recent visit to the monument, the National Park Ranger commented on the pride and confidence that Hermon MacNeil placed in his rendering of Clark’s gaze and pose for this sculpture.  Clark, a Virginia Militia officer, won the approval and support of Patrick Henry, Governor of Virginia, to conduct a daring attack on the British in the Western frontiers.  Clark crafted, trained, and commanded a special force of two hundred frontiersman, militia, and Kentucky sharpshooters.  Their loyalty to the cause and Clark’s strategy of surprise resulted in capture of the British fortifications on the Western frontiers along the Mississippi, Ohio and Wabash Rivers at Vincennes, IN; Cahokia, IL; Kaskaskia, IL  Enduring severe winter hardships, starvation, and sickness their monumental military achievement resulted in British withdrawal from the West and the surrender of territories east of the Mississippi in the Treaty of Paris in 1783. These are due in part to Clark’s Victories.  He was the oldest of a family of famous brothers.  In 1804 his brother William Clark, along with Meriwether Lewis, would explore the Louisiana Purchase west of the Mississippi for President Jefferson.

2. From New York City, Washington Square Arch. ~ “George Washington, Commander in Chief” by Hermon A. MacNeil.

1916 Photo of the installation of the MacNeil statue. Thia appears to have the statue sitting in the right hand leg of the Arch. The left leg is where it was permanently installed. Photo Credit: John Gomez, NYC.

 

General George Washington with Flags (U.S. and POW/MIA) ~ Washington Arch Greenwich, NYC (Photo courtesy of: Gibson Shell – 2011)

 

 

 

 

 

 

 

 

 

 

In 1916 the northeast statue pedestal received its Washington statue after being empty for over 20 years.

The other shelf of the Arch remained empty until 1918 when Alexander Stirling Calder’s “Washington as President” was installed.  The installation on the right is a bit confusing.  This photo was salvaged from a NYC flea market in June 2012 by John Gomez and used with his permission. John purchased this and other photos of interest to this MacNeil researcher and has graciously allowed their use by webmaster.  This ‘strange’ photo shows the MacNeil statue resting on the right-hand side of the Arch where the Calder statue would be placed two years later.  (The ladder, rope and pulleys suggest “Men at Work.”  Compare the 2012 photo to its left.)

For MacNeil this event took place the same year as the first issue of his sculpture for the U.S. Mint’s “Standing Liberty Quarter.”

For more on the Washington Arch: CLICK HERE

3. From Philadelphia, PA. “The Civil War Soldiers and Sailors Monument.”  Benjamin Franklin Parkway.

Jim Haas, author and College Point native, sent this Philadelphia shot of Hermon MacNeil’s Soldiers and Sailors Monument on the Benjamin Franklin Parkway. That is a rare shot of Jim himself, taken by Lynne, his director of public relations. : ) Jim is a Friend of HermonAtkinsMacNeil.com and a generous researcher for the website.  CLICK HERE for Jim’s Books

The second half of the American Revolution (the preservation of the Union) is commemorated in this pair of 60 foot monuments on either side of the parkway entrance.

The back of the monuments read:

~~ “ONE COUNTRY, ONE CONSTITUTION, ONE DESTINY” ~~

~~ “IN GIVING FREEDOM TO THE SLAVE,

WE ASSURE FREEDOM TO THE FREE.” ~~

HEAR & VIEW PHILADELPHIA’S PRIDE IN THIS MACNEIL ART AT:

CLICK HERE  and THEN run video by VIMEO.COM

 

FOR MORE INFO ON THESE MacNeil works see:

  1. DC Memorials – excellent photos ~ CLICK HERE
  2. Philadelphia Pride – “Soldiers & Sailors Monument” ~ by H. A. MacNeil (31.4)
  3. 75th Anniversary of the George Rogers Clark National Monument (9.2)
1895
Hermon Atkins MacNeil, American Sculptor (1866-1947)

MacNeil’s bronze of Blackpipe, a Sioux warrior he befriended in 1893 (source Smithsonian Archives)

December of 1895 was an exciting time in the life of Hermon A. MacNeil — A time when he was described as “the most happy young man I know.”

Chicago. In fact, 1985, in general, had been a productive year for the sculptor.  Following the 1893 Chicago World’s Fair, times had been tough for both artists and Fair workers.   MacNeil had found Black Pipe, (the Sioux from Buffalo Bill’s Wild West Show), cold and hungry on the streets of Chicago.  He took him in as studio help and a model for future sculptures. 

