WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Archive for Washington Park

Hermon MacNeil’s “Chief of the Multnomah” was cast in full size and half size versions.  This one was Discovered by a reader of this website several years ago in Vernon, New Jersey.  Here was a brief note that was sent to the website:

Another Chief of the Mulnomah

Another Chief of the Multnomah

I’ve been noticing a magnificent piece of the scultpture for the past few years, located in Vernon N.J. at the Minerals Spa and Resort. After closer examination I discovered it is Chief Multnomah with his arms crossed, standing on tip toes looking outward. “The coming of the white man” is the title usually ascribed to this work, but in this case the chief stands alone without his scout or assistant as pictured on your web-site. It is signed simply, H.A. Macneil S.C. 04. Just thought it was a variation of the piece that you might find interesting.I’m not really sure how long its been there, because I’m relatively new to the area. Being a sculptor myself and one that is particularly fond on the late 19th cent/early 20th cent period, with the likes of Rodin, Bayre, Dega, etc. Macneil certainly is a strong and salutory member of that period. Regards, D. Moldoff.

My response was as follows:

Dear D. L. Moldoff,

Thanks for noticing sculpture around you and sharing the information.  The ‘Chief Multnomah’ is the larger Half of H. A. MacNeil’s “The Coming of the White Man.” (COTWM). While the COTWM piece is only at the Washington Park in Portland, OR, where it was commissioned for that city.  The original plaster sculpture model is in the Poppenhusen Institute in Queens, NYC, just blocks from MacNeil’s studio.

(Click HERE ) for link to my archives of seven post on Chief of the Mulnomah.)

There are multiple castings of this single piece, the “Chief Multnomah”, possibly over 20 in total. I believe there are at lease two groupings of 12 casts and 9 casts of this statue. I have found information and location on three other ‘Multnomah’s. Plus there are many smaller (half-scale) casts of this sculpture.

Thanks again.

Dan Leininger

These are the related entries for this story. For MORE see these previous posts:

  1. Hermon MacNeil ~ Postcard ~ 2012 MacNeil Month #1 ~ “Coming of the White Man” (9)
  2. Poppenhusen Institute makes MacNeil Collection Appeal! (8)
  3. Portland – Coming of the White Man (7)
  4. “Chief of the Multnomah” ~ DO WE HAVE ONE? ~ ??????? (7)

Hermon A. MacNeil’s plaster sculpture of “George Washington”made as his studio plaster model nearly a century ago.

Recognize this Patriot?

You can HELP HIM return to College Point. 

Here are a few clues:

  1. The piece you see here is less that 1/3 the size of the actual statue (pictured below).
  2. For the last 64 years it has been in storage at a museum over 800 miles from MacNeil’s studio in College Point, Queens, NYC where it originated.
  3. Along with a dozen and a half other plaster casts from MacNeil’s studio, this stately Commander left College point after the sculptor’s death.

If the Poppenhusen Institute and Susan Brustmann, the director, have their way, this “General Washington” may spend his 2nd century as a “permanent resident” of the community where Hermon MacNeil sculpted him.

“George Washington as Commander-in Chief” ~ A recent photo of this MacNeil work that has graced the Washington Arch in Greenwich Village for the last 96 years.

 A NEW HOME at the POPPENHUSEN INSTITUTE (MORE)  is being offered just blocks down the street from where MacNeil’s hands fashioned this commemorative piece.

Susan Brustmann, director of the Institute, informs us that discussions are underway to bring these MacNeil statues home. 

For 64 years they have been in the inventory and care of a midwestern museum that has decided to de-assession the pieces.  Seldom seen, never permanently exhibited, and soon to be de-assessioned, over a dozen others may return to College Point.

But your help is needed.

YOU CAN HELP! CONTACT us at:

HAMacNeil@gmail.com

Stay tuned for updates.

Related posts:

  1. Poppenhusen Institute makes MacNeil Collection Appeal! (14.8)
  2. MacNeil Sculpture at Poppenhusen Institute (11.2)
  3. MacNeil Park – College Point, Queens, NY (17)
  4. MacNeil Postcard #3 ~ ‘From Chas. Aug 24, 1907′ (8.4)
  5. Confederate Defenders Statue – White Point Gardens & the Battery (8.6)

 

February is “MacNeil Month at HermonAtkinsMacNeil.com

Feb 27th, 2012 is the 146th Anniversary of Hermon MacNeil’s birth.

Hermon MacNeil’s “Coming of the White Man” sculpture in Portland, OR, appears to be the most popular postcard of all his statues.

