WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style.

~ World’s Fairs, statues, public monuments, coins, and buildings across to country. Hot-links (on the lower right) lead to photos & info of works by MacNeil.

~ Hundreds of stories and photos posted here form this virtual MacNeil Gallery of works all across the U.S.A.  New York to New Mexico — Oregon to South Carolina.

~ 2016 marked the 150th Anniversary of Hermon MacNeil’s birth on February 27,

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

Mar
26

1904 Louisiana Purchase Exposition ~ ~ Saint Louis World’s Fair

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"The Coming of the White Man" ~ MacNeil posed Black Pipe, the Sioux Warrior in Buffalo Bill's Wild West Show that he befriended after the 1893 Chicago Fair. (Antique Postcard courtesy of Gil Shell)

The 1904 Louisiana Purchase Exposition ~ St. Louis World’s Fair, commemorated the 100th Anniversary of the Louisiana Purchase.

At the 1270 acre Forest Park location and the campus of Washington University the Fair was constructed and the Olympic Games were held.

“Fifteen major exhibition Palaces radiated in fan pattern from central Festival Hall in “setting of lagoons, boulevards, gardens, fountains and sculpture” (1,200 pieces of statuary). Electric light, sign of progress then, used “lavishly” for both decoration and illumination. Featured were motor car, aeronautics and wireless telegraphy–all at their earliest, most exciting stage of development; spotlight on auto which had traveled from New York City to St. Louis, then “an unprece­dented feat and a hazardous journey.” Olympic Games held during Exposition in first concrete stadium built in U.S.”

(http://www.so-calleddollars.com/Events/Louisiana_Purchase_Exposition.html)

For the event, MacNeil exhibited three sculptures: “The Moqui Runner,” “A Primitive Chant,” “The Coming of the White Man” (pictured here from period postcard showing the Portland, Oregon setting.)

On a prominent hill of the Forest Park location, Cass Gilbert designed and build the Palace of Fine Arts.  This one permanent building remains 106 years later as the home of the Saint Louis Art Museum (SLAM).

It also became one of many collaborations of Gilbert and MacNeil over the next 30 year.  The most famous of these would be the last in 1932 – the U.S. Supreme Court Building in Washington, D.C.

Gilbert designed the front entrance of this Palace of Fine Arts to bear six Corinthian columns.  The four central columns frame the three MacNeil reliefs sculptures above the three entrance doors.   Inscribed on his center panel are the words “ARS ARTIUM OMNIUM “roughly meaning, “The art of all arts.”

That panel is pictured here.

"ARS ARTIUM OMNIUM" is a MacNeil creation for the 1904 St Louis Worlds Fair

 

This link below on the SLAM website also offers more detail images of all three panels and the building entrance:

Fine Arts by Macneil in Relief on the SLAM website:

The MacNeil work was a part of that “Palace of Fine Art” and his abilities in the Beaux Arts style seemed to seal his collaborative link to many projects grown from Cass Gilbert’s genius.  The inscription “ARS ARTIUM OMNIUM” translates literally from the Latin as “the Art of all Arts.”

Above the columns of the Saint Louis Art Museum are inscribed the words, “DEDICATED TO ART AND FREE TO ALL – MDCDIII.”  That Free to All spirit remains today in that admission is free through a subsidy from the ZMD.

A New York Times article offers editorial on “free art” http://www.nytimes.com/2006/07/22/arts/design/22admi.html?_r=1

Other works completed by MacNeil for the fair were the “Fountain of Liberty” and the massive sculpture “Physical Liberty.” The artist rendition below shows both.  “Physical Liberty” is the large Buffalo sculpture on the right.  A young woman on the other side accompanies the powerful beast.  Detail photos of the fountain are difficult to attain.  Hopefully, more to Come!

In the meanwhile, Enjoy!

 

Artists View of the Louisiana Purchase Exposition ~ Looking north from the Cascades. The Buffalo figure on the right is MacNeil's "Physical liberty." The Dolphins that stair-step down th the cascades are also MacNeil creations.

The MacNeil sculptures above the main entrance of the Saint Louis Art Museum is a fine example of the Beaux Arts style of World Fairs of this era. (Credit SLAM at http://www.slam.org/).

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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ HAMacNeil@gmail.com
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WE DESIRE YOUR DIGITAL PHOTOS – Suggestions

1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil’s signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to HAMacNeil@gmail.com Contact me there with any questions. ~~ Webmaster