Marquette.  During 1895, Hermon had completed the four bronze panels depicting the life of Fr. Jacques (Père) Marquette.  They were put in place over the four entry doors of the Marquette Building (CLICK HERE) where he and his artist friend, Charles F. Browne, shared a studio. 


Panel 4 – “The de Profundis was intoned ..

According to information from the MacArthur Foundation (current owner and curator of the Marquette Building), Amy Aldis Bradley wrote in 1895 to Peter Brooks:

After commissioning MacNeil for the exterior bronzes, Aldis wrote to Peter Brooks, “McNeil’s [sic] panels are being placed in position. It is greatly to their and his credit that these bas-reliefs have won for him the Roman [Reinhart] Fellowship. The Commission, choosing him as the best of the very young men…The young sculptor was married on Christmas Day, and sailed for Rome on Wednesday, and is, on the whole, the most happy young man I know. He is very grateful to the owners of the Marquette Building.” (http://marquette.macfound.org/slide/herman-macneil/ )

 Rinehart Prize. In December,  he received news that he had been named as recipient of the Rinehart Roman Scholarship for study in Rome.  Newspapers such as the Nov. 25, 1895 Chicago Tribune (CLICK HERE), and the Dec. 22, 1895 -New York Sun, (CLICK HERE) (columns 5 & 6), contained the news of the selection of this 29 year-old western artist to receive the Prix Rome.

H.A.MacNeil ~1895 sketch - Chicago-Sun
H.A.MacNeil ~1895 sketch – The Sun (New York City)

The sculptors on the committee that selected MacNeil for the  award were the ‘giants’ among American sculptors of the 19th century. As mentioned in the above newspapers, the Rinehart Roman committee included Augustus Saint Gaudens, John Quincy Adams Ward, and Daniel Chester French

These famous sculptors were in the prime of their careers.  Saint Gaudens, at 47, had been the sculptural advisor for the 1893 World’s Columbian Exposition in Chicago.  One tradition suggests that MacNeil asked Saint Gaudens for a letter of reference to Phillip Martiny that got him work on the  that Exposition in  1893. John Quincy Adams Ward, at age 65 was the ‘grandfather’ of American sculptors, and the founder as well as standing president of the National Sculpture Society. Daniel Chester French, age 45, was also a founding member of the National Sculpture Society, and sculpted the colossal sixty-foot golden “Republic” centerpiece statue for the Chicago Fair. ( A thirty foot tall miniature golden replica of which still graces Jackson Park in Chicago today.)

Marriage:

On Christmas Day 1895, in Chicago, he married Carol Louise Brooks, also a sculptor. Earlier MacNeil was informed that he had won the Rinehart Roman Scholarship. Following their wedding, the pair left for Rome, passing three years there (1896-1899) and eventually spend a fourth year in Paris where their first son, Claude, was born.  During those years they study together under the same masters and  live on the shared income of Hermon’s Rinehart Scholarship.  (Carol  had also studied sculpture with both Lorado Taft and Frederick William MacMonnies and been a member of “The White Rabbits” ~ a self christened group of women sculptors called in to complete the massive work load of ‘staff’ statues needed for the Chicago Fair in 1893. )

Future:

Other events from 1895 would later unfold into sculpture-opportunities for Hermon MacNeil. In May in Greenwich Village, New York City, Stanford White, with assistance from both Frederick MacMonnies and Phillip Martiny, completed a permanent Washington Arch. 

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1895 photo of Empty pedestals on the new Washington Arch with New Yorkers strolling into the popular park.  The skyline includes Judson Memorial Church tower to the right of the Arch.  NYC Citizens would wait more than twenty years before the MacNeil and Calder tributes to George Washington as Commander-in-Chief and as President would be commissioned and put in place in 1916 and 1918. (Photo credit: NYC -Architecture.com: ~  http://nyc-architecture.com/GV/GV046WashingtonSquareArch.htm)

The first one, made in 1889 of paper and wood, commemorated the centennial of  the inauguration of  George Washington.  Received with great popularity, the citizens of NYC demanded a permanent Arch monument for their first President.  White’s design was dedicated on May 4, 1895 with two empty pedestals, meant for statues of Washington.  These niches on the north face of the monument remained empty for almost two decades before MacNeil’s statue of Washington as Commander-in-Chief would fill one pedestal (east side, in 1916), and Alexander Stirling Calder’s statue of Washington as Statesman would fill the other (west side, in 1918).