"Coming of the White Man" (Postcard credit: Gibson Shell, KC MO)

Hermon A. MacNeil’s “Coming of the White Man” in Portland Oregon has an interesting story of the  boulder-like stone that forms its base.  This postcard image from Gib Shell shows the enormous granite stone on which MacNeil placed the statue.

The story, as I read it from a newspaper interview from about 1905, went like this.  MacNeil was very particular about how his sculptures were mounted. Many of them were placed on bases that he made as a special part of the piece.  The Marquette-Jolliet-Illini grouping in Chicago, the “Confederate Defenders” statue in Charleston each have stone bases with carvings, words, and art details that compliment the piece.

MacNeil wanted a stone base that fit into the wooded setting of Washington Park (Plaza Park) in Portland,Oregon.  The site for the statue, I am told, overlooks the Columbia River to the East.  The Native American pair [a Chief of the Multnomah, and the Medicine Man (scout)] look into the river valley and spy the first White explorers coming to their region.  MacNeil portrays the Chief as tall, proud, and serene, while the Medicine Man is aroused, eager, and excited.  [See: ” If MacNeil’s “Chiefs” Could Speak, What would They tell us Today? ].   

MacNeil considered the cost of shipping a stone from New York.  He decided it would cost too much.  But he knew what he wanted in a stone.  So he made a plaster model (that is what sculptors do).  The model was 1/3 the size of the stone that he wanted.  Then he shipped it with the statue to Portland.  He sent instructions that a stone be found sufficient for a base. 

When the statue arrived in Portland, Hermon came and found that no one had looked for a stone as he requested.  So he took his 1/3 plaster model, put it in a boat and traveled up the Columbia River to a granite quarry about 20 miles up river.  Leaving his plaster model in the boat, he went to the quarry and found a piece of granite sufficient to shape for a natural looking base.   Finding a suitable stone, he had it transported to a barge and them brought up the river.  At the foot of the hill where the statue was to be placed, it took a four horse team to pull the stone up the hill (this was 1904 remember).

MacNeil must have sculpted the base on site.  It bears the name of the statue and the information on the donor.  When looking at a sculpture I seldom take time to consider the base, pedestal, or the setting in which the sculptor, artist, architect may have placed it. I hope MacNeil’s story adds to your curiosity and appreciation of his work.

This photo shows the upper base of the statue as part of the casting itself with the name sculpted into the base. This sits on the boulder that MacNeil crafted for the setting from Columbis River granite. (Postcard courtesy of Gibson Shell, KC MO)


 

 

There is another “Chief of the Multnomah.”

Today I received four unsolicited photos in my website email.  Three are posted below. The only message was the words, “I need help with this.”

I responded with “What help do you need with this?”

“A Chief of the Multnomah” is silent, but If he could only speak and share his observations of 150 years with the White Man.

The one word answer came back, “Valuation.”

So, I asked for permission to post the photos on this website. I added that the photos: 

“are excellent examples of public works of HA MacNeil that are not publicized in the art world. I was not aware of this public sculpture until your inquiry.”

My responses included:

1. An explanation that I am neither an art appraiser nor an art dealer.  I also expressed curiosity as to where the statue was located in such a park-like setting.

2. I identified myself as the webmaster of HermonAtkinsMacNeil.com. I  stated that I build and maintain this website to gather information on the sculpture and life of Hermon A. MacNeil.  I stated that it has attracted people like the inquirer who wanted more information.

3. So I offered the following information: I recognize the piece in the photographs as “A Chief of the Multnomah.”  The  photo of MacNeil’s signature is very helpful. (See below). The ‘H.A. MacNeil, SC’ was his typical marking.  “SC” was his abbreviation for ‘sculptor.’  The ’04’ would indicate a completion date of ‘1904’ for the sculpture. The 4/9 would suggest this is the 4th casting of 9 castings of this piece.  There is probably a marking of RBW or “Roman Bronze Works” somewhere on the sculpture also. They were the foundry that MacNeil (and dozens of other American sculptors) used most extensively.

The signature reds: "H.A MacNeil, SC. 04" and "4/9"

4. I passed along information of a recent estate auction in Queens, NY  a where a “Chief of the Multnomah” statue was sold.  While I do not have documentation, I remembered reading a sale price somewhere in the $35,000 range. I suggested that this other piece might be one the ‘nine’ cast with this 4th-of-9 castings. See section 7 below and the links there for a bit more on that Michael Halberian Estate Sale.