General George Washington with Flags (U.S. and POW/MIA) ~ Washington Arch Greenwich, NYC (All Photos Courtesy of: Gib Shell ~ KC, MO)

General George Washington ~ gloves-in-hand and hand-on-sword

MacNeil's "Washington at War" with 'Valor' in profile to the right

MacNeil's "Washington at War" ~ visioning leadership

 

 

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MacNeil's 12' 8" statue Washington (left ) from the other side of the Arch.

George Washington

 February 22, 1732

Pictured below is Hermon A.  MacNeil’s sculpture of General Washington in the uniform of the General in Chief of the Continental Army placed on the easterly pedestal base of the memorial Arch on May 27, 1916.

H. A. MacNeil's "Washington at War" balances the east side of the Arch in Washington Square while Alexander Stirling Calder's "Washington as President" graces the west side. Both sculptors studied at the Ecole des Beaux-Arts in Paris and represent that art style.

The first Washington Arch was constructed to commemorate the centenary of George Washington’s inauguration as the first President of the United States.  That Memorial Arch was a temporary structure meant only for the celebration in 1889.

“The first arch was made of wood, designed by Stanford White, great architect of the age of opulence. It was originally constructed for the Centennial of Washington’s Inauguration. The celebration took place on April 30, 1889. Festooned with papier mache wreaths and garlands of flowers, lit up with hundreds of newly invented incandescent lights, the whole thing cost a whopping $2700. The arch was the hit of the ceremonies. Two days later the Marble and final version was commissioned. White also designed that. By April of 1892 the last block was in place, though the arch wasn’t dedicated until May 4, 1895!”

“Washington’s likenesses were not added until 1916 when the east pier’s “Washington at War” by Herman MacNeil was unveiled. Two years later the west pier’s “Washington at peace” by A. Stirling Calder was dedicated. Both have suffered erosion during the age of the automobile and the formerly fine features of Washington are pitted and broken down so, he is no longer really recognizable. Perhaps it’s time to redo them in bronze. For the next century. Why not?”  

http://www.nyc-architecture.com/GV/GV046WashingtonSquareArch.htm

Calder's "George Washington as President" as it appeared before restoration.

Stanford White, of the architectural firm of McKim, Mead and White, (click name to see their work) was one of the first to be associated with the City Beautiful and the Beaux Arts movements dedicated to cleaning up American cities and planning them with order and artistic beauty.  The Arch stands at the end of Waverly Place and Fifth Avenue. The neighborhood was lined with mansions of the wealthy in the gilded age before World War I.

“The Gilded Age was a time of pomp and peace and prosperity. Never before were the gaps between the rich and poor so sharply divided as they were in those quiet years before The Great War of 1917. Without personal income tax to curtail immense fortunes in America’s burgeoning industries, millionaires flourished and paraded their wealth for all the world to see. The magnificent mansions of John D. Rockefeller, J.P. Morgan and Andrew Carnegie stand like faded peacocks along New York’s Fifth Avenue to this day, bearing silent tribute to a luxurious past long faded into time.”

 Marjorie Dorfman at http://www.nyc-architecture.com/ARCH/ARCH-McKimMeadandWhite.htm

According to the Daily Planet, Washington Square ARCH is one of the great place to celebrate Washington’s Birthday:

George Washington Sculptures at Washington Square Arch, Washington Square Park
Designed by architect Stanford White, the Arch was dedicated in 1895. Washington as Commander-in-Chief, Accompanied by Fame and Valor was designed by Hermon Atkins MacNeil and was installed in 1916. Washington as President, Accompanied by Wisdom and Justice was designed by Alexander Stirling Calder and installed in 1918. A major restoration of the arch was completed in December 2004.
http://www.nycgovparks.org/parks/M090/news

 

 

WHAT YOU FIND HERE.

Here is ONE place to go to see sculpture of Hermon A. MacNeil & his students. Located in cities from east to west coast, found indoors and out, public and private, these creations point us toward the history and values that root Americans.

Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the work from all angles, including setting.
2. Take close up photos of details that you like
3. Look for MacNeil’s signature. Photograph it too! See examples above.
4. Please, include a photo of you & others beside the work.
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