5. I told how MacNeil later combined ‘Chief Multnomah  with a smaller accompanying figure of a native medicine man standing by the chief. That larger sculpture he called, “The Coming of the White Man.”  It stands in Portland, Oregon in Washington Park. See my posting at:
https://hermonatkinsmacneil.com/2010/05/17/portland-coming-of-the-white-man/  

6. I also told how the original plaster sculpture model of the “Coming of the White Man” was given by MacNeil to the Poppenhusen Institute in College Point, Queens, NYC, which is just up the street from the location of MacNeil’s studio and home (now destroyed). Here is more of the story on that:
https://hermonatkinsmacneil.com/2010/09/15/macneil-sculpture-at-poppenhusen-institute/  

"A Chief of the Multnomah" looks over the Choptank River on Maryland's Eastern Shore.

7. I then offered more about that recent estate auction featuring “A Chief of the Multnomah” (which is the right-hand half of the “Coming of the White Man” pair.)

Everything Must Go” was a feature story in the “Queens Chronicle” by Elizabeth Daley, editor (March 11, 2011).  Michael Halberian lived in the former Steinway Family Mansion.  It is uncertain whether the MacNeil sculpture was a Steinway heirloom that sold with the mansion or whether Mike discovered it in his appraisal work. (Some stories say he had is cast from the plaster original model.)

At that point I still had no idea where the statue was located.

Neither do you until next posting.

AND THAT IS THE BEST PART OF THE STORY. 

STAY TUNED!

Categories : Location, Sculptures, Statue
Comments (0)

The Poppenhusen Institute (just blocks from the site of MacNeil’s Studio and home) in College Point, Queens, NYC has made an urgent Appeal for $3000.  The money will secure the shipment and handling of several MacNeil Statues being donated to the Institute.

The Poppenhusen Institute houses this plaster model of “A Chief of the Multnomah” donated in 1920 by MacNeil. It represents half of the “Coming of the White Man” grouping comissioned in 1904 for the City of Portland, Oregon by the family of David P. Thompson. (photo courtesy of Bob Walker, College Point)

An Appeal

The Landmark Poppenhusen Institute in College Point, Queens has been presented with the opportunity to obtain a number of statues by Hermon Atkins Mac Neil. We are anxious to accept this offer since Mac Neil was the head of the art department at the Institute for many years and also served as its president. He also lived in this community of more than 40 years.

The cost of packing, and transporting these sculptures is $3,000. Won’t you consider contributing to this cause. You can learn more about the Institute, visit our website at www.poppenhuseninstitute.org.

We are a tax exempt (501C3), therefore all donations are tax deductible according to the N.Y.S. Tax Deduction Law.

Checks can be sent to: Poppenhusen Institute, P.O. Box 91, College Point, NY 11356

Thank you for your anticipated support.

Susan Brustmann

Bob Walker (illustrator, sculptor, and long time College Point resident), has informed us just yesterday of these needs and developments.  He also sent the wonderful detail photo of “The Coming of the White Man” shown above. This plaster model is MacNeil’s original sculpture from which the Portland bronze grouping was cast by Bureau Brothers foundry of Los Angeles.  This original work is on display in the auditorium of the Institute. Bob has also told us that:

These plaster works will be joined by other pieces by MacNeil being donated to become in the future, a substantial MacNeil collection to be exhibited at Poppenhusen.

The Poppenhusen Institute built in 1868 by Conrad Poppenhusen was established to be a learning institute open to all people providing the opportunity to improve their lives by offering adult education and the first free kindergarten in the USA in 1870. It continues to serve the community by offering Theater groups, Music and Art programs, Lectures, Historic exhibits and creative workshops for children.

Susan Brustmann and her dedicated staff have done an amazing job of keeping the Institute together with creativity and hard work.

This request for funds is a first step in expanding the MacNeil Collection of the Institute.  Thanks to the Poppenhusen Institute, its donors, and the people of College Point, Queens, the MacNeil Collection there can be expanded.

MacNeil Park was dedicated by Mayor Lindsey in 1967. That act permanently placed the name of Hermon A. MacNeil” in the community he and Carol loved, and where their home and studio stood for 50 years.

Bob Walker has lived in College Point for 46 years just a few blocks from the site of the MacNeil studio and home. Bob also gives us the ultimate web-surfer compliment, “I have really enjoyed your website as I am a fan of MacNeil’s work and I’m grateful to find a site dedicated to his sculpture.” (Thanks Bob for your ongoing contribution here as well. – webmaster Dan)

PLEASE HELP these MacNeil sculptures to come home to College Point. Send your check today to: Poppenhusen Institute, P.O. Box 91, College Point, NY 11356

Hermon served as president of the Poppenhusen Institute board and donated the his original plaster model. Click in this link for a stunning photo and the Poppenhusen story — “The Coming of the White Man” .

A previous post here tells the whole story.  CLICK HERE.

[mappress mapid=”33″]

MacNeil’s “Moqui Runner” is running through a prominent Chicago Library. The “Runner’s” race began in 1924 and continues into the 21st century.

Macneil's "Moqui Runner" has silently raced through the Newberry Library since 1924

According to Scott Manning Stevens, Ph.D. (director of the McNickle Center at the Newberry), it is very likely that this Moqui belonged to Edward Everett Ayer himself. Its dimensions are the same as those specified in this AIC collection entry [AIC – “Moqui Runner”]

Edward Ayer also encouraged the young McNeil to travel to the American west and southwest. He urged artists and sculptors to capture the vanishing images of the native culture. In addition he was a patron of many artisans in such travels and western studies.

A portrait of Ayer’s office painted by his nephew, Elbridge Ayer Burbank, includes two MacNeil statuettes (light gray pieces) sitting on the bookcases. The one on the left resembles “Early Toil” (a figure of a native American woman carrying many objects of her daily labor). The other figure on the right appears to be “A Chief of the Multnomah”  (an arrow straight chief standing proudly with his arms crossed over his chest). This second piece became the right half of the “Coming of the White Man” grouping that can be seen in Portland’s Washington Park and in Poppenhusen Institute in College Point, Queens, NYC (and in the previous post of June 1, 2011 on this website-see link at bottom).

 

MacNeil has captured the intensity of the Hopi Runner.

The fact that Ayer private study would include these two MacNeil sculptures offers perpetual record to his connection to the artist and patronage of his western work. The fact that Ayer’s nephew included them in his painting composition bears testimony to his awareness of his uncle’s identity with MacNeil pieces.

 

MacNeil's swift Runner, balanced on one foot, remains frozen in time from the 19th, to 20th, to 21st Centuries. (Webmaster's photo: D. Leininger - background removed to enhance image)

MacNeil had Blackpipe model in his Chicago studio that he shared with C. F Browne after the 1893 Chicago World’s Fair.  Blackpipe continued to work for him through 1894.  This all gives evidence of his fascination with Native people and  making them subjects of  his sculpture. His travels in 1895 to the southwest (later called the four corners area) greatly influenced his sculpture choices for years to come. These works became the objects of his early public acclaim. Yet their influence remained throughout his career both personally and publicly. In 1931, for example, the Society of Medalists commissioned him to make their annual medal. The “Prayer for Rain” (the obverse – patterned after the “Moqui” shown here) and the “Hopi” (reverse) became his chosen subject.   [“Hopi” was the later preferred spelling of the earlier “Moqui.”]

MacNeil’s Exhibit  listings for the 1901 Pan-American Exposition are recorded in “The Catalogue of the Exhibition of Fine Arts.” Pan-American Exposition: Buffalo, 1901. p. 45-46; 59 This document indicates that the statue belonging to E. E. Ayer, Esq by 1901 was the one exhibited in the Pan-American exposition and receiving the Silver Medal in the Paris Fair of 1900.  It appears that the Ayer Moqui pictured here is that same sculpture.

Records in the Catalogue of Pan-American Exposition of 1901 in Buffalo, NY are as follows:

  • H. A. MacNeil:
  • #1613. The Sun Vow – Silver Medal, Paris Exposition, 1900.
  • #1614. The Moqui Runner – Silver Medal, Paris Exposition, 1900 (Lent by E. E. Ayer, Esq)
  • #1615. Bust — Agnese
  • #1616. Bust – [Lent by C. F. Browne, Esq.]
  • p. 59.
  • MacNeil, H. A., 145 West 55th Street, New York, N. Y. (II*) 1613-1616
  • *II – indicates MacNeil exhibited in “Group II – Sculpture, including medals and cameos” p. 49.

The Art Institute of Chicago lists the following collection information:

MacNeil's "Moqui Runner" at the Newberry Library (photo by webmaster - bkgd removed)

  • Hermon Atkins MacNeil
  • American, 1866-1947
  • The Moqui Runner (The Moqui Prayer for Rain—The Returning of the Snakes), Modeled 1896, cast c. 1897
  • Bronze
  • H. 57.2 cm (22 1/2 in.)
  • Signed on side of base: “H. A. MAC NEIL. Sc. Fond. Nelli. ROMA”
  • Inscribed around side of base, front: “THE RETURNING OF THE SNAKES”
  • Inscribed under center of the figure, on base: “THE MOQUI / PRAYER.FOR.RAIN”
  • Gift of Edward E. Ayer, 1924.1350

See Moqui Runner ~ Previous Post

https://hermonatkinsmacneil.com/2010/09/01/the-moqui-moki-hopi-prayer-runner-by-hermon-a-macneil/

[mappress mapid=”31″]

WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
Hosting & Tech Support: Leiturgia Communications, Inc.
COME BACK & WATCH US GROW

WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster